Book review – Sangathaara
A book who’s reputation precedes it.
Based on the same topic as an already epic novel, this book accomplished the hard task of being an interesting read. The lack of an English translation is very disappointing
It is a historical mystery with politics and drama interspersed.
It primarily tries to answer the questions surrounding Aditha karikalan's life and death.
For starters it is just 1 volume instead of 5. The author’s (kalachakram narasimhan) writing style (perhaps intentionally) gives glimpses of his former career as a journalist. The story and pacing keeps the reader engrossed-slow enough to reel you in but fast enough to prevent boredom.
It is the content, however, that has left the audience split. The book starts off with aditha Karikalan ‘s spectre lamenting that he hasn’t received justice even after 1000 years- that his killers haven’t been found. We can’t help but quip- but they have been found! In the inscriptions. The author (via AK) argues that the ‘killers’ held important titles in the chola court (“bramadhirayan”) and termed as traitors (how can pandyas be traitors to cholas?). Most suspiciously, their punishment seems neither grave or memorable for a crime of this magnitude.
Several decades into the future, a daughter of Sundara chola with his second wife who'd become a Buddhist monk, dies leaving behind memoirs to her nephew Rajendra Chola. The latter tasks his daughter Arunmozhi nangai with reading them for him - with horrifying reveals for both.
The actual tale begins with kundhavai’s “coming of age” ceremony at the twilight years of her great-grandfather Parantaka 1’s reign. Ambitious kundhavai and Aditha karikalan have great dreams fuelled by youthful vigor.
A teen boy raging to kill his clan's mortal enemy and a teen girl desiring more than her lot in life.
The empire is threatened by Pandyas, Lankans and Srivijaya may too join them. Anirudhdhar, Pazhuvettarayar are frustrated that their new emperor Gandaraditha has no interest in war. They plot to waylay the ship carrying the young Srivijayan princess Vijayarekha and betroth her to AK. This young girl is already engaged to a prince of purasanga (Malaysia?) and loathes her kidnapping.
A handsome young diamond merchant from Purasanga and a young warrior from a fallen Kingdom both enter the empire. The former swiftly rises up the ranks of chola nobility through an advantageous marriage and draws kundhavai’s curiosity by claiming to be the descendant of an elder Chola line. He also claims to possess important ritual artefacts (conch, parts of a plant) used in coronations of ancient Chola’s (adicholar) that kundavai is determined to anoint her brother with. The latter youth, desolate from his kingdom's fall, gains AK’s trust and married kundhavai. (Surprise surprise!)
Pazhuvettarayar, Aniruddhar and kodumbalur vellalar try to steer the rulers.
A prominent devadasi grapples with a wealthy admirer’s attention as her own past and future are questioned.
Ravidasan is given an interesting chola link to weave him into this chaos. His condemnation is also added into this mix.
The author blends a legend about ancient Chola’s artefacts with the ambitions of 10th century South India.
But why the controversy? You may ask.