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Ronwistle through the years Linda Ronstadt & John Entwistle

#my edits #ronwistle #i had 2 do this ok

Home Videos: Keith Entwistle playing the piano for Fitz

Home Videos: Ronnie and Mona Entwistle playing "peek-a-boo"

RONWISTLE - 1945 AU - PLAYLIST+SCENE Pt. 1

Get Happy - Benny Goodman

Open scene with the black suited band playing, jiving and tapping their feet to the quick beat, instruments flashing. There's an assortment of men still in uniform, various heights and faces, some have moustaches, some barely look like adults. The women are bright and don coloured dresses with the skirts flaring as they dance, bopping along, popping their feet back and forth, twirling and spinning. Smoke lingers in the air above everyone's heads, people are dancing. Most of the club is lit brightly from high lights, round tables with people laughing and drinking at them. People laughing, chatting, shoving each other about. As the song comes to a softer section (2:00), we see the five soldiers at the table under the light near a pillar, drinking, laughing, telling hearty jokes. Near the end of the song, we focus in on John, sitting solidly, cigarette in one hand, smoking occasionally and blowing streams out of the side of his lips while he watches the other four and chuckles and smiles.

Thanks - Bing Crosby

The band has stopped to take a break, letting the speakers play the record, lighting changing slightly at the front of the bright club. The song is soft in the background as John starts to take notice of the girl, Linda, leaning against the wall on the other side of the room, looking sweet and reserved, only speaking if she's spoken to. There are a few times when she's approached by a soldier and they seem to get pulled away immediately by someone else, leaving the girl alone. Back to John, the sounds of people in the background fading as he keeps looking at her, his expression hard to define, slightly interested though not engrossed. He blows a slight puff of smoke then looks over to his friend beside him who has a girl on his lap. They're swaying slightly to the music, chatting, boisterous with laughing. John leans over to ask about the girl, the woman answers, saying its her sister. After John's request, she goes over to fetch Linda from the other side of the room, bringing her around the crowd of people slow dancing to have Linda sit beside John. They talk, faces close to each other, gazes occasionally meeting save for when Linda looks away. John renders a very intimidating presence, enough to make her shy and hard to hear.

Back Beat Boogie - Harry James and His Orchestra

Enter the band again, taking their place at the platform again, starting up their next song for the evening. At the change in tempo, John spies the other men and women getting up to dance and jive again. At the intro of the piano section (1:14), John asks Linda if she'd like to dance with him, lifting his brow slightly at her. They rise from their chairs, John taking her hand. The music gets louder, swaying in and out of every beat, John and Linda following the swing, slowly migrating towards the centre of the dance floor. In and out, step from step, sway, twirl, bounce. John lifts her up once or twice, ending with a grand close as she's pulled into his arms, almost tripping on him.

Moonlight Serenade - Glenn Miller

A slow dance follows the jive and John and Linda ease into a gradual dance, drifting softly from side to side, her eyes on him at points before glancing down shyly. As they dance, there is a time lapse and the crowds around them slowly start to fade, the lights dimming, the busboys going to clear up the tables. The music quiets as Linda realises her sister has left without her, her head rested against John's chest. She pulls away, saying her feet hurt and informing her its best that she be getting home. John offers to accompany her home. Close scene.

#ronwistle #1940s au #playlist

1940s ronwistle B)

#( && ᴅᴏᴏᴅʟᴇs & ᴛʜɪɴɢs. || muns art. )#ronwistle #1940s au

[ oh ]♥ ☀ ♫ ރ

♥ for my muses romantic opinion on yours.

John has always felt a slight sense of loneliness, like he doesn’t belong anywhere. He stands out, and he doesn’t know if he cares about that or not. Nor does he know if he does that to himself purposely or accidentally. Linda provides him with a sense of comfort, that he isn’t the only one. While he really does respect her choices to be free spirited and never be tied down, he clings to her for the sense of belonging he’s never really had before. She matches his calibre with a number of things - be it wit, modesty, or sex. With a passion that can only be seen with him, John knows that without Linda, he would feel bored and useless, and once again feel as if he had been excluded from everyone’s agenda. He makes time for her as she makes time for him. He would’ve never been happier with anyone else.

☀ for a happy memory my muse has shared with yours.

After their marriage, on their honeymoon vacation to the coast, John will never forget the evening they walked hand in hand down the sandy shore, letting the water pass over their footprints. A memory like that is cherished with John. He even remembers her smile and the way the light illuminated her face from the reflection of the water. It will probably remain his happiest memory until his death.

♫ for a song that reminds my muse of yours.

Long Long Time by Linda Ronstadt

ރ for a sexy thought my muse has had about yours.

There are many, but one he’s always thinking about is getting her bent over something and having at it with his hands holding her hair. He also thinks about her legs a lot as well, kissing them, biting them, touching them - it probably takes up 80% of the space in his mind hard drive.

#ronwistle #fuq ya