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Middlemen without enshittification
I'm on tour with my new novel The Bezzle! Catch me next in SALT LAKE CITY (Feb 21, Weller Book Works) and SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA, Seattle, Portland, Phoenix and more!
Enshittification describes how platforms go bad, which is also how the internet goes bad, because the internet is made of platforms, which is weird, because platforms are intermediaries and we were promised that the internet would disintermediate the world:
https://pluralistic.net/2024/01/30/go-nuts-meine-kerle/#ich-bin-ein-bratapfel
The internet did disintermediate a hell of a lot of intermediaries – that is, "middlemen" – but then it created a bunch more of these middlemen, who coalesced into a handful of gatekeepers, or as the EU calls them "VLOPs" (Very Large Online Platforms, the most EU acronym ever).
Which raises two questions: first, why did so many of us end up flocking to these intermediaries' sites, and how did those sites end up with so much power?
To answer the first question, I want you to consider one of my favorite authors: Crad Kilodney (RIP):
https://archive.org/details/thecradkilodneypapers
When I was growing up, Crad was a fixture on the streets of Toronto. All through the day and late into the evening, winter or summer, Crad would stand on the street with a sign around his neck ("Very famous Canadian author, buy my books, $2" or sometimes just "Margaret Atwood, buy my books, $2"). He wrote these deeply weird, often very funny short stories, which he edited, typeset, printed, bound and sold himself, one at a time, to people who approached him on the street.
I had a lot of conversations with Crad – as an aspiring writer, I was endlessly fascinated by him and his books. He was funny, acerbic – and sneaky. Crad wore a wire: he kept a hidden tape recorder rolling in his coat and he secretly recorded conversations with people like me, and then released a series of home-duplicated tapes of the weirdest and funniest ones:
https://archive.org/details/on-the-street-crad-kilodney-vol-1
I love Crad. He deserves more recognition. There's an on-again/off-again documentary about his life and work that I hope gets made some day:
https://pluralistic.net/2020/09/09/free-sample/#putrid-scum
But – and this is the crucial part – there are writers out there I want to hear from who couldn't do what Crad did. Maybe they can write books, but not edit them. Or edit them, but not typeset them. Or typeset, but not print. Or print, but not spend the rest of their lives standing on a street-corner with a "PUTRID SCUM" sign around their neck.
The strike has precluded actors from doing promotional press, leading some to go on hiatus from their publicists. One firm says business is
Now the publicists are feeling the "pinch" due to the craziness going on in Hollywood 😵💫😭
This is getting crazy..... 🥴
Pro Tip: You don’t need to be on every social media platform in existence. Know your customer and focus on creating meaningful content that will engage them; then work within the platforms where your customers will be.
Go And Cop My Brodiis @bagstheboss Album “Young Jesus Christ 2: Let Us Prey” is OUT NOW on all streaming platforms! Show some love and Let me know which song deserves a video. Lawwwwdddd! 🙏🏽 .. .. ..Video by @frskpurple .. .. #Rapartist #musicartist #musicmarketing #soundcloudmusic #reverbnation #publicists #independentartist #undergroundartist #newartist #musicians #musicproducer #Spotify #Tidal #AppleMusic #iTunes #GooglePlay #Soundcloud #Youtube #mymixtapez #Audiomack #mixcloud #spinrilla #unsignedtalent #unsignedartist #mixtape #mixtapecover #indiehiphop #unsignedhype #musicbusiness (at Woodbridge, New Jersey) https://www.instagram.com/p/Bwkwb_EFccL/?utm_source=ig_tumblr_share&igshid=n5m500k4po9s
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