The sound of a quiet catastroph[e], of social control as such, rather than just the ordinary running of things. This particular construction of gender – albeit of a disembodied, ghostly kind – would make the recorded female voice a kind of cover story for a normalcy that is in fact a state of emergency, of crisis, of barbarism and capitalism.
Nina Power, quoted by Nik Rawlings, Castles in the Sky: Clouds, Voices & the Aural Dispersal of the Body Post Internet, p.7















