Laura
Creative Sources
2018
seen from Japan
seen from Bulgaria
seen from Netherlands
seen from United States
seen from United States
seen from Netherlands
seen from Colombia
seen from China
seen from Malaysia
seen from United States
seen from China
seen from South Africa
seen from India

seen from United States
seen from Pakistan
seen from United States
seen from China

seen from United States
seen from Türkiye

seen from United States
Laura
Creative Sources
2018
Hannes LINGENS "Murmur" / Pierre BOREL "No Rest for the Astronaut"
(7"EP. Umlaut rcds. 2009) [DE/FR]
Stream SPLIT 7 - Murmur by Umlaut Records Label on desktop and mobile. Play over 320 million tracks for free on SoundCloud.
051218 JazzaJ / Die Hochstapler (Berlin)
JAZZAJ DECEMBER: INTENZITÁS (1.)
DIE HOCHSTAPLER: (A szélhámosok) Pierre Borel - altszaxofon Louis Laurain - trombita Antonio Borghini - nagybőgő Hannes Lingens - dobok Kíméletlenül intenzív swing, Ornette-től és Don Cherrytől Braxtonig, s vissza Jimmy Giuffre-ig. Kártyajátékok, ábécék és nyelvtani inspirációk. Költészet. A koncepciózus nemzetközi kvartett a „The Quick Brown Fox Jumps Over The Lazy Dog“ c. lemezét mutatja be mostani turnéján. A cím ismerős lehet bárkinek, aki valaha betűtípusokat keresett a számítógépén – ebben a mintamondatban az angol ábécé minden betűje megtalálható. A repertoár ezúttal (korábbi hommage lemezeikkel szemben) saját számokból áll, melyben mind a négy tag bemutatja – sokszor a többiekével szöges ellentétben lévő "véleményét" – így egy játékos zenei-filozófiai diskurzus szemtanújává válunk. belépő: 1500.- http://www.hanneslingens.de/index.php/projects/die-hochstapler/ // english DIE HOCHSTAPLER present „The Quick Brown Fox Jumps Over The Lazy Dog“ Pierre Borel - alto saxophone Louis Laurain - trumpet Antonio Borghini - double bass Hannes Lingens - drums After devoting their debut to the concepts of Anthony Braxton and Ornette Coleman and inventing the collective alter ego Alvin P. Buckley as the mastermind behind their second album, Die Hochstapler (The Impostors) have with their third release officially declared Alvin P. dead and arrived at a music entirely their own. Based on questions of language and communication, their music is developed collectively in extensive rehearsal periods. Card games, alphabets, mathematical structures as well as texts from Beckett to Kerouac form the basis for radically free discourse. Four independent voices, free to suggest, pretend, agree, disagree or ignore at any time of the game, collectively build up a rhetoric full of hints and references, playful and ever changing. Active since 2010, Die Hochstapler have played at venues and Festivals such as Météo Mulhouse, Jazz d‘Or Berlin, Cable Festival Nantes, Hagenfesten and Umlaut Festival Berlin. The "extensive aesthetics" (freiStil) of their "excellent album" (Citizen Jazz) "The Braxtornette Project" (Umlaut Records 2013) has been perceived as "sensational" by austrian magazin skug and its successor "The Music of Alvin P. Buckley" (Umlaut Records 2015), according to allaboutjazz, "swings as hard as early Ornette and Don Cherry's interlocking horns mashed up with the radicalism of Jimmy Giuffre's ensembles". entrance: 1500.- http://www.hanneslingens.de/index.php/projects/die-hochstapler/