#petravonkant

[terrain-vague]

Close-ups. Die bitteren Tränen der Petra von Kant, Rainer Werner Fassbinder, 1972. #margitcarstensen #hannaschygulla #petravonkant #fassbinder #colorpencildrawing #carolineandrieu (à Bremen, Germany) https://www.instagram.com/p/Cn8t5w2Na1m/?igshid=NGJjMDIxMWI=

[mattachinesocial]

Script Analysis breakdown for my thesis commences. #thesis #gradschool #fassbinder #petravonkant #UHManoa (at Waikiki) https://www.instagram.com/p/CPUvzanjQ42/?utm_medium=tumblr

[terrain-vague]

« I think people are made to need each other ». The bitter tears of Petra von Kant, R.W Fassbinder, 1972. #fassbinder #petravonkant #illustration #carolineandrieu

[houseofodwyer-blog-blog]

Totally love my new trews! #harempants #heaven wore them for special Screening of Fassbinder s bitter tears of Petra von Kant #bittertears #petravonkant gin Marlene gin ! #film #performance #fashion #highart

[cinesessies]

Virtually the entire action of the film is framed between the two sides of a 45 RPM record of The Platters that Petra plays on her phonograph, “Smoke Gets in Your Eyes” at the beginning and “The Great Pretender” at the end. It’s almost as if Fassbinder was bracketing his own plot as a failed self-psychoanalysis, yielding a cynical autocritique that inherently posits any change as impossible.

Jonathan Rosenbaums essay uit 2008 voor de dvd van Petra von Kant uitgegeven door het Australische label Madman.