“Poethical thinking, deployed as a creative (fractal) imaging to address colonial and racial subjugation, aims to interrupt the repetition characteristic of fractal patterns. Attention to symmetries instantaneously locates a particular event in a global context shaped by the previous and future repetitions of the founding violence of capital. Because it attends to four dimensions, fractal thinking (poethical or compositional thinking) images the global as a part of the cosmos, and, as such, does not see it as constituting the ultimate ontic and ontological horizon for thinking. For since what happens occurs in the plenum, it is both an expression of, and expressed by, whatever exists under, above, and alongside; what has already passed, and what is yet to come. When a mode of thought graphs global capital among so many repetitive instants and instances of the deployment of colonial-racial machinery, it cannot be indifferent to racial violence in all of its iterations and expressions.”
