Taking a look at how stop-motion animation works seems complex from the outside. Depending on the length of the project, it’s possible to have anywhere from 5 frames to 500 frames to piece together. At first, I was worried that stop-motion animation through photography would be too hard to learn about for a beginner. Although tedious and time consuming, it turned out to be quite the opposite. I figured out that with the help of Photoshop, joining together photos together is a lot like sewing— each stitch, or frame, is easier to connect to the next until suddenly, you have a whole, finished product.
Explore: As a first attempt, we looked to Eadweard Muybridge’s experiments with sequential photography. I chose the images of a partially nude woman. From the images alone, Muybridge seems to be tracing her movements throughout the lens of the camera. When I saw her face, it’s that of concentration and happiness.
Explain: Muybridge’s photos were an early expression of stop-motion animation. Although he did not attach them to each other in a rapid, video-like way, his expression allows the viewer to do that for themselves. The process of learning stop-motion animation using Photoshop opens up the doors of relating an image to an emotion or idea through movement, so that you can watch her emotions move across her face.
Evaluate: Muybridge’s works are inspiring because they combine the science of observing a subject with the art of capturing its essence. A still image lets your imagination run wild with the possibilities of what the subject is doing. A video takes your hand and guides you to an outcome. Stop-motion mixes both aspects and demonstrates that there’s an in-between. The in-between meaning that there’s a connection from the subject to the viewer.
Original photos by Eadweard Muybridge (1887) via commons.wikimedia.org