“This is going to sound so braggy, but I had like 93 followers on Instagram and then the day we went to Netflix I got thousands of followers.” - Annie Murphy on the increase in popularity of Schitt’s Creek 📈
Have you seen That’s Mildly Raven, or Donald Duck And The Brutal Ritual Of Baar-Uk-Duu? These titles and 49 more are ones that we rather frantically insist you watch right now on DIsney+.
Exploring the Benefits of FPD Smart TVs: A Look at 55 TV Dimensions
The Smart TV industry is booming, and FPD is making a significant impact with its innovative designs and advanced technology. One of the standout features of FPD Smart TVs is their impressive 55-inch dimensions, which provide an immersive viewing experience perfect for any room.
FPD's commitment to quality means that their 55-inch models offer stunning picture clarity and vibrant colors, enhancing your favorite movies, shows, and games. With smart capabilities, these TVs allow you to stream content seamlessly, access apps, and enjoy a truly connected entertainment experience.
Moreover, FPD emphasizes user-friendly interfaces, making it easy for anyone to navigate through their favorite content. Whether you're a tech-savvy user or someone who prefers simplicity, FPD Smart TVs cater to all preferences.
In conclusion, if you're in the market for a new Smart TV, consider the benefits of FPD's outstanding 55-inch dimensions. It's a fantastic choice for enhancing your home entertainment setup!
FPD 55" 4K Smart TV transforms entertainment through seamless streaming, vibrant colors, and voice control for truly immersive viewing exper
We got some 2025 Screaming Ostrich International Film Festival hats!
These hats are NOT for sale! The only way to get one is to submit a film to the Screaming Ostrich International Film Festival, have it selected and then show up at any screening. Do that and we'll give you one!
The Guild’s agreement attempts to restore the elements of the traditional system that made entertainment writing sustainable. It mostly succeeds, with one caveat.
by David Dayen
The writers were on strike because the actual entertainment creators were poised to become the only ones to lose out in this transition. As I wrote when the strike began in May, entertainment writing over the past decade has shifted to a gig-economy model, making it next to impossible to earn a living. This was a function of streaming video popping up as a “new” distribution channel, unrestricted by the contractual agreements of broadcast and cable.
The WGA went into the strike to fight that trend, which the contract they’ve won largely does. It will earn writers $233 million more per year than their previous agreement, according to Guild estimates, nearly tripling the offer that the Alliance of Motion Picture and Television Producers (AMPTP) first made. More important, it begins to add the kinds of protections and revenue-sharing that made the entertainment business so successful for creators for decades. But there is one important caveat that must be spotlighted: Whether writers will get fairly compensated depends on the quality of streaming viewership data.
We have to endure a certain amount of compromise, a certain amount of suffering, but is that why we’re here? Are we born so we can flaunt our grit and determination and our ability to bear increasingly bigger crosses? If you enjoy that, then by all means do it. But I think enjoyment is key; […]
Musings
Sony's strategy of providing independent content is paying off in the streaming wars
Sony Group Corp said on Wednesday that its strategy of providing independent content to streaming services is paying off.
Sam Nussey for Reuters:
“Our decision years ago to stay out of the crowded general streaming space and instead become the industry’s leading independent content supplier was clearly the right choice,” Tony Vinciquerra, CEO of Sony Pictures Entertainment, told an investor…
