Costuming doing the callback in putting Marta in her cabecera outfit (complete with the Season 1 rose pin) for the moment of sudden renewed family hope for the company which story is the structural backbone of the show?
(also hair and make-up making Marta look fabulous despite this not being her most rewarding outfit)
it makes sense that the sequence is reduced to the core family: the siblings and the parents (sans Begoña, or Fina, or Pablo).
But at the beginning of the scene, anotehr little domino clicks into place: Marta's knee-jerk defense of Cloe (at which Damián smiles because he knows it wasn't like that, but be also knows Marta is fond of her sort-of-ex):
It's another reminder that the Writing Room will likely whip out Cloe as an option again - however hypothetical or implied - when Fina's evasiveness (and the temporary breakup I still ansticipate) will make Marta susceptible to someone who is not evasive at all.
On another note entirely:
What a fantastic scene for Isabel Moreno, with Claudia getting to be brave and a leader and can she please head the new store, too, and also I possibly want to marry Claudia after this (and so does Miguel who gets to see this, those two are such a great match in terms of absolutely moral clarity in front of themselves, and the long game the Writing Room is playing with them is indeed Count of Monte Cristo levels of epic):