*DOG YEARS: a joel miller x reader story.
After your father disappears, his old smuggling partner takes on the task of keeping you safe inside the Boston QZ— Until he, too, goes missing after accepting the mission of delivering a young girl to a group of Fireflies.
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warnings: qz!joel, age gap (reader is late 20s joel is mid 50s), reader is afab and goes by she/her, tess is an ass but she's got a point, kind of dad's friend!joel, they were more business partners than friends but joel knew reader as a kid, parental abuse (physical and verbal but it happens off page), drugs/alcohol use, smut (daddy kink, fingering f receiving, unprotected piv, 'just the tip', little bit of edging, dirty talk, pussy pronouns, pussy/tit slapping, creampie.) financial instability/money struggles, codependency, no use of y/n, some religious stuff, canon-typical violence, brief mention of possible sa, joel has ptsd, brief mention of misogyny, romanticizing the shit out of a toxic relationship, the dynamic between them is too trad wife-y to be healthy in my opinion, pre-canon, vomiting, death of minor characters, joel calls reader kid/little girl, unplanned pregnancy, talks of abortion, so many daddy issues for the both of them it borders on fauxcest????, seriously freud would have a field day with this one, kind of open ending, hopeful ending.
rating: 18+.
word count: 8.2k.
fox says: hi friends, thank you for reading! the idea for this started as a series, but i already have too many series going on at the same time and i felt like the vibe fit well for a one shot! (i could totes write a sequel at some point, though....) this was super inspired by dog years by halsey, that song just gives me mad joel vibesssss. as always, the pics are for aesthetics only & there is no description of reader!! the writing style is a little different from what i usually do but i just wanted to play around with something new so pls let me know if we like it because i had fun but i'm not super sure about it. also it gets super filthy halfway through and i'm so sorry i'm not sure i ever wrote something this nasty? lol
also available on archiveofourown.
'Cause I'm not old, but I am tired / I'm not strong, I'm very weak / I'm not old, but I am tired / I'm not here, I'm somewhere else / I'm one hundred ninety-six in dog years / I have seen enough / I've seen it all — Halsey, Dog Years.
You haven't lived in the Boston QZ for your entire life, but it certainly feels like it— Your parents came in when you were eight years old, about a year after Outbreak Day, when the Quarantine Zone was still fresh, with FEDRA just starting to take over the country and people still willing to trust their government to keep them safe. It is the only life you know and, while it is not perfect, it's certainly better than facing the dangers outside FEDRA's protection: You grew up hearing stories of raiders and slavers and how the infected outnumbered people at an alarming rate, how it was utterly impossible to survive without the watchful eye of FEDRA and its harsh laws.
Things are comfortable, even though they're not good, and that's more than most people have. You mother died just before your tenth birthday, an innocent bystander caught in the crossfire between FEDRA soldiers and the freedom fighters. Your father, a violent smuggler with a penchant for booze and pills, spends more time outside the QZ's walls than inside the tiny one-bedroom apartment the two of you share.
You're used to being alone by now, working triple shifts at the speakeasy and having to sneak your way back home just as the sun is starting to come up, risking your life for a couple of ration cards — more if you're in pigtails, even more if your shirt is low cut — that barely cover the amount you have to pay to keep a roof over both of your heads.
Everything changes when, for the first time since your mother died, your father is gone for longer than a couple of weeks. Usually his smuggle runs last a week or two at most before he comes home, drinks himself to a stupor over the weekend and then leaves again by Monday morning. This time, when the two weeks are up and he doesn't come back, there's a small part of you that is happy for it. The bruises he's given you are just starting to fade, the cut above your eyebrow finally closing up when the doubt creeps in and you begin to wonder whether or not this is the time your father will not come back home at all.
By the end of the first month he's gone, you know something happened. You're not sure if he simply left you behind or if he's dead or injured somewhere, but you know this isn't normal. So, one early morning, you make your way to the northern district of the QZ, where you know Abe lives— He's the only one with a long-distance radio and no affiliations to FEDRA or the Fireflies, the man your father once said he'd contact if he ever needs to speak to you while he's gone. In over a decade of smuggling your father hasn't tried to reach out to you once, but he also has never been late, and you figure maybe Abe would be able to give you a proper answer.
You stay in line for five and a half hours, a handful of ratios stuffed inside your bra, but your meeting with Abe only lasts a couple of minutes: He eyes you with suspicion, scowling the moment you say your father's name, and then tells that he would require ten ration cards to tell you if there's a message, and then another fifteen to read said message if it does exists— With no refund of the initial ten in case your father hasn't contacted you at all. You know extortion when you see it, has faced it plenty of times — Most men are always eager to take advantage of a young woman with no one to back her up —, and twenty-five ration cards is simply not something you can afford without going hungry or risking loosing your apartment.
For the first time in your life, you're truly alone. There's no one to run to, no one to help you or save you in this situation and that is somehow worse than all of the beatings and offensive words your father has thrown at you for the past two decades, the financial weight of having to provide for yourself in a world that is rigged against your survival brings you the sort of desperation you have never felt before.
It is that desperation that brings you to Joel Miller.
Joel has always been a constant in your life; he had worked alongside your father when you were little, always a solid shadow at the edge of your childhood memories, but they had a rough falling out after your father double crossed him sometime during your teenagehood and had, since then, become competitors inside the QZ. Now he is mostly a looming threat, some dark nefarious figure that might take away your father's livelihood at any moment.
He is not the sort of man you ever want to mess with, especially because you're not sure whether he's the vindictive type— He may as well hold your father's wrongdoings against you and refuse to help or worse: he could rat you out to FEDRA, use the opportunity to usurp the loyal clientele your father has or use his absence to wipe him out entirely. But you hear from Joan that hears from Elizabeth that hears from Eric that Joel Miller is friends with Abe and you figure that, maybe, Joel would be decent enough to bargain with the man for you. So, with an offering of bathtub moonshine you steal from work and tears in your eyes, Joel makes the deal; the bottle is probably worth a lot less than what he could've charged you but he doesn't bargain, instead choosing to grunt, take the bottle and slam his apartment's door in your face. He shows up at your place two days later, just as you start to panic thinking that maybe he's conned you out of some liquor, with a blank face and bad news: There has been no message, and although Joel promises to check in with the radio guy periodically, your father doesn't try to contact you at all in the days after that.
After that, Joel becomes a constant fixture in your life: He walks you home from the speakeasy after your shifts, and he fixes your shower or reinforces your front door or drops by with new shoes or food after a successful run. You find ration cards in your coat pockets or slipped under your door whenever you start working the triple shifts again, though he has never admitted to being the one putting them there: Every act of care comes with stony silence or a scowl, but Joel is always there, solid and within reach whenever you need him. So, you do the stupidest thing you could possibly do: You repay him with stolen alcohol. It starts with the small bottle that you use to bribe him that first time, but you become bolder and bolter as the months crawl on, swiping bigger and more expensive bottles whenever you can.
The owner, a mean-looking man named Bryan, catches you red-handed on a snow-heavy night in December. The beating itself isn't the worst you've ever gotten — someone robbed you when you were fourteen, taking a whole's week worth of rations and your father had always blamed you for that, his punishment even more painful than the shiner the thief had given you — but it's close enough and, as you stumble home through the snow-covered streets in the skimpy clothes you wear for better tips, all you can do is think that you got luck: Bryan could've cut off your fingers, or raped you or killed you or a thousand other horrible things that would wield a lot more damage than what he did and most people wouldn't have batted an eye; Hell, half the people you know probably would've thought you deserved it.
You're halfway home when panic truly sets in, outweighing the pain and the cold as you start to do the math— You're fresh out of a job, with rent looming within the next couple of days and you still don't have enough cards to cover it, let alone all of the other expenses you have; the pantry is almost empty, a single loaf of stale bread that you've been rationing for a few days while you waited for payday, and you still need to pay your neighbor for the winter socks she's knitted for you.
You're so terrified at the knowledge that you'll be homeless within the next week that you don't even notice Joel approach until it's too late, his cracked hands grabbing your shoulders and pushing you away from the main street just in time to miss the FEDRA soldier patrolling the area.
You shriek, your brain taking longer than it usually would to understand what is happening. Joel pins your back to his chest, one hand wrapped around your middle while the other slams over your mouth— The rough touch to your tender face has you whimpering, pain blossoming all over.
"It's me. Calm down." He whispers, holding the position for a moment longer while the soldier walks past the alleyway the two of you are in before he lets you go. You try to keep your head down so your hair fall over the bruises that are already forming but your face is so covered in blood that you can see the red liquid has stained Joel's palm. He looks at it for a second as if he can't comprehend what happened before he's crowding you against the wall, his surprisingly gentle hands tugging your chin towards him.
"I'm fine." You say in the silence that follows, though that's very much not true. Joel takes in a deep breath, his entire face scrunched.
"Who did this to you?"
"Joel, it's—"
"Who?"
You bring a hand up, your fingers wrapping around his wrist; the touch is meant to stop him, your intentions on fully pulling his hand away but you find it grounding instead, as if simply feeling Joel's rapidly beating pulse point beneath your fingertips is enough to melt the anguish away.
"Bryan." You relent, because you know he won't let go otherwise. "I had it coming."
"He'll pay. He ain't got no right to—"
"I stole from him." The admission is small, the words barely coming out of your lips; you didn't mean to tell him, the last thing you want is for him to connect the dots and realize you had been stealing for him. "I'm lucky he didn't do worse."
Joel goes entirely still, his hand still gripping your chin, his dark eyes staring you down so intensely it makes you squirm. A beat, and then another, and you watch in real time as realization washes over him.
Joel drops your chin like you've burned him. "Goddamn it, kid. Are you really that fuckin' stupid? Don't cha think that—"
"Joel, please." You whine, your eyes welling up with tears. "I don't need this right now. I'm cold, and everything hurts, and I'm out of a job. Just… Just don't lecture me right now, okay? I don't need it."
For a second, you think he'll ignore and go on his tirade— He looks like he wants to, but then his jaw locks and his nostrils flare and that's it. Joel swallows his emotions down in such an efficient manner it awes you and you barely have time to register the blankness of his face before he's wrapping his own jacket around you.
"Let's get you home and cleaned up."
Home, as it turns out, is Joel's place. You don't have the energy to argue despite the fact that the only thing you want to do is to crawl under your blanket and cry until you pass out, and you sit by the kitchen table as he cleans your face and neck with a wet rag. The apartment is cold even though Joel does his best to insulate the windows, and you shiver in your wet clothes— both from the remnants of snow that seem ingrained inside your bones and the heatwave that followed from Joel's touch, your body burning up from inside out at every careful touch of his hands. Once you seem clean enough, he brings you a chilled bottle out of the freezer, the clear liquid sloshing inside and you're sure it's probably either moonshine or vodka; Most likely moonshine, illegally made by some of the people brave enough to cook up such a thing within the city's walls.
"Put it over your eye, or it's goin' to swell shut."
You do as he says, but your heart races inside your chest as Joel kneels in front of you, carefully unlacing your boots.
"Joel, what—"
"Need to get'cha out of these wet clothes." He mumbles, not looking at you. Joel helps you out of your shoes and socks, and then turns his back at you and busies himself on the stove while you change from your work clothes to his— boxer shorts, wool socks and a thick sweatshirt that you're sure must've costed him a small fortune. You're still cold by the time Joel sets a steaming mug of tea on the table, but you're more comfortable than you've been in months.
Something changes between the two of you that night, tangled together in Joel's bed, his heartbeat steady under your cheek and his hand in your hair as you cry yourself to sleep. You go back to your apartment the next morning but just to pick up your personal belongings, Joel as a bodyguard as you collect what you can inside his backpack; you don't have much anyway, and you donate all of your father's belongings to the family two apartments down— More out of spite than anything else, you keep his favorite pair of boots as a gift to Joel. He takes the boots with an expression that seems to know exactly what you're doing, presses a kiss to the top of your head as if he's done it a million times, and clears out a drawer for you in his wardrobe.
Bryan goes missing three days after you move into Joel's place, and then they find his body five days after that, his face beaten almost beyond recognition, every single one of his fingers broken. His son takes over the speakeasy and invites you back, probably because he doesn't know what you did— Joel doesn't let you go back, claiming he doesn't trust the son and that you deserve better than being harassed by drunk men all night. You take odd jobs here and there, wanting to contribute with your share of rations but eventually Joel convinces you to quit altogether: Between the smuggling and the temporary jobs he takes from FEDRA he's certain he can provide enough for the two of you, and that you shouldn't be risking and exhausting yourself over nothing. You try to pull your weight around the house then, keeping it cleaner than he ever did, stitching up his socks and jackets and trying to make a meal out of the crappy food FEDRA distributes.
Housewife is the word that Tess uses for you. She says it with a sneer, scoffing whenever Joel tries to deny it; he says you're just a kid, that you're too young to be on your own and that you need him. She says that you're too old to need a daddy, and Joel slams his fist down on the table and they don't see each other for a few weeks. By the time Tess is back, it's as if nothing ever happened— She doesn't apologize and neither does he, or maybe they've exchanged apologies somewhere you weren't privy to, but Tess doesn't quit with the insults. Kept girl, plaything, pet— All names she uses whenever Joel isn't around, and then ignores you completely whenever he is.
Truth is, you find that you don't mind the nicknames. Joel calls you kid, kiddo, sweet girl— Also only when the two of you are alone, using your name whenever there is anyone listening and you've come to understand that there is a lot about Joel that he doesn't show to the world: He's feared inside the QZ, most people crossing the street whenever he's around, doing whatever they could to stay out of his way and only coming to him whenever they needed something no one else could bring but with you he's the sweetest man you've ever dealt with, quiet yet caring in a way that you haven't seen from anyone else.
The first time the two of you kiss, it feels like you've been doing it for all of your life; Joel had been gone for a couple of days, a pill run beyond the QZ's walls that made you sleepless. Tess hadn't gone with him this time around, which only made everything worse— For all the woman hated you, you knew she'd give her life to protect his. He comes home so late it's almost morning, his clothes soaked in blood that isn't his and his knuckles scraped raw.
You're not sure which one of you moves first: He's crowding you the second the door closes, and then his lips are pressing against yours, hungry and desperate. He kisses you until you the both of you are breathless, the still wet blood from his shirt soaking into yours: A bond that no soap or water can wash away even after the proof of your bodies mending together is discarded.
Joel tells you about Sarah in the middle of the night, when his nightmare wakes the both of you and he can't hide the tears. He doesn't tell you exactly how she died, just that it happened on Outbreak Day, and you request stories of happy memories to get his mind off of it. He tells you about the soccer practices and early Saturday matches, about the hikes they used to go on with Tommy and about the time she begged him to paint her room pink and then had him repaint it with purple a couple of weeks later, when she decided she hated pink. Joel talks more than you've ever seen him do, long fully formed sentences rather than the short words and grunts you're used to and it's like you're seeing yet a new side of him— Something soft and sacred that he's been hiding from the entire world, even from those closest to him.
"She would hate the man I became." He says eventually, after a short lull between tales of Sarah's first day in kindergarten. "The monster I became."
You're not certain how to deal with the self-loathing in his voice, especially because you know it's true— Joel's a terrible man, broken and violent and capable of unspeakable things, and you doubt the little girl from his memories would be proud of him for it. You press a kiss to the top of his head much like he seems to enjoy doing to you.
"There's always time." You whisper. "As long as you're alive, you still have time to make her proud."
He leaves before you wake the next morning but greets you with a kiss when he comes home in the evening, his breath smelling of whiskey and pupils dilated from the pills he swears he isn't taking anymore.
The afternoon you run into Robert's goons beating the ever living fuck out of Tess, there is a brief second in which you consider walking away— She's been nothing but horrible to you even when you were at your most vulnerable, and you doubt she'd intervene in your favor if it was the other way around. But your feet move before you can second guess yourself, plucking a large plank of wood from a rubbish pile close to you and hitting the bigger of the men as hard as you can in the back of the head: You miss a little, hitting him in the back of the neck but he falls like a sack of bricks anyway, his skull cracking against the pavement. Tess is on the smaller guy before he can jump you, her knee pressing to his neck until he stops thrashing.
Tess doesn't thank you, but you can tell she looks at you differently after that, staring you in silence for long periods of time. When she calls you by your name rather than an insulting nickname for the first time, you're so stunned that she scoffs and walks away in the few seconds it takes you to respond.
"You should leave him." She tells you once, her eyes glued to the radio as she waits for the message from Frank. Joel's nowhere to be found, but you still feel his presence in the cramped apartment anyway as if his very essence loomed over your shoulder. "This is not healthy for either you."
"I would die without him." You mean it literally, too— Joel is your saving grace, the only person to offer you a hand and keep you warm and fed in this horrifying world.
"That's exactly why you should go." She says. "No man should own your soul like that."
You wonder if she's speaking from experience, and you wonder if it has anything to do with Joel but How Can You Mend a Broken Heart by the Bee Gees starts playing on the radio and then Tess is shuffling through the song book like a madwoman.
"80s?" You ask, worrying your bottom lip. You have yet to meet Bill and Frank, but you know how much they mean to Joel— Even if he would rather die than admit to it.
Tess shakes her head in denial, and the relief in face is clear as day. "1971. They got new supplies coming in."
"Do you think they'll have any yarn? Joel needs new socks."
"You deserve better than this." Disappointment washes over her face. "Better than a man that is using you to replace his dead daughter."
She's wrong and you know it; Joel doesn't treat you like your father ever did, there's nothing paternal about his touches and there is no replacing Sarah. But you'd be lying if you said you never envied her for having Joel as a father, even if she is dead now; the guilt you feel must show on your face because Tess' nose wrinkles.
"Or maybe you do. Maybe the two of you deserve each other."
The tone she uses is somehow more offensive than any petname she's ever used before. But the idea of belonging so deeply to Joel that even Tess can see it warms your inside so comfortably you can't find it in yourself to be offended by the implications of her words.
The first and only time Joel comes inside of you, you've been living with him for well over a year. It's been five months since the two of you shared your first kiss, and while you've both been using your mouths and hands on each other ever since, Joel's been hesitant to be inside of you— Pulling out is risky, and condoms expired for over two decades are probably even worse, so he pushes the idea away, making you come three or four times with his mouth until you're so exhausted you stop begging him to fuck you properly.
You're already two orgasms in, sprawled nude and sweaty on the bed while Joel fucks you slowly with his fingers. He bites and sucks at your neck, a collection of bruises of varying degrees of healing peppered all over your skin. Joel pulls his fingers away from you, rubbing his cock against your cunt.
"I'm going to put just the tip." He says, his voice just a little stern as if he's scolding you before you can even misbehave.
"Yes, daddy." You nod and, although you want to beg him to just fuck you already, you're afraid he might change his mind if you seem too eager.
Joel pulls back, leaning on his haunches, pushing your knee to the side. Your legs fall open and you push yourself on your elbow, wanting to see just exactly what he's going to do— Joel is a sight to behold, his chest flush and his breathing deep, his heavy cock gripped tight in his hand. You'd been intimidated by it at first, long and impossibly thick, but Joel has fucked your mouth so many times by now that you are certain you'd be able to take him anywhere he wanted. He presses the head of his cock against your clit and you moan as it slides to the side, coated in your slick.
"She's always cryin' for her daddy." He chuckles and you clench around nothing, his rough voice hitting you deep inside. "Winkin' at me like that, begging for my cock."
"Just for you." You say, so wet you can feel it sliding down to your ass. "Want you so bad it hurts."
Joel brushes his cock against your entrance, teasing, not yet pushing inside. " 'S okay, babygirl. 'M gon' make the pain go away."
The first stretch as he pushes the fat head inside is almost too painful, your head falling back as you mewl but Joel doesn't let you go very far, the hand not holding himself steady flying to your hair, pulling you up just enough so you can see where he disappears inside of you.
"Look at ya." He commands, thighs shaking from the effort of staying still. "Stretchin' so pretty around daddy's cock."
Joel rolls his hips, pushing just another inch inside before he pulls out, a string of your slick connecting the tip of his cock to your entrance. You clench, fingers digging into the mattress to stop yourself from seeking his hips with yours. He's just as wrecked as you feel, breathing deeply before he pushes inside of you again, just a little bit further this time, but still not nearly enough. You keen and give in, planting your feet on the bed to rock against him— His cock slides halfway in before his hand pushes you back on the bed by the hip. The two of you groan in unison, both from the touch and then the abrupt lack of it. His hand comes down onto your clit, slapping it so hard you almost scream, eyes rolling to the back of its sockets.
"Oh, you like that, naughty girl?" Joel asks, and then he gives your cunt another slap. He hums when you wail, sounding almost curious about this new thing the both of you have just discovered. "If you try that again, we're done for tonight, y'hear me? You'll take what I give you or nothin' at all."
You nod, eager, wanting nothing more than for him to be inside of you again. Joel gives your clit yet another slap and the sting makes your skin warm all over.
"Yes, daddy. I'll be good." You say as he rubs soothing circles to your sensitive clit. Joel brings his cock back to you, sliding in much easier than before; he fucks you slowly, no more than just a couple of inches— Just enough to drive you crazy, your entire body set aflame at the touch that is oh-so-pleasurable but still not enough. You hold your body taut, biting down on your bottom lip to keep yourself from pushing back against him.
"Fuck, she's stranglin' me, babygirl. Never seen a pussy so tight—" Joel grunts, his body flushed red from his thick neck down to his navel, sweat dampening the hairs on his chest. "She's just suckin' me right in, isn't she?"
"She needs you." You bring a hand to your mouth, shoving two fingers between your lips and wetting them before you slide your spit-slicked fingers to your chest, rolling your nipples between them. Joel groans at the sight, loosing control of his hips just long enough to push a third of his cock inside of you. "Please daddy, it's not enough. I need to feel you deep inside of me."
You can see the moment his resolve cracks. He hikes your legs closer to his hips and then slams his entire length inside of you— It makes you wail, your mouth falling open and your back arching. Joel topples over your, pushing his index and middle finger inside of your open mouth much like you'd done just moments before. You wrap your lips around his thick fingers, humming as he shoves them as far as he can; you've learned how to control your gag reflex in the past couple of months, Joel's cock big enough to slide down your throat with a single thrust, but the way his fingers push down onto your tongue make your throat close tight.
"Suck on 'em." He orders, hips pulling back until his cock is almost entirely out before plunging back in. "I wanna see you choke on your daddy's fingers while his big cock fucks you open."
You do as he says, mainly because there isn't much else you can do other than take his commands, giving his digits the same treatment as you would his cock, licking and sucking and taking them as deep as you can. Joel's cock hits the same spot inside of you again and again and you can feel him everywhere; you moan around his fingers until he seems to take pity on you, pulling his hand away from your mouth. He shifts positions, kneeling in front of you and hiking your hips on his thighs; you only miss the weight of his body on top of yours for a second, because then Joel is pushing your knees up to your chest and the new position make you even tighter, the pressure making it seem as if his cock has doubled in size. Joel also changes the pace of his thrusts, going slower now and yet somehow even deeper, making you feel every inch of him.
"I'm gonna come." You say, the pressure building fast.
"No you won't." You blink at him, disoriented by his words. Joel pulls back, slapping your clit just as he plunges back inside. "You're goin' to be my good girl and you won't come until I let ya."
"I can't—" You say, the words cut off by the power of his thrusts. "I don't know how—"
"Yes you do." Joel hums, and he sounds almost mean as he slaps your cunt again. "Fuck, she chokes down my cock when I do that. Sweetest. Fuckin'. Pussy."
The last three words are punctuated by slap after slap, the moans falling out of your mouth becoming more and more desperate; you weren't lying, you don't know how to stop yourself from coming but you do the best you can, trying to focus on the mold spots on the ceiling or the chipped paint near the window or anything that isn't Joel's cock pushing time and time again against that perfect spot inside of you.
"Please let me come." You beg, tears pooling on the corner of your eyes and trickling down to your temples. "I can't hold it in, daddy, please. Please please please, I can't—"
Joel pinches your overstimulated clit and you gush around him, body locking up as you come against your will. It makes you black out for a second, black spots dancing in front of your eyes but Joel isn't done. He slaps your tit this time, the flesh jiggling both from the slap and the power of his thrusts.
"Such a bad girl." He grits out, slapping your breast again but he doesn't sound angry at all. "Should punish you for that. Ground you 'n' everythin'. Gotta learn to listen to your daddy."
"I'll take it." You say, gasping for air. You blink at him, the tears still blurring your eyesight. "Whatever it is, daddy, I'll take it. Anything for you."
"Maybe I'll fuck that pretty lil' ass of yours next." Joel threatens, and you clench around him. "Or maybe I'll spank you so raw you won't be able to sit. Use a belt to make sure your not comin' from my slappin' you. Naughty lil' thing, bet'cha like that, huh?"
Your heart jumps to your throat at the mention of the belt, a thousand different memories — bad, terrifying memories — of your own father and his leather belt jump to mind and your eyes well with real, uncontrollable tears.
"Anything for you." You parrot yourself, your eyes locking with the place where Joel clutched to your thighs as if you were his lifeline. "I'm yours, daddy. Anything you want, I'll take it. I'm yours, I'm yours, I'm—"
Joel's thrusts become more erratic, fast and deep and not calculated as they'd been before. He comes deep inside of you, toppling to moan against the crook of your neck, his thighs flush with your ass. It's never ending, his sloppy thrusts slowing down but not stopping as he comes and comes and comes until you feel so full to pushes into your bladder.
"Mine." He says, his voice full of wonder as his aquiline nose traces your jawline. "My precious lil' girl."
It's not an 'I love you', but you're fairly certain it's the closest you'll ever get to one.
You've been nauseated for about three weeks straight by the time Robert steals Joel and Tess' battery. Joel's been toying with the idea of leaving the QZ for good for several months now, quietly planning your escape in the late nights were sleep evades him, trading the pills and the alcohol for something ever more addictive: Hope.
You're sitting cross legged on the bed, a worn copy of a James Patterson book on your lap as Joel cleans the injuries on Tess' face. You'd been jealous of their relationship at first, unsure if they were just smuggling partners or something more but Joel never looked at Tess the way he did you, never touched her with the tenderness he did you. You forget all about the adventure Alex Cross is going through on the pages in front of you as you watch them plan their — your — escape route, the dangerous plan of going after Robert and taking back what is rightfully theirs.
"We'll be back before sundown." Joel tells you, and then he waits for Tess to leave the apartment before he leans in for a kiss. "Get our bags ready, we leave tonight."
You nod, already missing his touch by the time he crosses the threshold after his partner.
It's pouring rain outside by the time they come back, and you've spent most of the day pacing around the cramped apartment. Your backpacks are ready to go, everything of value stuffed inside of it, but you keep checking and rechecking all of the nooks and crannies of the apartment, making sure you've taken everything out of every secret compartment that Joel has hidden around the place. You had been scared the first time Joel brought up the idea of crossing the country after his brother, terrified really, but you'd rather face the monsters — both human and not — outside of the QZ than stay behind without him.
In the months after that, the idea has grown on you, and now you can't wait to see what it is outside; you've seen the top of skyscrapers from the roof of some of the taller buildings inside the walls, and you've heard all of the tales, but seeing it with your own eyes seems like the most exciting thing to ever happen in your sad life.
Joel looks exhausted by the time he comes back, wet from the rain with Tess and a young girl in tow. You frown at her, and she reciprocates the gesture.
"Who are you?" You ask.
"Who are you?" She retorts, dropping her sopping backpack on the ground.
"Joel's wife." You don't even hesitate, the words you've been mulling inside of your head for weeks now falling naturally from your lips. Out of the corner of your eye you see Joel freeze, and Tess' head snaps towards you so harshly you think she might break her neck.
The girl squints. "Aren't you a little yo—"
"We had a change of plans." Joel interrupts the girl, dropping down heavily onto the couch. "Robert fucked us over, his battery was no good. Tess and I are takin' the girl to the Fireflies, and then we'll come back to get you."
"You don't smuggle people." You say, your heart dropping down to your stomach. Joel's able to get in and out of the QZ with relative ease because of the goods he brings for the soldiers, but smuggling a person — a child — out of the zone isn't something the soldier will easily turn a blind eye to.
"We do now." Tess is the one that replies. She exchanges a heavy look with Joel before sneaking out of the apartment, the door slamming in her wake.
"Joel." You say, sitting next to him. You see the girl look at you wearily before she starts roaming around the room, her fingers touching every little thing she could. "This isn't right. What do the Fireflies want with a child?"
"She's some bigwig's daughter or somethin'. Marlene is desperate, she's givin' us all we need to get to Wyoming."
"What's in Wyoming?" The girl asks.
"None of your business." Joel grits out, though his face remains turned to you. "It's too dangerous to take you with me but if Marlene does good on her promise, we're set, baby."
"And if she doesn't?"
"Then I'll come back home and we'll try again." He promises. "The girl is just another cargo, this is the same run I always do. The payout's just a hundred times' better."
You bite the corner of your thumb. This feels too reminiscent of your father's last smuggle run, a goodbye that doesn't seem final but feels like it— Like there's more, like Joel isn't telling you everything or perhaps making things seem less dangerous than they are. You nod, eventually, stomach still in knots.
Joel looks like he wants to reach for you, but one look at the girl makes him retreat; she's not even pretending not to stare, curled on the reclining chair and looking intently at the two of you.
"I'll talk to Abe. He knows how to contact Tommy— If I'm not back in ten days you're goin' to head to Abe's and tell him I sent ya. Hey, kid— Listen to me, this is important."
You nod, trying to focus on what he's saying. He watches you for a moment, making sure he has all of your attention before continuing: "If I'm not back in ten days, you're going to send a message to Tommy and tell him to meet you in Lincoln."
"Joel, how the fuck am I supposed to get to Lincoln on my own?"
"You're goin' to play an 80s song on the radio, and then you'll leave it playin' as you leave. Bill is goin' to meet you halfway there but you need to get out of the city first." He pulls your chin towards him, holding your face so he can look you in the eyes. "You have to get out of the city as fast as you can, y'hear me? You're goin' to follow the path on the map I'ma leave with you, and you're goin' to meet up with Bill. He's gon' keep you until Tommy gets there."
"You've never walked me through a contingency plan like this before, Joel." You try to blink the tears away. "If this is just like any other run, then I don't need this."
"Well, you never called yourself m'wife before, now have you?" Despite the call out, Joel has a small grin on his lips. You feel your face heat up with embarrassment, and you shrug.
"Tess calls me your housewife all the time."
Joel drops his hand, his eyes darting towards the young girl in the room as if he's just recalled her presence. "This is all hypothetical. This run is more dangerous than others, but I've survived worst. I been meanin' to tell you all'a this for a while now. Ain't gon' leave you on your own like your dad did."
Joel leaves an annotated map on the kitchen table— The same one he's been doodling over ever since he heard Tommy was in Wyoming, with escape routes from Boston and the safest and quickest ways to get to Tommy, the margins filled with extensive notes about the unsafe routes and places to avoid in the city; things are numbered and signed and there's a whole paragraph of symbols and codes Joel's come up with, the sort of detailed attention that means he's been working on this for far longer than you've noticed.
"How do I sneak out of the QZ?" You ask, staring at the map as if it's a bomb.
"James."
"The Jesus freak?" You frown. James lives a few doors down from you, a creepy-looking blond man that often has a bible in his hands and a superiority complex that makes you want to barf.
"He's cheap, and he knows his way 'round the place. There are two guns underneath the fourth floorboard by the wardrobe, you'll trade him one and keep one to yourself."
"Hypothetically."
"Yes, darlin'. Hypothetically. Only if I don't come back."
"You'll be here in ten days, won't you?"
"I will. Maybe even sooner than that." Joel promises again, holding your gaze steady. Still, you don't believe him. "I'll be here with a truckload of supplies, and then we'll skip town together."
They leave not long after that, a few hours short of sun up by the time Tess comes back with her pack and a clear exit for the three of them. Joel doesn't give you a prolonged goodbye, simply squeezing your waist and kissing the top of your head like he always does, but the terrible gut feeling that this run is unlike the others doesn't leave with him— If anything, it only seems to worsen in the dark, empty apartment.
You cry yourself to sleep and, distracted by your own anguish and the loud sound of your sobbing, you don't hear the song coming from Tess' radio.
The ten days are an absolute nightmare. You're sick most of the time, sleeping when you're not puking and crying when you're not sleeping or puking— It is Amelia, the young woman that manages the food bank closes to your apartment that brings up the possibility of you being pregnant; she catches you retching one morning outside of her food stall after a particularly strong waft of freshly baked bread, connecting the dots even before you can properly explain your symptoms; you have no proper way of confirming her hypothesis, not unless you want to go to a FEDRA-appointed doctor and alert them to your condition, so Amelia takes you into the backroom of her stall and offers you two different options: A ginger root for morning sickness, or a mugwort and pennyroyal concoction to make your problem go away.
You take the ginger root with shaking fingers, and Amelia simply holds you in silence while you cry.
When the ten days come and go with no sign of Joel, the dread settles so heavy it keeps you awake all night, and not even the bone-deep tiredness you've been feeling can make you get a wink of sleep. You give him some wiggle room, however, deciding to wait just a little longer before you contact Tommy— Joel is coming home any day, you're certain of it, and you'd feel silly to make a fuss just for him to walk through the door safe and sound. So you cry, and you vomit and you don't sleep and you wait.
For all of the despair you felt when you father went missing, you discover now that you never worried much about his safety— You worried that if he wasn't safe you wouldn't be as well, but it takes Joel leaving for you to understand the difference between worrying about someone to worrying about what will happen to you now that they're gone. A thousand different scenarios play through your head, from raiders to slavers to infected hoards to the fact that, maybe, he had simply left you behind: You're not certain which one hurts more, the idea of him being dead somewhere or the idea of him being alive without you.
You hold out hope for as long as you can but, by the fifteenth day, you know you can't pretend nothing happened anymore. You go to Abe early one morning, when the line is just starting to form and tells him exactly as you were instructed to: That you are Joel Miller's wife — which raises eyebrows from everyone in the room — and that you need his help. You give the codeword for Bill and Frank's home, and your estimated arrival there and, by the time Abe is done scribbling all of it down, you feel a little better about yourself; it's scary, and dangerous, but you've lived through scary and dangerous your entire life— And perhaps you haven't faced the outside before, but you've lived in a free-for-all war zone ever since you were a kid.
James isn't an easy man to find, but eventually you manage to track him down to an old building that is being used as a chapel— It's an old coffee shop that's been cleared out at some point, a few mismatching chairs stacked neatly in small rows. James gives you a warm smile when you walk in, your backpack clutched tightly to your chest, but it's visible that he doesn't recognize you.
"Joel sent me." You tell him. "Miller."
The smile slides off of James' face, and he takes a moment to regain his bearings; and despite being used to bad reactions when it comes to dropping Joel's name, the clear dislike on the man's face only increases your worries. James takes you to a backroom behind the church that he's assembled into something that might pass for an office, arms crossed over his chest— He's tall and lanky, non-threatening for most people but there's something about him that keeps you on your toes.
"I need out of the QZ." You explain, plucking the handgun from your backpack before offering it to him. "Joel said you'd help me in exchange of this."
The man squints, but eventually takes the weapon from you, carefully examining it before he puts it on top of the worn Bible on his desk. "Where are you headed?"
"Wyoming." The word slips out, and you wince, unsure if you're supposed to tell him or not— Joel certainly wouldn't have shared anything more than strictly necessary. "That's none of your concern, though. I just need your help to get past the soldiers."
"I got family on the Wyoming border, I've been meaning to head there. What part of Wyoming are you going?"
"I don't have anything else to pay you for chaperoning me. I can get there on my own, I just—"
"I just said I'm headed there anyways." James smiles, his fingers interlaced in front of him. "Do you know how to shoot? It's a rough path, I could use someone to help me."
You hesitate for a long moment, but James doesn't seem to be in any rush. You don't trust him, not one bit, but your mind goes back to the life you might be carrying, to the fact that you had no guarantee that either Tommy or Bill would get your message or even believe you at all; you had someone else to think about now, the fragile little thing you had growing inside of you— You still had no proof you were pregnant, but you knew it to be true. Could feel it deep in your soul, as if your body had been warning you about it before your brain caught up to the possibility of it.
You pluck Joel's map from your backpack, pointing it to the general area Tommy is. "I need to go here. Somewhere."
James hums, and nods. "My community is in Colorado, but it's close enough to that area. A couple of weeks on foot, less if we can get a car."
"Why are you so far away from home?"
He taps two fingers on the Bible. "Spreading the Lord's words."
You have to bite your tongue to keep yourself from snorting. "I don't believe you when you say you don't want anything from me. Nobody does anything without payment."
"The Lord teaches us to be selfless, and help those in need. A young woman like you, crossing the country by yourself? You'll die before you cross state lines."
"Your community. Where is it?"
"Here." James points to the map. "It is close enough to the place you're going, Joel might even be at Silver Lake rather than Wyoming by this point. We're a very welcoming bunch."
You open your mouth to say you're not after Joel, but decide against it; James doesn't need to know why you're going and, maybe if he's scared enough of Joel, he might think twice before bringing you any sort of harm.
"Alright." You say, shoving the map back into your backpack. "Take me to Silver Lake, then."
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