Excerpt from “Proleptic Sexual Love: God's Promiscuity Reflected in Christian Polyamory” by Robert Goss, 2004
[Read entire article here]
[Monasteries] have been erotic communities where men have fallen in love with God and with one another. If we consider how Catholic male monastics and religious men have been socialized over the ages, then it becomes apparent that the bridal mysticism so engrained in the formation process of monastics and priests has contributed to a polyamorous atmosphere.
Men were taught to pray and live as the brides of the male Christ. The language of the Song of Songs, conflated with the intertextual image of Christ as bridegroom from the Christian testament [e.g. Ephesians 5:25-33], is used as the primary text, which already has strong erotic scenes of penetrative and oral sex between two lovers. ...
Monastic males engaged Christ in contemplative prayer as his bride, and there is no question that this passionate love stimulated erotic feelings and carnal love of Christ.
Medievalist scholar Barbara Newman writes, 'If monks wished to play the starring role in this love story, they had to adopt a feminine persona —as many did—to pursue a heterosexual love affair with God'.
...There are as many gender or transgendered anomalies in the notion of the church as bride as in the male monastic expressions of bridal mysticism. For example, Virginia Mollenkott observes:
In Ephesians 5...the male Christ is said to have a female body—the Church… Again and again in early Christian writings gender is played out and broken open in order to reveal the nature of the redeemed ecclesial person[…]
…When the church is understood as a collective of countless men and women, married and unmarried, with a variety of sexual orientations and gender expressions, then Christ becomes the multi-partnered bridegroom to countless Christian men and women. ...
This polyamorous Christ may be more faithful to the reading of the sexual abnormalities of the Song of Songs. The lover is a sexual outlaw, not a bridegroom as [in] the sanitized Jewish and Christian [readings of] the text. ...
This illicit relationship between a man and a dark skin woman in the Song of Songs was transformed into an ecciesial romance between a bridegroom and a bride, between Christ and the soul. In the process of this transformation, the radical transgressiveness of the Song of Songs was lost.










