Product Package: Tamron 35-100mm F/2.8 Di III VXD (A078) | Specs: Full Frame | F2.8 Constant | 35-100mm | VXD Linear Motor AF | 15 Elements
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Product Package: Tamron 35-100mm F/2.8 Di III VXD (A078) | Specs: Full Frame | F2.8 Constant | 35-100mm | VXD Linear Motor AF | 15 Elements
It Looks Like a Kit on Steroids: Tamron 18-300mm F3.5-6.3 Di III Review
It's like your kit lens took steroids. (And yes, there are some negative side-effects.)
Kit lenses are affordable ways to get started in photography, but limited in their versatility. The new Tamron 18-300mm f3.5-6.3 Di III, however, feels like a kit lens on steroids. To be clear, it’s not a kit lens for either Fujifilm or Sony, although it probably should be. It has some of the same downfalls, but reaches much farther, shoots much closer, and doesn’t cost or weigh too much. For…
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3 Sony E Mount Lenses That Survived the Great Outdoors
Take these outside. They'll survive.
The great outdoors are a fantastic place to clear your mind. Bring a camera with you. Distract yourself with your passion. And better yet, don’t give yourself anything to worry about later. By that, we mean you don’t need to break the bank. We dove into our reviews index to find some of the best Sony E-mount lenses to survive the great outdoors. Companies like Tamron make fantastic ones that…
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Sturdy Workhorse, or One Trick Pony? Sigma 28-70mm f2.8 Review
Is cutting off 4mm -- and a few hundred dollars -- a worthy exchange for a lightweight, bright zoom?
For more stories like this, please subscribe to The Phoblographer. The 24-70mm f2.8 lens is a workhorse lens — but it’s a bit of a Clydesdale. The zoom mixed with the bright aperture tends to create a heavy lens that’s difficult to carry around all day. That’s why Sigma (gasp!) shaved four mm off the traditional workhorse wide-to-mid to craft the Sigma 28-70mm f2.8. The Sigma 28-70mm f2.8 DG DN…
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This Massive, Unique 50 Is Imperfectly Beautiful: Zenit 50mm F0.95 Review
The lens flare will make those Photoshop brushes jealous.
For more stories like this, please subscribe to The Phoblographer. Modern lenses are becoming increasingly sharp, with an impressive ability to suppress flare and aberrations. The sharpness is impressive, but photographers have taken to foggy filters, prisms, and Photoshop to add character that this sharpness has dampened. Enter the new Zenit 50mm f0.95: a Sony E mount lens made from a Russian…
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Surprising Travel Magic: Tamron 11-20mm F2.8 Di III-A RXD Review
Tamron's new ultra-wide isn't short on character.
For more stories like this, please subscribe to The Phoblographer. Crop sensor cameras make telephoto easy — and ultra-wide insanely hard. The Tamron 11-20mm f2.8 Di III-A RXD is the widest f2.8 lens with zoom and autofocus for Sony’s crop-sensor, mirrorless cameras. Finding something close to Tamron’s new lens requires sacrificing zoom capabilities or opting for a narrower aperture: neither of…
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Remarkable Zoom, Handheld: Tamron 150-500mm F5-6.7 Di III Review
500mm that you can hike with? There's no tripod required for this super-zoom.
With stabilization, a more compact design, and a reasonable price, the Tamron 150-500mm makes super telephoto more accessible. The super-telephoto is one of the most difficult lenses to master both for the lens builder and the photographer attempting to wield such large glass. While no 500mm will be described as tiny, Tamron managed to shed some weight and length while still packing in a lot of…
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