Twisted lovers, RDC3 feels mix up! A quick illustration inspired in @nalyra_ff 's apperitif "Flipping platonically"-
http://archiveofourown.org/series/691311 pic.twitter.com/WcqkG7HVOh
seen from Türkiye
seen from United States
seen from Barbados
seen from Sweden

seen from Australia
seen from Morocco
seen from United States
seen from Italy
seen from Yemen
seen from China
seen from United States
seen from T1
seen from Netherlands
seen from United States
seen from United States

seen from Türkiye

seen from Malaysia
seen from United States
seen from United States

seen from United States
Twisted lovers, RDC3 feels mix up! A quick illustration inspired in @nalyra_ff 's apperitif "Flipping platonically"-
http://archiveofourown.org/series/691311 pic.twitter.com/WcqkG7HVOh
"I imagine myself covered with blood, broken but transfigured and in agreement with the world, both as prey and as a jaw of time, which ceaselessly kills and is ceaselessly killed."
- George Bataille.
Mizumono implies so much shit that I still couldn’t get over it. This is a kind of conceptual study, a quickie one I worked on to brought it to the RDC3.
The fall as the most beautiful promise, because if they survive, they’ll survived together.
The fall as the complete acceptance of their conjoined nature and, in fact their dire fate.
"So we expect love to be a solution for infinite suffering? And what choice do we have? Within us anguish is infinite, and we fall in love."
-George Bataille.
Also, lyrics from The Smiths. This was one of the prints I brought to the RDC3 weekend. I’ll be posting the others and updating the blog!
[Version II] The promise.
The fall as the most beautiful promise, because if they survive, they’ll survived together.
The fall as the complete acceptance of their conjoined nature and, in fact their dire fate.
“These were the rhythms of his life: indifference and violence; periods of abstract brooding and periods of intense desire; moments of silence and moments of anger– like water ebbing and flowing from the tug of a far-away, invisible force.”
-Native Son, from Richard Wright.
.
Conceptual portrait of the serie, Hannibal. I experimented with the visual metaphors, the aesthetic and composition - Old illustration classwork.
Upcoming project!
[Version II] The promise.
The fall as the most beautiful promise, because if they survive, they’ll survived together.
The fall as the complete acceptance of their conjoined nature and, in fact their dire fate.