I’ve seen this film quite a few times and do enjoy watching it. I love the songs and Dick Van Dyke’s accent wears on me a little less each time and I feel sorry for Mr Banks a little more each time. The painting holiday scene is way too long though - I remember it being shorter... Excited for the new one to come out next year.
(Other GG Movies I’ve watched so far)
(Full references under the cut)
1x14, That Damn Donna Reed (2001) Rory mentions the title of a song in this film when talking about the Donna Reed show with Lorelai.
LORELAI: She's medicated.
RORY: And acting from a script.
LORELAI: Written by a man.
RORY: Well said, Sister Suffragette.
2x15, Lost and Found (2002) Taylor mentions the film while talking about collector plates.
LUKE: Collectible plates?
TAYLOR: Isn’t that a great idea? Elvis, The Beatles, Mary Poppins, all the greats. You can hang ‘em on the wall or you buy a little stand and set ‘em up on the coffee table.
LUKE: Okay, you need to get away from me now. At least a good arm swinging length away.
3x18, Happy Birthday, Baby (2003) Lorelai tells Rory that she wants Luke to sweep the chimney.
RORY: Mom.
LORELAI: What?
RORY: Luke cannot sweep our chimney.
LORELAI: Why not?
RORY: Because you need to be a chimney sweep to sweep a chimney.
LORELAI: Please. If Dick van Dyke can do it, so can Luke.
4x01, Ballrooms and Biscotti (2003) Luke alludes to Taylor dressing like Bert, telling him that he should have Mary Poppins and some cartoon penguins with him.
LUKE: A giant window! Right here! You can see my entire diner. And when I'm in my diner, I can see your whole stupid store.
TAYLOR: I don't understand why yours is a diner and mine is a stupid store.
LUKE: Look at this place! Look at you. All you need is six dancing penguins and Mary Poppins floating in the corner to bring back two of the worst hours of my childhood.
TAYLOR: I don't think you had a childhood.
4x14, The Incredible Sinking Lorelais (2004) Emily says that Lorelai needs a haircut
EMILY: Just be here and be on time, and get your hair cut. You looked like the bird lady from Mary Poppins the last time I saw you.
LORELAI: Well, Mom, I've been very busy lately.
EMILY: I don't care how busy you've been, Lorelai. If your hair looks a mess, it will be my fault, and I don't need that responsibility right now. I'll see you at noon.
4x15, Gilmore Girls: Scene in a Mall (2004) Trying to sound British, Lorelai says, "Sister suffragette; tuppence a bag."
LORELAI: It's just when I picture letter writing, I picture Charles Dickens.
LUKE: Charles Dickens wrote more letters than other people?
LORELAI: No, it's just I can easily picture him in his study with his dog and his pipe and his fancy feathered pen, writing [British accent] "Cheerio, old bean. Have a cup of tea. How's Big Ben? How's the Tower of London, Sister Suffragette? Tuppence a bag."
LUKE: Sounds like an idiot.
6x13, Friday Night's Alright for Fighting (2006) Lorelai pretends to speak as Emily, using a British accent and including the Mary Poppins phrase "spit-spot!"
RORY: Grandma said she was “into this”?
LORELAI: Well, you know, she didn't say it like that, but she said, [English accent] "oh! Dinner with Rory! "How delightful! Well, spit-spot. Alert the corgis."
RORY: Mom. .
6x16, Bridesmaids Revisited (2006) Christopher refers to Lorelai as "Mary Poppins" after babysitting Gigi
LORELAI: Hey.
CHRISTOPHER: Hi, Mary Poppins.
LORELAI: [Chuckles] Sorry, the place is a mess.
CHRISTOPHER: It's okay. I left my white gloves at home.
6x22, Partings (2006) Logan asks Rory if she's about to break into a chorus of "Chim-Chim-Cheree" and later calls her "Mary Poppins", both times making fun of her fake British accent.
LOGAN: You're gonna break into a chorus of " Chim chiminey " any minute.
RORY: Shush, now. None of that talk. Because tomorrow, brilliant things will happen, a new life, a new adventure. You like adventure, don't you, mate? Well, London is certainly the place for that, and we, frankly, would not be the fine chaps we claim to be if we did not send you off in a proper way, [Raises her voice] with the bash of a lifetime! [cheering from the party goers] Come on. Someone get this chap a pint. See if you can't be happy, at least you can be drunk.
LOGAN: Kiss me, Mary Poppins.
RORY: [Normal voice] Really I thought it was more Gwyneth Paltrow, "Shakespeare in love."
So the Godfather is referenced 5 bajillion times (enjoy those references below the read more) and is a classic. I had extremely high hopes for this film and I did enjoy watching it. The acting was impeccably and it was really well shot. I think a little was taken away with the horse’s head scene because who doesn’t know about that scene... which was surprisingly the only spoiler I knew before watching. I had a little bit of an issue with the predictability of it, housemate said it was cause I’ve watched too many films but I called almost everything before it happened (apart from the the guy who got shot 5 times death I don’t wanna give it away). It just about made 4 stars although it was pretty damn predictable, the acting was truly amazing and the storyline was pretty interesting.
(Other GG Movies I’ve watched so far)
(Full references under the cut)
1x17, The Breakup: Part 2 (2001) Lorelai tells Rory that her Dean box (a bo full of his stuff) is gone using a reference from this film - sleeps with the fishes
LORELAI: Honey, good night.
RORY: Mom…
LORELAI: Yeah.
RORY: Far, far away from the house ok?
LORELAI: Hey, it sleeps with the fishes.
RORY: Thank you.
2x14, It Should've Been Lorelai (2002) Rory and Lorelai discuss the "leave the gun, take the cannollis" line.
RORY: Where do you wanna sit?
LORELAI: I don’t know. Um, how ‘bout this table with it’s unobstructed westward view of the wide cosmopolitan expansive Klump Street?
RORY: Tempting. Do you know that on a clear day you can see all the way to the garbage cans behind Al’s Pancake World?
LORELAI: Hm. Or we could sit in the corner - you know, the Mafia table so that no one can come up behind you and whack you with a cannoli.
RORY: Whack you with a cannoli? Oh, because he left the gun and took the cannoli.
LORELAI: You’re so my daughter.
2x16, There's the Rub (2002) Lorelai calls Emily's limousine "The Luca Brasi-mobile." in reference to Luca Brasi a character from this film
EMILY: [they walk to the front desk] Hello, I’m Emily Gilmore. This is my daughter, Lorelai.
BOBBY: Ah, yes, welcome to Birch Grove. My name is Bobby. I have everything all set for you. Do you have luggage?
LORELAI: Yes, it’s in the Luca Brasi mobile out front.
BOBBY: Okay, well, we can take care of that for you. Here are your room keys and a copy of all of your spa activities. You ladies are booked solid, I see.
3x02, Haunted Leg (2002) Lorelai mentions Clemenza, a character in the film, who kills someone in a car.
LORELAI: I know, but this goes against every rule I have in the Gilmore survival guide. Number one – no running with scissors. Number two – no pageboy haircuts. Number three – never ever have lunch alone with a mother.
SOOKIE: It might not be so bad.
LORELAI: Saying yes to this lunch with my mother is like saying "Sounds fun!" to a ride with Clemenza.
3x11, I Solemnly Swear (2003) Lorelai describes scenes from the film when talking about Rory’s issues with Francie
LORELAI: Do you want me to talk to her? You know, arrange a sit-down?
RORY: No, thanks.
LORELAI: Come on. We’ll have it in an Italian restaurant. You’ll get up, go to the bathroom – thanks – and come out shooting, and then I’ll send you to Italy.
RORY: Well, I do wanna go to Italy.
LORELAI: Two birds with one stone, my friend.
4x01, Ballrooms and Biscotti (2003) Lorelai and Rory plan to watch the film.
LORELAI: Pizza at John's. Um, Sunday, pick up all the stuff you need for school, and then there's a barbecue at Sookie's. Monday is mani/pedi, facial, haircut, go to the psychic, and stock up for Tuesday, the day of all days - Godfather I, II, and III, with extra showings of the Sofia death scene over and over as long as the Mallomars hold out.
RORY: The perfect day!
RORY: Well, I'm not ready. I haven't packed. I have things I need to get. We were supposed to watch the three Godfather's and Sofia dying over and over and eat our biscotti and -
LORELAI: Okay, listen, calm down. We just need to revise our plan.
RORY: We were supposed to have a week.
LORELAI: Okay, tonight we stay home and pack. Tomorrow we get up early. We'll get all the stuff you need, and that will give us time to watch at least two Godfather's and a Sofia dying. We'll still have a partial day and a great biscotti night.
LORELAI: Okay, let's sit. God, Mr. Jet Lag wants to be my best friend.
RORY: Well, do you wanna go home and rest?
LORELAI: No. We have a Godfather night to salvage. Check the list.
LORELAI: I'm not going. I'll finish up all the errands.
RORY: Really?
LORELAI: Yes. You go and you eat really fast and then get out of there. Meet me back here 9:30, 10 at the latest, and we'll do Godfather I through "Monday, Tuesday, Thursday," and a quick Sofia dying.
RORY: Deal.
4x04, Chicken or Beef? (2003) Lorelai and Rory discuss scenes from the film.
LORELAI: I own my own business now, Rory. I'm gonna have to deal with tiny men like Taylor all the time. You can't go around yelling at people, no matter how historical they might be.
RORY: Bummer.
LORELAI: You have to learn to separate the personal from the business.
RORY: Okay.
LORELAI: Remember in The Godfather, Michael telling Sonny how he was gonna kill Tattaglia and Captain McCluskey in that Italian restaurant? He lays out the whole thing very calmly, very unemotionally, 'cause that's what you do in business.
RORY: Yeah, but then he went and shot two guys in the head.
LORELAI: Okay, but I wasn't describing that scene.
4x07, The Festival of Living Art (2003) Rory references Sonny's (James Caan) line, "Badda-bing, you blow their brains all over your nice Ivy League suit."
RORY: You are going to be the Renoir girl - end of story.
LORELAI: How?
RORY: Well, if they want an Anthea for "Portrait of a Young Girl Named Anthea," then they're going to have to have you for the Renoir girl.
LORELAI: Well, look at you folding your laundry all haughty and powerful.
RORY: Bada-bing all over his nice ivy-league suit.
5x09, Emily Says Hello (2004) Jackson speaks of threats from the film, specifically mentioning the fish on the doorstep, the horse head in the bed and "either his brains or his signature will be on the contract."
[They arrive at Sookie's house – Jackson approaches them carrying a giant set of "stage scissors"]
JACKSON: I came home from work, and I found these on the doorstep. What the hell is this supposed to mean?
SOOKIE: Hon, maybe it's just a joke.
JACKSON: No, this is not a joke. This is a threat.
LORELAI: Yeah, those people at Butterick Patterns play pretty rough.
JACKSON: This is the fish on the doorstep. It's the horse head in the bed. It's the "either your signature or your brains are going to be on the contract."
SOOKIE: Jackson, calm down.
5x17, Pulp Friction (2005) Lorelai mentions, in passing, Connie Corleone's wedding day
LUKE: You bring an enemy coffee cup in here on the day of our reconciliation.
LORELAI [with a mobster accent]: At least I didn't ask you for a favor on this, the day of our daughter's wedding.
LUKE: Get that coffee out of here.
6x02, Fight Face (2005) Luke mentions how Michael Corleone dealt with his brother-in-law.
LORELAI: So, what do we do?
LUKE: I'm gonna talk to TJ, but I'm gonna be smart about it, I'm not gonna spook him. I'm gonna be like Michael Corleone dealing with that slimy brother-in-law of his. Get a couple of tickets to a ball game, invite him along. And we'll talk about the beer and the hot dogs we're gonna eat. And then I'm gonna get him to admit that he did this. And then when we get in the car on the way to the ball park, I'm gonna put a rope around his neck and pull it till he's (pulls an imaginary rope) Dead!
LORELAI: Wait, Wait! You're in the backseat?
LUKE: Yeah! That's the best for garroting. Yes!
LORELAI: No, he's gonna smell something fishy if you hop in the backseat especially if you're driving.
LUKE: No, he's not that bright. It'll work!
LORELAI: Why are you even buying the tickets? You could just sneak up on him and garrote him on the street. Save you the money.
6x04, Always a Godmother, Never a God (2005) Brian quotes "I'm gonna make him an offer he can't refuse"
RORY: I'm just doing it as a favour for Sookie.
BRIAN: Godmother, huh? (imitating Marlon Brando) Did you make her an offer she couldn't refuse?
ZACH: (impressed) Dude! You nailed that!
BRIAN: Thanks.
6x05, We've Got Magic to Do (2005) Rory says, "This is business; it's not personal."
RORY: I really hate her!
PARIS: They should die.
RORY: I should probably give her a table.
PARIS: What?
RORY: Well, we have a spare table. We kept it open in case of something like this. I should give it to her.
PARIS: But she doesn't deserve it.
RORY: I know, but this is business. It's not personal. I should give her that table.
6x06, Welcome to the Dollhouse (2005) Kirk references the film when talking about getting on the wrong side of Taylor.
LORELAI: But you and I talked about the street names only this morning! How could the Dragonfly already be off the map?
KIRK: You know the old saying, cross the Don in the morning, sleep with the fishes in the afternoon. Plus Taylor has one of those really fast laser printers.
LORELAI: This is not fair! The Dragonfly is a business in Stars Hollow! This is not right.
6x10, He's Slippin' 'Em Bread... Dig? (2005) Sookie tells her sous chef to "Godfather it up" after instructing him to add more garlic to the dish he is preparing.
SOOKIE: Okay, where's the onions for my sauce? Who's my onion man?
CARL: Right here, Sookie.
SOOKIE: Okay, right here, Carl. I need them right there. Okay? Get the shallots in it. It's time. It's time! [She tastes a sauce.] Okay. Needs more garlic. Come on. Godfather it up for me. [To the woman chopping herbs] Good! Good, good, good. Good, good. Okay. If you can travel back in time and make me not make the veal and ham pate, I'd appreciate it. Talk me out of these things in the future, guys.
6x21, Driving Miss Gilmore (2006) Lorelai wonders if her parents had Clemenza hide a gun in the bathroom after they said they had lunch with Christopher
RICHARD: Because there'd been a lot of tension between us about the tuition incident, and your mother and I thought it was time for a sit-down.
LORELAI: A sit down what, did you get Clemenza to hide a gun in the bathroom first?
RICHARD: We thought it was time to clear the air. After all, Christopher is Rory's father, and we wanted him to know there were no hard feelings.
7x18, Hay Bale Maze (2007) Rory compares Taylor to Don Corleone.
LOGAN: And this hay-bale maze -- this is all Taylor’s idea?
RORY: Yep.
LOGAN: This is the same Taylor who is town selectman and owns two businesses.
RORY: Yeah, he’s basically the Mayor of Stars Hollow and Don Corleone all wrapped up into one.
LOGAN: That’s fascinating.
A Year in the Life: Summer (2016) Lorelai imitates Vito Corleone.
LORELAI: [Imitating Marlon Brando as Don Corleone] My wife is crying upstairs. I hear cars coming to the house. Consiglieri of mine, I think it's time you tell your Don what everyone seems to know.
MICHEL: What?
LORELAI: It's from The Godfather
MICHEL: Eurgh, not The Godfather again.
LORELAI: It has a quote for every circumstance.
MICHEL: You don't have a wife.
LORELAI: It's not exact.
MICHEL: And who's Don?
LORELAI: Michel!
MICHEL: I'm leaving
LORELAI: [sighs] I'm out of quotes.
A Year in the Life: Fall (2016) Emily says, "I just upped and pulled a Bugsy Siegel and made them an offer they couldn't refuse."
EMILY: D'you remember the house your father and I would rent every summer?
LORELAI: Of course.
EMILY: Well I bought it and it wasn't even for sale! I just upped and pulled a Bugsy Siegel and made them an offer they couldn't refuse.
LORELAI: Ok I think you just mixed your mob metaphors but I appreciate the attempt.
So I have officially given up waiting for these films to come on my streaming services so I'm having to rent them. The music in this film is what has got the 4 stars, and I love Antonio Banderas although at times the characters were frustrating. Unpredicatble near ending, predictable end ending. If that makes sense!
I also accidentally jumped ahead because I didn't scroll down my drafts enough so still have some from S3 to watch!
(Other GG Movies I’ve watched so far)
(Full references under the cut)
4x01 Ballrooms and Biscotti Lorelai says that Emily has Rory "locked in here with the Mambo Kings."
LORELAI: He went to bed?
EMILY: Well, it was getting late.
[Lorelai laughs a little]
EMILY: Why are you laughing?
LORELAI: Um, you know, you've got Rory locked in here with the Mambo Kings, and, um, and Dad went to bed.
EMILY: So what? Why is that funny?
LORELAI: Because. . .you know, she's here and he's there and. . .God, I'm so tired.
