"THEY GOT RID OF HIM!"
Emma is not using her indoor voice.
She's been looking for someone to confess her findings to, and the moment she sees Tina, all pretense of composure is out the window. Her distress is unadulterated—her ever-smiling mask does little to hide that she is not happy. How could she be? After all... "Mister Donkey! I walked by the courtyard and he was gone! Poof! Like he went up in thin air!" She throws her arms outwards with a little too much force, almost making it seem more like Mister Donkey exploded.
...did he?? Could she prove he didn't? He was completely gone. No, it couldn't be that, that'd be too much, right?
Emma doesn't want to think about it.
The what and the how do matter to her, but just as much is the why. After all their work, he'd been removed entirely without ceremony. The girl can't help but wonder whether or not if she had done a better job, he might still be here. Her hands knead her skirt. "Do you think it's because we did a bad job painting him?"
"THEY DID WHAT?"
Tina's volume rises to match Emma's. This is the absolute worst thing that's ever happened ever. They worked so hard on him! They even had to peel his eyes!
She wants to go and see for herself. Not because she doubts Emma. She could never doubt Emma. Emma's a real one. But for the same reason that people go to funerals or whatever. For like closure or something. But she also doesn't want to have to see a blank and lonely spot where Mr. Donkey used to live.
Tina sets her hands on Emma's shoulders and is more serious than she's ever been in her whole life. "Listen to me, Emma. This is absofuckinglutely not because we did a bad job. We made Mr. Donkey into a slay queen baddie. You made Mr. Donkey into a slay queen baddie. If anything, they're like afraid of how baddielicious he is. I will never forget him and I will never forgive whoever did this to him."
















