Oberbaum-Brücke, 1977 by Peter Ackermann
here is the vomit of 20th century
solutions of india ink and ox bile
OUTSIDE INDUSTRIAL GARAGE
(and chrome colors: yellow chord / green rhythm)
here, the stars die in gardens
Harpsichord and Bass Clarinet
composition of fabric and sulphur
of human dignity, compete
colorless liquid afternoons
a gallery of snare sounds
(placid matrix of Club Country
The Common Gentle Surface
abraded by Rum and Bay Leaves
The union of ink and circuit ABSORBED BY GREEN
the landscape colors neutralized
OCHRE transfigured into Ceramic Blanche
shell pink in tins with yellow printing
HORSE hair and tired HORSE
● with latex and enamel flash
● reversed circulation to create
● perfect chaos out of dust
● and the discovery of the short scale of our own vision
● we retreated back into print
● the vagrants watching us with steel teeth
● chewing at cables and snares
● TOLEX landscape of northern industrial charcoal heath VAST
● what floats out of transfixion
● the black, flat passions
● The lead peeling off the plaster gallery of saints:
(rooms of incense and nickel candles wrapped in brown paper.)
The DRACONIA County post office
yellowed letters in automatic tone