“SOS Fantômes (Ghostbusters: Answer the Call)” de Paul Feig (2016) - reboot au féminin de la franchise “SOS Fantômes” écrite par Dan Aykroyd et Harold Ramis, situé indépendamment entre les deux premier opus d'Ivan Reitman (1984-89) et les suites de Jason Reitman et Gil Kenan (2021-24) - avec Melissa McCarthy, Kate McKinnon, Kristen Wiig, Leslie Jones, Chris Hemsworth, Neil Casey, Charles Dance, Andy García, la participation d'Ozzy Osbourne et le retour des anciens Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts et Sigourney Weaver, décembre 2024.
Kate Winslet et Josh Brolin dans "Last Days of Summer" de Jason Reitman (2013) - adapté de "Long Week-end (Labor Day)" de Joyce Maynard (2009) - mai 2021.
Kate Winslet, Josh Brolin et le jeune Gattlin Griffith dans "Last Days of Summer" de Jason Reitman (2013) - adapté de "Long Week-end (Labor Day)" de Joyce Maynard (2009) - mai 2021.
Asia Argento and Avital Ronell do not undermine #MeToo—they stand as a reminder of the work that needs to be done.
According to the National Coalition Against Domestic Violence, “Nearly 1 in 10 men in the United States has experienced rape, physical violence, and/or stalking by an intimate partner and reported at least one measured impact related to experiencing these or other forms of violent behavior in the relationship” and while most offenders of that are “predominantly male perpetrators” it doesn’t mean women can’t do it themselves. Especially when they have grown up being heavily sexualized and believe it to be “normal” behavior.
A study focusing on the way that female sexual assault perps are treated notes that:
“Female perpetration is downplayed among professionals in mental health, social work, public health, and law, with harmful results for male and female victims, in part due to these “stereotypical understandings of women as sexually harmless,” even as ongoing “heterosexism can render lesbian and bisexual victims of female-perpetrated sexual victimization invisible to professionals.”
Studies have also shown that when men are abused by female predators, they are less likely to report it, because “male victims may experience pressure to interpret sexual victimization by women in a way more consistent with masculinity ideals, such as the idea that men should relish any available opportunity for sex.”
None of this erases the fact that we have issues with men in authority abusing women, but feminism is not supposed to be about ignoring the problematic and awful things women in power do. Asia Argento and Avital Ronell do not undermine #MeToo—they stand as a reminder of the work that needs to be done, and a sign of progress that men now feel like they can come forward about sexual abuse no matter who perpetrated it.
“SOS Fantômes (Ghostbusters: Answer the Call)” de Paul Feig (2016) - reboot au féminin de la franchise “SOS Fantômes” écrite par Dan Aykroyd et Harold Ramis, situé indépendamment entre les deux premier opus d'Ivan Reitman (1984-89) et les suites de Jason Reitman et Gil Kenan (2021-24) - décembre 2024.
