15m
Some men are just so stupid
seen from Malaysia
seen from Greece
seen from Canada
seen from Côte d’Ivoire
seen from Yemen
seen from China
seen from Canada
seen from Netherlands
seen from Ghana
seen from Canada
seen from United States
seen from United Kingdom
seen from Yemen
seen from United Kingdom
seen from Ecuador
seen from United Kingdom
seen from Germany
seen from India
seen from United States
seen from India
Some men are just so stupid
August 7: Minnesota Museum of American Art
Some selections from their Queering Indigeneity exhibition (an exhibition of LGBTQIA+ and Two-Spirit indigenous artists), plus some of my faves from their other collections:
Histories Are Hollows We Fill With Our Dreams by Brooks Turner
Quantum Entanglement by Maggie Thompson (Fond du Lac Ojibwe)
Butch Heroes: Frank Blunt & Gertrude Field by Ria Brodell
Demons, Yemaya ‘Goddess of the Living Ocean’ (from Indigenous Woman) by Martine Gutierrez
Pacha Map by Marcela Rodriquez Aguilar
from Twelve Zodiac Signs by Paul Manship
A Cabinet for All Seasons (Autumn, Winter, Spring, Summer) by Miriam Schapiro
Untitled (Lake Superior Landscape) by George Morrison (Grand Portage Band of Ojibwe)
The Measurement by Julie Buffalohead (Ponca Tribe of Oklahoma)
Sea Monster and Otter by Ed Archie NoiseCat (Salish)
Oz, the Emergence by Jim Denomie (Ojibwe, Lac Courte Oreilles Band)
The Day Before the Wedding by Joan Brown
Venom by Lauren dela Roche
July 7th, 1958 by Frederick D. Jones
New York Strip by Phyllis Wiener
Minnesota’s Four Seasons by Floyd E. Brewer
Graffiti Action Playset by Mike Brewer and Progress by Wanda Gág
Relief by Paul Kramer
The Midway by Urban Couch
Untitled (Lake Superior Landscape) and Untitled (Blue, brown and red) by George Morrison (Grand Portage Band of Ojibwe)
Untitled by George Morrison (Grand Portage Band of Ojibwe)
Untitled Painting (Overlapping Circles) by Herbert Bayer
She Broke My Heart so I Decided to Paint by seangarrison
Space Ritual #12 by Mark Tobey
Coyote Tales No. 1 by Cara Romero
the way to my heart (museums)
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Frist Art Museum. Nashville, TN
As an art museum-obsessed ten-year-old, I had a bold vision for making museums dimmer, more cavernous, and more disorienting. I still believe that with enough persistence, I can realize my dream of an art museum that 90 percent of the public will find baffling and sensorially oppressive, but where one undiagnosed autistic kid will feel completely at home.
