L'ivresse, c'est l'art d'être plein, comme la plénitude est l'art d'être ivre (Philippe Léotard).
Les Hôpitaux, Ain.
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L'ivresse, c'est l'art d'être plein, comme la plénitude est l'art d'être ivre (Philippe Léotard).
Les Hôpitaux, Ain.
For years, I spent time enthralled in the Laemmle Theatres scattered around Los Angeles watching one French film after another absorbing the cinema culture of that country from its top filmmakers--Truffaut, Godard, Resnais, Melville, Audiard, Becker, Costa-Gavras, Malle, Tavernier, Beiniex, Bier, de Broca, Sautet, Chabrol, Leconte, Clouzot, Lelouch and Veber among others. When I finally decided it was now or never with regard to beginning my own adventure in filmmaking, I hopped a plane for Paris knowing full well that I was not seeking a conventional film career and was eager to have the experiences that an unorthodox approach would provide. I expected to stay in Paris for two weeks. I stayed two years during which I made my first film Montmartre and some months later, The French Chef, a TV pilot starring French actor Philippe Léotard. Philippe was my first and only choice for the project. He had charm, a warm personality and a bemused countenance that made you smile. I had seen him in Le chat et la souris (Cat and Mouse) directed by Claude Lelouch and in John Frankenheimer's French Connection II and it was the image of Philippe in his scenes with Serge Reggiani in the Lelouch film that first came to mind as I considered who I wanted for the role. We put an offer to Philippe's agent and the next day he was confirmed. (Continued in comments) #film #filmmaker #brandingforactors #philippeleotard #paris #crazyhorsesaloon #alainbernardin