#roy harris

[lesser-known-composers]

Roy Harris (1898-1979): Concerto for Piano, Clarinet and String Quartet op.2 (1926, rev. 1927/1928)

I. Fantasia - Vivace II. Andante - Finale

Peter Basquin, piano; Lawrence Sobol, clarinet and the Long Island Chamber Ensemble of New York

[blessedrestlessness]

From “Breaking the Letter: Illegibility as Intersign in Cy Twombly, Steve McCaffery and Susan Howe” by Michael Rinaldo

[pclysemia]

Let us take, for example, talking about the city of Athens. According to Aristotle's semiology, the starting point is the object, the city itself as an existing complex. Then there is the affection of the soul, a psychological item, the idea one forms of this city. Third, there is the name of the city, the name we utter when we talk about Athens. Finally, there is the written form of this name, that we find in edicts, inscriptions, etc. So there are four elements, each perfectly distinguishable from the other three.

Roy Harris, Rethinking Writing

[lesser-known-composers]

Roy Ellsworth Harris (February 12, 1898 – October 1, 1979) - Quintet for Piano and Strings (1936)

1. Passacaglia (0:00) 2. Cadenza (8:42) 3. Fugue (17:36)

Third Angle New Music Ensemble

[lesser-known-composers]

Roy Harris (1898-1979) - 3rd String Quartet (1948)

Performed by Third Angle New Music Ensemble

[lesser-known-composers]

Roy Harris, Concerto for Violin and Orchestra 1. First Movement 2. Second movement 3. Third movement 4. Fourth movement Tamsin Waley-Cohen, violin BBC Symphony Orchestra Andrew Litton, conductor

[lesser-known-composers]

Roy Harris (1898-1979): Fantasy for piano and orchestra (1954). Johana Harris, pianoforte The M-G-M Symphony Orchestra diretta da Izler Solomon

[lesser-known-composers]

Roy Harris (1898-1979) - String Quartet No. 3