throwback #petercampus (à Place de la Concorde)
seen from United States
seen from United States

seen from Malaysia
seen from Sweden
seen from India
seen from United States
seen from Czechia
seen from Türkiye
seen from United States
seen from United States

seen from Malaysia
seen from Netherlands
seen from Nepal
seen from Australia
seen from United States
seen from United States
seen from China
seen from China
seen from United States
seen from China
throwback #petercampus (à Place de la Concorde)
#lacartuja #sevila #petercampus un doble
‘VIDEO ERGO SUM’
Peter Campus exhibition at Musée Jeu de Paume, Jardin Tuileries, Paris.
PROJECTIONS - In one of the dark room screens, Campus projected live camera footage of those walking out (of the room). The people in the dark room got a clear view of those leaving! Present, but exterior.
OVERLAYS - An example is what I captured above. In a square with four cameras in each of the corners, the footage was overlayed, live, on four screens facing each other, in the form of a cross.
This hit a cord with me, I love continuous, single shot film. It’s unique everytime, unedited, real.
Rencontre avec Peter Campus au @jeudepaumeparis 👀🎥 #inspiration #jeudepaume #petercampus #OMGF 💘 (à Jeu de Paume)
#petercampus #jeudepaume #exhibition #video #doubletrouble (à Jeu de Paume)
Peter Campus
Three transition by Peter Campus (1972)
His early tapes explore the anatomy of the video signal in relation to human psychology and perception.
"The video camera makes possible an exterior point of view simultaneous with one's own. This advance over the film camera is due to the vidicon tube, similar to the retina of the eye, continually transposing light (photon) energy into electrical energy... It is easy to utilize video to clarify perceptual situations because it separates the eye-surrogate from the eye-brain experience we are all too familiar with"