#published in 2011

[obviouslybooks]

What the fuck do you mean The Song of Achilles is 15 years old?

[spectrumcore]

when will EFL textbook writers learn that using popular culture references won’t make your texts more appealing to teenagers; they’ll just make them really dated in 3 or 4 years time.

[foetry]

A Language

I had heard the story before

about the two prisoners, alone

in the same cell, and one

gives the other lessons in a language.

Day after day, the pupil studies hard—

what else does he have to do?—and year

after year they practice,

waiting for the hour of release.

They tackle the nouns, the cases, and genders,

the rules for imperatives and conjugations,

but near the end of his sentence, the teacher

suddenly dies and only the pupil

goes back through the gate and into the open

world. He travels to the country of his new

language, fluent, and full of hope.

Yet when he arrives he finds

that the language he speaks is not

the language that is spoken. He has learned

a language one other person knew—its inventor,

his cell-mate and teacher.

                          And then the other

evening, I heard the story again.

This time the teacher was Gombrowicz, the pupil

was his wife. She had dreamed of learning

Polish and, hour after hour, for years

on end, Gombrowicz had been willing to teach

her a Polish that does not and never

did exist. The man who told

the story would like to marry his girlfriend.

They love to read in bed and between

them speak three languages.

They laughed—at the wife, at Gombrowicz, it wasn’t

clear, and I wasn’t sure that they

themselves knew what was funny.

I wondered why the man had told

the story, and thought of the tricks

enclosure can play. A nod, or silence,

another nod, consent—or not, as a cloud

drifts beyond the scene and the two

stand pointing in different directions

at the very same empty sky.

                           Even so, there was something

else about the story, like teaching

a stunt to an animal—a four-legged

creature might prance on two legs

or a two-legged creature might

fall onto four.

                           I remembered,

then, the miscarriage, and before that

the months of waiting: like baskets filled

with bright shapes, the imagination

run wild. And then what arrived:

the event that was nothing, a mistaken idea,

a scrap of charred cloth, the enormous

present folding over the future,

like a wave overtaking

a grain of sand.

                           There was a myth

I once knew about twins who spoke

a private language, though one

spoke only the truth and the other

only lies. The savior gets mixed

up with the traitor, but the traitor

stays as true to himself as a god.

All night the rain falls here, falls there,

and the creatures dream, or drown, in the lair.

  By Susan Stewart b. 1952

Source: Poetry (July/August 2011).