somethingvain replied to your post: My friend izy helped me out with my fi...
woahh this is beautiful
thankyou!!! thats my fave shot i'll post more another day :)
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somethingvain replied to your post: My friend izy helped me out with my fi...
woahh this is beautiful
thankyou!!! thats my fave shot i'll post more another day :)
somethingvain said: awh, it was such a pleasure. you deserve each and every one of your followers!
you're too sweet - can't believe we got featured!
somethingvain said: omfg perfect yeah i think i prefer the one of the table dress, think it illustrates the concept better?? and it is so ridic that i follow 5 people, definitely got carried away!!!
comme des garcons s/s 1997: Peoples' eyes constantly deceive them, and that was certainly true in Paris in the spring of 1997 when Rei Kawakubo, the designer behind Comme des Garçons, presented a collection of dresses swollen with huge lumps. In profile, the models looked like hunchbacks or camels tipped onto their sides. There were smaller, kidney-shaped masses on shoulders and arms, most covered in cheerful gingham. The clothes confounded critics, even those used to Kawakubo's abstract methods. Amy Spindler wrote in The New York Times that Kawakubo had ''invented whole new deformities for women.'' During the show, which was conducted in silence, one photographer muttered, ''Quasimodo.'' via
comme des garcons s/s 1996 rtw, finale
'the compleat miyake', dazed and confused june 2012
A year after Kawakubo and Yamamoto launched their careers in Paris together, they were recognized during the autumn/winter season in Paris in 1982, with the newspaper headlines “Paris looks Japanese”. They were already successful when in Japan when they left for Paris in April 1981. Their pale faced, models who wore no makeup walking brusquely on the catwalk with stern expressions received a wide range of reactions, from ‘shredded in a bomb attack’, to Vogue’s Polly Melon calling a “swiss cheese dress” “…modern and free. To quote the Washington Post, they showed paris "a whole new way of beauty".
via
christian dior haute couture f/w 2012