#peter foolen

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Struan Teague: 'Notes', Cairn Gallery, Pittenweem, Fife, 2026, Edition of 20 [Art: © Struan Teague]

Exhibition: April 4 – May 31, 2026

Plus via Peter Foolen

↗ Struan Teague

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Callum Innes and Thomas A Clark: A Pure Land, Circa Press, London, 2021 [Peter Foolen, Eindhoven. Art: © Callum Innes, Thomas A Clark]

Design: Herman Lelie and Stefania Bonelli

Exhibition: Callum Innes: a pure land, OSL Contemporary, Oslo, February 19 – March 27, 2021 [then i8 Gallery, Reykjavík, April 8 – May 22, 2021]

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Callum Innes – John Burnside: Evidence, Peninsula, Eindhoven / Morning Star Publications, Edinburgh, 1990, Edition of 50 [Peter Foolen, Eindhoven. Art: © Callum Innes, John Burnside]

Colophon: 'Evidence' is a portfolio containing three offset prints and one watercolor by Callum Innes and poems by John Burnside, and was published in an edition of 50 copies, signed and numbered by the poet and artist, with 15 copies hors de commerce. A companion folio with three watercolors printed in offset was published in an edition of 250 numbered copies

Design: Alec Finlay and Tjeu Teeuwen

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In The Wake of Blind Navigation. Boekie Woekie – Books by Artists, Curated by Maike Aden, Center for Book Arts, New York, NY, September 30 – December 13, 2025

↗ Boekie Woekie

(image: English Stocklist, Boekie Woekie Amsterdam, March 1996. Jonathan A. Hill, Bookseller, Inc., New York, NY)

(on the way of Peter Foolen)

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Hamish Fulton, No Talking For 14 Days A 21 Day Wandering Walk 20 Nights Camping Beartooth Mountains Of Montana USA Ending With The September Full Moon 1997, (wall paint and vinyl), 1997 [Peter Foolen Editions, Eindhoven. Galerie Thomas Schulte, Berlin. © Hamish Fulton]

«I describe myself as 'a walking artist'. Walking art is the bringing together of two entirely separate activities, walking and art. I transform ideas into experienced realities. If I do not make a walk I cannot make any art. I am an artist who walks, not a walker who makes art. Not every artist enjoys walking and not every walker is tolerant of contemporary art. An artwork may be purchased, but my walks cannot be sold, stolen or re-produced by artificial intelligence. An artwork cannot re-present the experience of a walk.» ― Hamish Fulton, 2019

Exhibition: Hamish Fulton – A Walking Artist, Galerie Thomas Schulte, Berlin, 26 January – 9 March 2019

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Ian Hamilton Finlay with Martin Fidler, The Wild Hawthorn Wonder Book of Boats, Wild Hawthorn Press, Dunsyre, Lanark, 1975 [Peter Foolen, Eindhoven. Unoriginal Sins, Eals Farm, Eals, Brampton. © Ian Hamilton Finlay, Martin Fidler]

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Robert Lax & Andrew Bick, A Morning Star Folio, 2/3, July 1991, With an essay on the poetry of Robert Lax by David Miller, Edited and designed by Alec Finlay, Morning Star Publications, Edinburgh [Peter Foolen, Eindhoven. © Robert Lax, Andrew Bick]

'if i mean the world, i mean a moment, too: that in every moment there is this substratum, or pattern, discoverable through patient vigil. every moment, every moment is meant to be perfect. it is only a matter of waiting for it to be so' ― Robert Lax, Kalymnos, Journal 28.3.74 (p3)

Printed letterpress by Peter Knee, Merrow, Guildford, Surrey

Edition of 250 copies signed and numbered by the artist, including 26 copies signed and lettered by the author

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Carol Robertson, Phases #1, (oil on canvas), 2020 [The Grey Gallery, London. © Carol Robertson]

Group Exhibition: Carol Robertson + Trevor Sutton: 'Heaven Earth and Human Beings', The Grey Gallery, London, November 2 – December 8, 2024

(via Peter Foolen)