Stopped by the City Center Sam Goody store. Corporate is closing it, so they had a big sale. I bought perhaps too many used CDs and DVDs. Now I will have to go all the way to the megamall if I want to shop them.
By the by, after all the jokes I've seen on the Internet about Evanescense, I finally got to hear "My Immortal" and it wasn't half bad. Is the rest of their output also good, or are they one of those bands with one song that's completely atypical and is the only one I'll like?
At Minicon, Tor Books gave out free copies of Paul Park's A Princess of Roumania. Since they went to the trouble and expense, I thought I should say a few words.
Short version: It's one of those "relatively ordinary teenager discovers that she is, in fact, the magical princess of a fantasy empire" stories. Specifically, an alternate Earth's Roumania. The protagonist, Miranda Popescu, and her friends must undergo many dangers on the way to rescuing her homeland. It's a fair amount grittier than some of these stories, kind of like Twelve Kingdoms.
I didn't much care for it. It's the first part of a trilogy, and really shows it, being all set-up. Most of the characters seemed dull to me (including Miranda), and the one I found most interesting is prevented from most interactions with the others early on. And honestly, the empire doesn't strike me as being worth saving.
The magic may be Romanian tradition, it may not be, I haven't made a study of that. (And I never did get the Romanian language training I joined the Air Force for.) There's an implication that the "real world" may be a magical construct, but also evidence that it may not be; this seems unlikely to be resolved within the trilogy itself, since the connection is broken.
I'm seeing a fairly strong Pullman influence, most notably in the emphasis on people's "spirit animals", which are an infallible guide to their character.
There's a fairly high body count, don't get too attached to anyone except the protagonist, who kind of has to survive to the next book.
The main antagonist in this volume has the unfortunate name of Ceausescu, which is a plot point, but like the spirit animals tends at times to feel like lazy characterization. I do like that she is a villain on a budget (indeed, impending poverty is her major motivation), but her remoteness from the protagonist's position means a swelling of the book so that we can see what's going on.
A second antagonist, working at cross-purposes to the first, comes in about two-thirds of the way through. He's less original, but helps keep the plot going. It's hinted that there's a final antagonist working behind the scenes that we haven't seen yet, who will probably be revealed in the last volume.
And the ending of this volume scatters the main players even further, meaning that Tourmaline will be even more fragmented in nature. 2006 before I was on Goodreads.