Pindell
She wants to watch. Now assume the position, bitch.
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Pindell
She wants to watch. Now assume the position, bitch.
An “assemblage” is an artwork that groups different objects together. Howardena Pindell is a master of assemblage. To create her work “Untitled No. 89,” she laboriously hole-punched paper and cardboard to create small circles, which she then affixed to a board using thread, glitter, paint, watercolor, and pastel. The resulting assemblage is a colorful, joyful, and richly textured work that subverts traditional materials and fine art making.
“Untitled No. 89,” 1977, by Howardena Pindell © Howardena Pindell
Explore the stacks! Our staff recommendation for this month is “Howardena Pindell: What remains to be seen,” an exhibition catalog for Pindell’s first major traveling survey on five decades of her work, now on view at the Rose Museum at Brandeis University. It is the last stop of this traveling exhibit. The second image shows still images from her video piece entitled “Free, white and 21,” which Pindell made eight months after a near fatal car accident. She plays two characters—as herself telling stories about her experiences with racism and as a white woman wearing a mask, responding to those experiences by saying things like, “I have never had experiences like that. But, of course, I am free, white, and 21.”
Pindell, now at age 74, continues to teach at the State University of New York, Stony Brook. She was a cofounder of a feminist gallery A.I.R. in New York in the late 1970s, and was one of the first black curators at the Museum of Modern Art. Pindell’s work utilizes various media such as collage, painting, drawing, and video, and explores issues of racism, feminism, slavery, homelessness, and AIDS. Learn more about her work on her website.
Howardena Pindell : what remains to be seen edited by Naomi Beckwith and Valerie Cassel Oliver. Published: Chicago, IL : Museum of Contemporary Art Chicago ; Munich ; New York, NY : DelMonico Books/Prestel, 2018. 270 pages : color illustrations ; 32 cm Catalog of an exhibition held at the Museum of Contemporary Art, Chicago, February 24-May 20, 201, the Virginia Museum of Fine Arts, August 25-November 25, 2018, and The Rose Art Museum, January 24-June 16, 2019. 2018 HOLLIS number: 990153072040203941
Free, white and 21 Pindell, Howardena, 1943-, American [artist] 1980 Video in which the artist describes her experiences of racial discrimination. Addressing the audience, she gradually transforms herself into white face after wrapping her face in white gauze. HOLLIS Number: olvwork159967
Happy birthday to Howardena Pindell, who was born in Philadelphia on this day in 1943. Pindell is perhaps most celebrated for her intricate mixed-media paintings. Assembled out of cardboard, paper, and glitter attached to a board, the artist used a hole punch to create hundreds of individual pieces that were meticulously attached to this work. The result is a highly sensorial and colorful artwork that playfully resists the traditional flatness of painting.
"Untitled No. 89," 1977, by Howardena Pindell © Howardena Pindell
“I have traveled a lot and have lived in other countries, but the root of my knowledge about art started in Philadelphia.” —Howardena Pindell
Born and raised in Philadelphia, Howardena Pindell grew up learning about art in this city. Her recent paintings, including "Songlines: Cosmos," are unstretched canvases that invite slow, immersive engagement through their large scale and meticulous construction. As the title to this painting conveys, Pindell’s canvases conflate her assemblage of everyday materials with the cosmic dust of the universe. See these details for yourself in "New Grit: Art & Philly Now."
"Songlines: Cosmos," 2017, by Howardena Pindell (Collection of Emily and Mike Cavanagh) © Howardena Pindell. Photo courtesy of the artist and Garth Greenan Gallery, New York
Thay Pin Laptop Dell Nhanh – An Tâm Sử Dụng
Laptop Dell báo pin ảo, sạc không vào? Đừng để gián đoạn công việc. Lựa chọn Pin LapTop Dell chính hãng giúp máy hoạt động ổn định hơn. Ngoài ra, cửa hàng còn cung cấp đa dạng Linh kiện Macbook chất lượng.
"Green April" de Sam Gilliam (1969) et "Sans Titre" d'Howardena Pindell (1972) présentées à la conférence “Art Identitaire ou Art de la Reconnaisance ?“ par Paul Bernard-Nouraud - Historien d'Art - pour le cycle “Etre de son Temps : L'Art Contemporain Face à l'Epoque” de l'association Des Mots et Des Arts, février 2022.
Northern Californian-based electronic producer Pindell’s performance in the Melodic Dubstep music ‘Wake Up' is flawless and captivating on Spotify