seen from Israel
seen from Russia
seen from United States
seen from China
seen from China
seen from Netherlands
seen from Georgia
seen from Maldives
seen from China
seen from United States
seen from Thailand
seen from Germany
seen from United States
seen from Australia
seen from United States
seen from United States
seen from Mexico
seen from United States
seen from Germany
seen from United States
PERSONAL MANAGER
RUI: "Isn't it about time for you to get a personal manager, Hajime? Why don't you get one?" is what is always asked. HAJIME: Tsukishiro-san is enough to support me. HARU: It appears that this cat-like person doesn't like a bell being tied around his neck. Fufufu. HAJIME: Who are you calling a cat? RUI: Haji-nyan HAJIME: ...Don't. HARU: Hajiny—oof!
#It seems that a cat with a strong punch has appeared.
John Deacon with Pete Brown, personal manager in Japan, 1979.
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New Post has been published on Music House Management.com
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Personal Managers
Traditionally, personal managers primarily focused on shopping for Record and/or Publishing deals for their clients, and then helping to navigate their clients through the deals and beyond.
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New Post has been published on Music House Management.com
New Post has been published on http://musichousemanagement.com/music-management/personal-managers/
Personal Managers
Traditionally, personal managers primarily focused on shopping for Record and/or Publishing deals for their clients, and then helping to navigate their clients through the deals and beyond.
Why Personal Management Firms Are the New Prize Asset
Venture Capital Firms are taking meetings with personal management companies for 5 reasons: Low-cost entry points; low-cash burn rates; stable cash flows; steady growth; and of course, the big upside potential in streaming TV.
With exploding demand for TV streaming content, personal management firms can develop, package, co-finance, produce and deliver — which creates a much bigger upside, and significant profit margins.
Personal management has matured into a sophisticated business, and there’s confidence in the capital markets.
A management and production company takes a two pronged approach. They cross-pollinate their clients with their projects: TV series; feature films; mini-series; video blogs; and live entertainment.
Unlike agents, personal managers can produce projects with their clients, which has become a flourishing business, and a solid business strategy. This generates packaging fees and backend percentages.
The payoff can be much bigger than the old commission-only business. The HBO TV series “True Detective” is one of many recent examples.
The old commissions-only model placed little emphasis on self-financing, and the old model left a lot of money on the table.
Financing is the key ingredient. The more money a management company brings to a project, the more it can negotiate leverage from a network. The big money is in retaining rights to sell a TV series internationally.
Consider that neither Adam Sandler nor Reese Witherspoon enjoy first-look deals with a movie studio or TV network. Both are extremely busy producers, and both are very busy actors.
Who else will actors, directors, writers and producers be able to turn -- in order to develop their numerous projects. Answer - a well-funded personal management company.
That’s a big opportunity in a content hungry world !
Upside News
New Post has been published on Music House Management.com
New Post has been published on http://musichousemanagement.com/talent-management/personal-talent-managers/
Personal Talent Managers
The role of the personal manager has evolved into a much more hands-on approach regarding helping their clients reach fans directly, and assisting clients in running their own recording, publishing, merchandising and performing/touring operations.
