#simchowitz

[oculablog]

Julio Rizhi Trapped, 2020 Medium plastic and mesh wire, edition unique Courtesy Simchowitz

[contemporaryartdaily]

Ken Taylor at Simchowitz

[oculablog]

Takunda Regis Billiat Wisdom of Ages, 2019 Cowhorns, beading, recovered books, metal supportse Courtesy Simchowitz.

[oculablog]

Deng Shiqing Life, 2021 Oil on canvas Courtesy Simchowitz.

[vtvten]

[vtvten]

Interview with artist Shaina McCoy on the occasion of her solo exhibition at Simchowitz Hill House in Pasadena, California.

[kunstcapades]

This is a throwback to Kunstcapades Ep. 3 when Tantum makes a very good guess at the price of the Jeff Koons retrospective, we ask some very "stupid" question to "the art world's patron Satan" Stefan Simchowitz and pay our respects to On Kawara. Enjoy!

[hyperallergic]

(via Tip of the Iceberg: The Vast Underbelly of the Art Market)

“It’s really business as usual,” announced one Fabian Bocart in today’s New York Times, apropos the putative stability of the art market. He was speaking to the paper about flipper mythology, arguing that far from being subject to the whims of a dauphin caste of speculators, the market for art is exhibiting a healthy historical cyclicality. The article in question, authored by Lorne Manly and Robin Pogrebin, seeks to debunk the oft-repeated claim that “soaring prices and quick resales, especially of work by emerging artists, have fueled a perception that a new breed of collectors, fond of flipping art as they would a stock, have overtaken the market.”

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