Apr 1, 2019
The colorful geometric patterns in “Duration” (2017), Monika Bravo’s glass mosaic and ceramic-printed glass installation at the Prospect Avenue (R train) station in Brooklyn, are woven and layered from forms derived from Modern Abstraction, pixelated satellite images, and historical images of the nearby waterfront. Bravo works with animation, sound, photography, and digital technology to explore time, space, and memory, and uses her layering process in “Landscape of Belief”, a time-based electronic installation exploring the text from Italo Calvino’s “Invisible Cities”, now on view in “The Power of Intention: Reinventing the (Prayer) Wheel” at The Rubin Museum.
