doing limited palette portraiture with the palettes on procreate xoxo
seen from Yemen
seen from United States
seen from Saudi Arabia
seen from Japan

seen from Saudi Arabia

seen from United States

seen from Kazakhstan
seen from Germany
seen from United States

seen from Malaysia
seen from Brazil

seen from United Kingdom

seen from Australia

seen from Argentina
seen from Hong Kong SAR China
seen from Russia
seen from Kosovo
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seen from United States
seen from China
doing limited palette portraiture with the palettes on procreate xoxo
I’m fascinated with how little books or magazines are understood as resulting from systems of material production. Tiny letters in ink or light somehow obscure all of that. I conducted this worker’s inquiry to show that, despite the glamor of the written word, copy is not abstract. It is a material subject to conditions of labor exploitation like other commodities. Workers produce copy. Copy is woven and tailored. It is cut into shape, flowed into a layout, kicked down or run up in paragraphs. Quotes are pulled and caps are dropped, with neat lines of copy hugging their contours. This vocabulary remains from lead or paste-up composition, which made these metaphors much more literal. But the symbols writers manipulate are still material, even if they are stored digitally.
Sam Dee, At the periphery of journalism