A serendipitous find: the Autumn 2020 issue of Sea History, publication of the National Maritime Historical Society of New York, with the article "Freedom and Whaling on Nantucket" by Skip Finley. It's all about Black and mixed race mariners, whalers, and shipowners on the island.
Sampson Dyer, early 19th century. A free man of Black and Wampanoag descent, he engaged in the China Trade and commissioned this portrait from the Chinese artist Spoilum, "who specialized in European-style paintings in oil of sea captains and both Chinese and Western merchants."
Captain Absalom F. Boston, by unknown artist c. 1835. A successful whaling captain and businessman, he also supported anti-slavery abolitionists and helped build a church and a school.
Arthur Cooper, portrait by Sally Gardner c. 1830. Cooper had been enslaved in Virginia and escaped to Nantucket between 1815 and 1818. When the Fugitive Slave Act threatened to send Cooper and his wife back to Virginia in 1822, the locals successfully drove away the slave catcher sent to retrieve him. In Skip Finley's words:
Francis Macy, a cousin of the prominent Rotch family, intervened along with “a large assemblage of persons,” including large numbers of both the black and white communities on the island, who had surrounded the house. Sylvanus Macy stepped up to suggest the power of attorney was a forgery and said, “We are not in Virginia now but in Yankee Town, and we want those colored people to man our whale ships and will not suffer them to be carried back to bondage.”
