Rise of Pithora Art – From Village Walls to Global Galleries
In recent years, traditional Indian art has caught the eye of global art lovers and collectors. Among these diverse and deeply symbolic forms, Pithora painting has emerged as a fascinating cultural and visual narrative that is attracting growing international recognition. Rooted in tribal rituals and storytelling, this ancient folk art of Gujarat is now making its way from village walls to global art exhibitions and modern interiors, bridging centuries through its intricate art form.
What Is Pithora Painting?
Pithora painting is a vibrant and ritualistic tribal art form predominantly practiced by the Rathwa, Bhilala, and Nayak tribes in the Chhota Udepur/Udaipur and Panchmahal districts of Gujarat and parts of Madhya Pradesh. Traditionally painted on the walls of tribal homes, Pithora art is more than decorative – it is a spiritual expression and offering to the deity Pithora Dev.
Which State Is the Pithora Painting Related To?
Pithora painting is closely associated with the state of Gujarat, particularly in the tribal belts of western India. Although practiced in parts of Madhya Pradesh as well, Gujarat remains the epicenter for this traditional ritual art.
The Sacred Ritual of Pithora Art
Unlike most visual art forms, Pithora paintings are commissioned rather than spontaneously created. They are usually made to mark significant events such as childbirth, marriage, recovery from illness, or the fulfillment of a vow. Before the painting begins, a ritual called ‘Lipna’ (preparation of the wall) is performed by women, typically unmarried girls, using a mixture of cow dung and white clay. The actual painting is done by male artists called Lakhindra.
The creation of a Pithora painting is a communal celebration, often spanning twelve to fourteen hours of continuous work, accompanied by music, dance, and a trance-like atmosphere, fostering unity and intimacy within the community. The significant expenses involved in commissioning a Pithora painting, including payments to the Lakhara, ritual specialists, and provision of elaborate food and gifts, highlight its function as a vital economic engine within the tribal community. Upon completion, the Badva, a tribal shaman, inspects the fresco, sometimes entering a trance-like state where the god Pithoro is believed to manifest through his body, consecrating the artwork and offering predictions for the family.
Discover how Pithora art evolved from sacred tribal walls to international exhibitions. To read more, continue here: hinasartpavilion.com