S2;E17 ~ January 12, 1970
Directed by Herbert Kenwith ~ Written by Larry Rhine and Lou Derman
After bragging to Craig about her perfect driving record, Lucy smashes into a laundry truck. In order to pay for the repairs, she has to go to work at the laundry and keep her identity a secret when Kim and Craig are suddenly plagued with clothing stains.
Lucille Ball (Lucy Carter), Gale Gordon (Harrison Otis Carter), Lucie Arnaz (Kim Carter), Desi Arnaz Jr. (Craig Carter)
James Hong (Lee Wong) was born in 1929 and began his screen career in 1954. He has lately been acclaimed as the voice of Mr. Ping in the Kung-Fu Panda franchise. Aside from his nearly 500 screen credits, Hong is one of the founders of the East-West Players, the oldest Asian American theater in Los Angeles. At Desilu, he unsuccessfully auditioned for the role of Sulu in “Star Trek.” This is his only appearance with Lucille Ball.
Mr. Wong is a widower with two young girls. He operates Lee Wong's Hand Laundry on Pine and Hurst.
Lauren Gilbert (Mr. Michaels, Insurance Adjuster) played recurring characters on “Edge of Night” and “Hazel” - both named Harry. This is his only appearance with Lucille Ball.
Bee Thompkins (Secretary) had only a handful of other screen credits between 1969 and 1972. Also in 1970, she was one of the passengers in the blockbuster film Airport. She was variously credited as ‘Bea Tompkins’ during her career.
Rosalind Chao (Linda Chang Wong, right) made her screen debut with this episode. She created the role of Soon-Ye Klinger on “M*A*S*H” and “After M*A*S*H” but is perhaps best known for playing Keiko O'Brien on “Star Trek: The Next Generation” and “Deep Space Nine.” During that series she also filmed The Joy Luck Club. She recently guest-starred on TV's “Blackish,” “This is Us,” and “The Catch.”
Heather Lee (Sue Chin Wong, left) makes her only screen appearance in this episode.
Linda Chang and Sue Chin are sisters and the daughters of Lee Wong.
Romo Vincent (Laundry Customer) was a Broadway performer from 1942 to 1959. He played an airline passenger in “Lucy Flies to London” (TLS S5;E6). This is the first of his two episodes of “Here’s Lucy.”
Vincent was cast for his size. He claims his shorts are size 52.
This is the first of nine episodes written by Larry Rhine and Lou Derman. Rhine had been nominated for an Emmy Award in 1963 for writing for “The Red Skelton Show.” He was nominated again in 1978 for an episode of “All in the Family.” Derman was also an Emmy nominee for “All in the Family.” Together they also wrote many episodes of “Mr. Ed.”
In his DVD introduction to the episode, James Hong tries to diffuse any misinterpretation of Lucy's disguising herself as an Asian character.
“Sometimes it's very offensive for the Asians to see that kind of image. But she was in essence playing that character pointing out how society had this cliched image of the Asians. So she was laughing at herself and and laughing at the society's concept of Asians. To contrast that they had me dress up in this wonderful suit – very elegant!”
In the opening scene, Lucy comes home with a bag of groceries containing Cheerios. On the bottom right corner of the box it states that a free Super-Ball is inside. [In the inset photo it is for Wacky Racers as a Super-Ball box was not available.] During the summer of 1969, scores of American kids begged their parents to buy the General Mills cereal to get the amazing Super-Ball inside.
Next to that is a box of Nabisco Rice Honeys, also a breakfast cereal. The cereal was first marketed under another name in 1939 and, after several more name changes, was discontinued in 1975. What is unique about this particular box is that it includes free Beatles’ Rub-Ons promoting their movie Yellow Submarine. The film was released in November 1968, about a year before filming. If you saved one of those boxes, they're currently going for over $1,000. In 2014, someone sold one for $1,430.50 at auction!
At the office, Lucy gets a call from Mary Jane. The character does not appear in this episode, but is played by Mary Jane Croft.
Harry is looking for the Treshkin contract.
The car accident costs Lucy $97.50. When Lucy doesn't have money to pay for the damages to Wong's van, he suggests she should “Sell car. Take bus. Leave driving to us.” This was a paraphrasing of the advertising slogan of the Greyhound Bus Company. It was previously quoted in “Lucy Helps Craig Get a Driver’s License” (S1;E24) and “Lucy and the Used Car Dealer” (S2;E9).
When Sue Chin Wong learns that Lucy will be working for her father, she exclaims: “Well, there goes the neighborhood!” This was a common expression used to grouse about integration, which was a hot topic in the late 1960s. To further reinforce the role reversal comedy, the writers give the line to an Asian character.
When Lucy meets Wong's daughters, she greets them in an exaggerated and condescending Chinese accent. The girls look horrified and answer back in voices totally devoid of any Asian influence. To further the humor of Lucy's backward thinking, the girls are eating hamburgers with ketchup, a typical American-style meal.
Mr. Wong's daughters inform Lucy that their father only pays sixty five cents an hour. In late 1969 the minimum wage was $1.30 per hour, but rose to $1.45 per hour in February 1970. The girls explain that their dad thinks that because he's Chinese he can pay “coolie” wages. The word “coolie” refers to an unskilled native laborer generally from India, China, or some other Asian country. Depending on the context, this word can be considered offensive or pejorative.
When Kim enters the shop to get a stain out of her new dress, Lucy disguises herself with a bright kimono, thick eyeglasses, and a fringed red lampshade on her head. She disguises her voice to a stereotypical Asian accent by changing her Rs to Ls (ie: “tellycroth lobe”).
After Lucy's true identity has been revealed, Harry says “Well, if it isn't Madam Butterfly.” He is referring to the title character in Madam Butterfly, an Italian opera by Giacomo Puccini that premiered in 1904 and is still in the classical repertory today. In the opera, a 15 year-old Japanese girl falls in love with an American sailor with tragic consequences. The story was also the inspiration for the Broadway musical Miss Saigon (1989) and the play M. Butterfly (1989).
Lucy Ricardo also caused havoc at a laundry in “Bonus Bucks” (ILL S3;E21).
Lucy tells Craig that Mr. Wong is a decorator who is there because she is considering doing the house over in Chinese Modern. Chinese Modern was the style that Carolyn Appleby redecorated her apartment in “Lucy Tells the Truth (ILL S3;E6). Sworn to be truthful, Lucy says it looks like “a bad dream you'd have after eating too much Chinese food.”
Lucy fibs to Craig that Mr. Wong decorated Grauman's Chinese Theatre (everything but the footprints). The iconic Hollywood movie palace was the setting of “Lucy Visits Grauman's” (ILL S5;E1) and the footprints were integral to that episode and the following one, “Lucy and John Wayne” (ILL S5;E2).
Lucy Carmichael also disguised herself as an Asian character in “Lucy and the Soap Opera” (TLS S4;E19).
Lucy Carter's ironing skills seem no better than that of Ricky Ricardo and Fred Mertz, who both left their ‘marks’ on the laundry during “Job Switching” (ILL S2;E1).
In season one, Lucy Carter celebrated her birthday at a Chinese restaurant.
Ouch! Lucille Ball accidentally scalded her hand during the filming when using the steam press. This is ironic, since the dialogue has Mr. Wong warn Lucy to be “careful with the steam iron” when he first agrees to let her work off her debt.
The Shadow Knows! There is a moving shadow across the side of the desk when Harry bends down to get a key from the drawer. The next shot is a close-up (below), which necessitated the camera move that caused the shadow.
Props! Harry offers Lucy a mini-bottle of booze that he got on a flight to Hawaii. It is hidden inside the jade green desk ornament that coincidentally makes its debut with this episode – and disappears thereafter. In the above photo, the bottle is difficult to see. Only the neck of the tiny bottle with its white seal can be seen.
Where the Floor Ends! This time the floor ends in the Chinese Hand Laundry.
From the time Harry hears Lucy's collision outside his window to Lucy's entrance into the office is a mere 8 seconds! Take into account that she says she left a note for the owner on his windshield – and put the windshield in the front seat!
Mr. Wong arrives with an estimate of the damages on the very same day as the accident.
At the laundry, Lucy immediately knows how to work a commercial laundry press with no instruction.
Even with the accent and disguise, Kim should probably recognize her own mother's voice.
Oops! When Lucy trips and her hat and wig fall off, the black masking placed next to her right ear to hide her red hair stays on. Lucille Ball has to duck down quickly and rip it off.
“Lucy the Laundress” rates 4 Paper Hearts out of 5
This episode feels the most like an episode of “I Love Lucy.” Lucy is caught in a fib, so instead of telling the truth, she goes to elaborate lengths to conceal her lie. The thorny issue of racial sensitivity rears its head when viewed by a modern audience. But it is clear that Lucille Ball was trying to portray Mr. Wong and his family as average Americans, and Lucy's view of Asian culture as backward. It is worth noting that all the Asian characters are actually played by Asian actors. When the young girls call Lucy out for her patronizing attitude, Lucy immediately acknowledges that she's been wrong and the scene (and the comedy) continues without any rancor. The hard-fought Civil Rights battles of the 1960s are slowly having an effect on television.