Fruits Basket Manga Review ch (76 & 77)
So, I decided to read the manga mainly in search for a more natural balanced female presentation than the idealistic, shallower, savior depiction of tohru in the anime.
I’m intentionally skipping all the chapters of her as a (mother figure) in yuki’s life & won’t read them or even visit them for comparison with the anime. I love yuki’s growth story & the unique depiction of his platonic relationship with tohru, but if his mother-tohru phase was a drink, then the anime has force fed it to me till it came from my nose! So, for yuki, I’ll be reading his growth past-his mother confession.
I’ve consulted my lovely manga readers friends & thy recommended starting from ch 90 since the content in that chapter was completely cut! but some recommended checking kyoto chapters first since they contain a nice glimpse of the author’s style & artistic vision. Kyoto ep in the anime isn’t focused on “mom-tohru” so, i like the idea! I’ll jump to ch 90 right after ch 77.
- Subtle growth of a woman ( Clash of visions & presentation between the manga’s “ Loosing the wallet with mom’s photo vs the anime’s fractured photo frame):
I really love the underlined connotation of tohru loosing her “mom” unknowingly! In the anime, this scene played without any reference to kyoko & tohru’s attachment to her. We saw tohru the teenage girl confused as she experience romantic love for the first time. Nothing more than that. But the manga says “ Main female MC is way deeper than a (mom-figure) or a (girl in love), In this panel, tohru chases after kyo & unknowingly looses her famous wallet containing her mom’s picture. Here’s what this subtly indicates:
Normally, tohru would notice right away that her wallet is missing, here she never even notice until kyo suggest they hang out together. Subtly indicating that tohru is moving further & further from her phase of “ an afraid, grieving, abandoned child clinging to her mom”.
Normally, tohru would panic, say “ mom is missing” & everyone around her goes into search mode to make tohru at ease (hiro’s ep). Here once she notices, she says “ my wallet is missing” & kyo relaxed & laughingly gives her her wallet back. While he goes to bring the wallet, tohru instead of thinking “ oh nearly lost mom!” is musing over the fact that “it’s strange that kyo can make me happy or sad with one word only”. Subtly indicating that tohru is replacing her mom with kyo as part of growing up from the child she was to the woman she will be.
Tohru calling kyo “mysterious”, subtly explains that tohru is in the uncertain phase of understanding her feelings as a woman & hence, pave the path for upcoming trauma exploration & psychological depth.
The entire scene in the manga is depicted to convey different layers: romance, upcoming growth, & unexplored traumatic issues of abandonment, grief, & human weakness. “ Accepting human Weakness & change” IS the manga’s vision.
In the anime, the fractured picture worked simply becuz no issues of any traumatic experiences with tohru were ever hinted. Nothing abt tohru being a young woman moving away from a traumatic childhood was ever implied beside the weakly sharply cut & forgotten few scenes of her mysteriously going “ im okay” while remembering her dad’s shrine. Was there ever anything abt replacing her mom with kyo? Nope!. Was there anything abt tohru reluctance of loving kyo? Nope! to fix that, let’s shock the audience with empty photo frame! It’ll make the viewers confused & if we play the climax right & give tohru a tearjerker speech confronting akito, all is good. It worked in the anime as it served the purpose it was created for: shock value & drama. ppl bought it. But in the long run, it cemented tohru as the “savior angel” never the “ weak human”. But not many will have issues with that. Having yuki with his impressive story of growth & kyo with his shocking story of pain is enough to distract from the rest. The director must think: What does the audience want?
a woman who’d save the prince with her motherly care?“ Done!”.
a woman who’d love the monster? “ Done !”.
a woman who has her own deep story? no one will miss that~ skip!
-Yuki’s next stage of growth: Friends:
I like how smoother the scene played here. Yes, yuki thinks back to his gratitude to tohru, but it plays subtly & more emphasis is on his friendship with kakeru. No added scene of him waving back to tohru after kakeru which brought the focus back to mom-tohru again. No. Here is way less shoved in your throat. Yuki says how he felt in the moment, moved on to the next stage, thought abt his life & choives, moved on to school. Clear lines that makes yuki more dynamic & way less “ living in his head” character.
Side Notes:
The manga’s art is pretty but expressive! I was afraid it’ll have that weird eyes bigger than the moon & too much sparkles & bubbles like the usual old shojo manga art!
Yuki is way more expressive than the anime & less pretty & sparkly! I welcome this with flowers & songs! lol.
Tohru has “low” pigtails instead of the child-like high pigtails! YES! it is crazy that this trivial change adds so much to tohru’s presentation to the viewers’ eyes. In real life no big deal but in an artistic medium such choices send subliminal messages to viewers minds, that’s why artists spend a lot of time choosing their characters default appearance. It means a lot for the character’s overall path & sends messages. High child-like pigtails: make her look like innocent & naive child since viewers usually associate such hair do with children & toddlers. Low pigtails: are cute girly style that we associate with teenagers & young adult women, it’s practical & cute.
Kyo’s looks as youthful & handsome as the anime but less angry, annoyed & more versatile in his expression! It always bothered me that the anime just go with kyo’s default frowned face, hands in pocket looks unless he should express a key emotion. Also, kyo without an undershirt in his uniform! interesting change from the anime.
I missed kyo’s two buddies! T_T. Why they weren’t in the anime’s finale.. could’ve at least put them in the underwhelming graduation ceremony ~
I really appreciate that yuki’s fanclub are one page, less annoying.
That awkward moment when a manga panel drawn by one person can depict a crowded city more than an anime with a huge team. Like the anime didn’t even need to zoom out for a huge wide shot that showcase its weakness in depicting a crowded city. If you can’t draw that, just zoom in to lessen the effect of emptiness. kyoto isn't a deserted area especially not during a school trip!
The teachers checking on the sneaking vs sleeping students scene is a welcoming sight! XDDD
Hana met kakeru before? saw him & tohru together? weird!!
Kakeru is more focused on tohru here.
I really love the photos taken for everybody. It indicates real good time! Hana eating, yuki around girls, arisa annoyed, kyo teased with playing card: did the play “rich man poor man” again? XD
I’m starting to love yuki more in the manga than the anime!
Kyo having short inner thought abt not being able to tell tohru a girl confessed to him & deciding to say “ none of ur business” is doing wonders to the scene!!! it makes him less mean to tohru & more balanced character. I mean I guessed so in the anime, but what could've prevented making the VA say this short line of inner thought?! Yuki’s VA says essays & essays in nearly every ep abt nearly every character?!.
I liked the way kyo held tohru’s hands when he turned to her, the way he held her hand in the anime is a bit weird. lol. Also, in this scene, tender gentle kyo is so well-done both in the anime & manga. The manga wins for the zoom in & focus on emotions, tho.
Next is chapter 90!
