revisiting a fond memory — a lucid experience where my astral body was drawn to presence of the a multi-tiered cargo ship in route through an inland-passage somewhere in Savannah, GA; gratified by the momentum before returning to the safety of my physical being in my hotel room..
in tandem, i dovetail this revisitation with the yin to its yang: the spiritual embodiment of a vessel, one i visually internalized during a walk by the Savannah River; and later depicted in a short poem, gradually approached so as to appear before me as i sat in my living room..
mutually exclusive to both memories while making them qualitatively traceable:
• precluding the 1st: my own sighting of another cargo ship in motion from the vantage point of the passenger seat during a drive through Savannah
• …the 2nd: aforementioned
enticing by nature~
polarizing yet just as preternatural (as i never visually came across the following, to my own realization): an encounter with the presence of a lighthouse which spontaneously revealed itself as i stood in my living room, surrounding my being — filling me with fear, transfixing..
to curtail, i reflect on an occurrence, which took place during a shower, cut short, as i had to vacate midway to console myself:
i found my astral body overtaken by an apparition which emerged in the form of a massive orb of white light, emanating from the depths of the ocean.
here i invoke the musica universalis as a source of hope, a celestial harmonization serving to counterbalance the orb’s reverberations as i found myself befallen with vibrations of hopelessness coupling the sheer terror that followed the spectral encounter — a ghostly enumeration
on that note i set the tone of this anecdotal concatenation, invocation by highlighting the oceanic-linked hauntings i addressed, furthermore connecting, sonically-tying them by paying homage to Liz Harris who’s work has also delved into similar content..
Listen to Mary, On the Wall (Second Heart Tone) by Grouper on Apple Music. 2011. Duration: 6:07
(this track in particular i value as it tonally symbolizes the sympathetic vibrations of the music of the spheres — hope, as an idea, reiterated)