Rob Pitcher & Valerie Link, POTO Hamburg Revival 2015
Fun fact: Rebecca Pitcher (longtime Christine) has a brother who understudied the Phantom. And there's a lot to love about his performance, too. Quite hand, but also very soft and tentative.
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Rob Pitcher & Valerie Link, POTO Hamburg Revival 2015
Fun fact: Rebecca Pitcher (longtime Christine) has a brother who understudied the Phantom. And there's a lot to love about his performance, too. Quite hand, but also very soft and tentative.
When the same backstage photo appears across productions (and fairly unintentional in most cases)
ROW 1: David Arnsperger in Hamburg, Ben Forster in West End
ROW 2: Eva Tavares in the Restaged US Tour, Lillian Mandaag in the Restaged Tour in Austria
ROW 3: Amy Manford in West End, Clara Verdier in the World Tour revival
ROW 4: Elizabeth Welch and Rob Pitcher in Oberhausen, Kelly Mathieson and Paul Tabone in West End
ROW 5: John Owen-Jones in West End, Rob Pitcher in Hamburg
ROW 6: Hugh Panaro and his dog Soot on Broadway, Tomas Ambt Kofod and his dog in Copenhagen
Tobias (Toby) Joch, u/s Raoul in Oberhausen, Germany, 2015-2016
With Annermarijn Maandag and Rob Pitcher. Photos by Miki Nakamura.
From his brand new website, which also has a nice recording of All I Ask of You in English with Katie Hall.
...just follow the lantern...
Rob Pitcher, Hamburg
Ben Crawford and Emilie Kouatchou, Broadway
John Cudia, US Tour
Peter Karrie, Toronto
Glenda Balkan and Peter Karrie, Toronto
Peter Karrie, Toronto
Hugh Panaro and Sam Hill, Broadway
Norm Lewis and Mary Michael Patterson, Broadway
Valerie Link and Mathias Edenborn, Hamburg
Everybody's getting lifted backstage!
Rob Pitcher and Elizabeth Welch, Oberhausen
Miki Nakamura and Max Niemeyer, Oberhausen
Paul Tabone and Kelly Mathieson, West End
Ana Marina and Alexander Lewis, World Tour
Matt Blaker and Harriet Jones, West End
Darua Goes and Fred Silveira, Sao Paulo
Celinde Schoenmaker and Harriet Jones, West End
Jonathan Roxmouth and Meghan Picerno
Oliver Savile and Scott Davies, West End
Elizabeth Welch as Christine: My favourite photos!
With Rob Pitcher, Oberhausen
Broadway
With Paul Schaefer, Broadway
With Brent Barrett, Oberhausen
With Max Niemeyer, Oberhausen
Oberhausen
Oberhausen
US Tour
With Toby Joch and Max Niemeyer, Oberhausen
With Nicky Wuchinger (?), Oberhausen
I don't understand how Christine thought it was Piangi in PONR given that the Phantom weights a lot less than him, anyone with good vision would notice the difference.
On a general level I agree, as the difference between them from a DESIGN perspective was meant to be noticeable. But there’s also some aspects I wanna mention:
1. Not all Christines act as they don’t know something is wrong. That especially went for the earliest blocking in West End, but there’s still elements of it. Christine pausing and looking a second time, Christine giving him a glance of “you’re playing THAT game, I’ll show you!. Her feeling the mask under the hood is more of a confirmation of what she already knew, than an utter surprise.
2. The weight difference isn’t always too noticeable between the Phantom and the Piangi. Many Piangis are exquipped with false bellies or full fatsuits, but their overall frame is slender. Some actors covers both the role of the Phantom and Piangi, and those guys could totally have fooled me. Here’s Rob Pitcher in Oberhausen:
Think also Cleyton Pulzi in Sao Paulo, Jeremy Stolle on Broadway and Jeremy Secomb in West End.
3. Some Phantoms (though not many, and it mainly appears to have been a West End thing) mimicks Piangi’s Italian accent in the beginning of the song. John Owen-Jones is a prime example.
I think my biggest beef with Christine not understanding it’s Piangi is the VOICE. All the way through the show we’ve been told how standard a singer Piangi is, and how extra!plus a voice the Phantom has. Leroux describes him as a master of ventriloquism, so shouldn’t he been able to also mimick Piangi perfectly. But that’s not what the audience hears, is it? We immediately hear the Phantom, from the first note he sings. And so should Christine, really...