#studio-recording

[wildlyholylady]

Down The Road

this is the second song I recorded with 'Wollvieh Production'. Down the road Oh, my Love Down the road I go The night, it ain’t warm And I’ m scared Oh, My Love Down the road I go But down to the

[presonus]

We didn’t choose the name “StudioLive” arbitrarily. The whole point is that the idea of mutual exclusivity between “studio” and “live” environs is becoming something of an anacronism. This is a paradigm shift which we endorse wholeheartedly.

[presonus]

PART 4: Reverb! Now, the most difficult and most-discussed theme on orchestral composition forums is applying reverbs. This is the most important part of the orchestral mixing process as far as I’m concerned. I’ve watched and listened to loads of tutorials and lectures on reverbs for orchestra—which one is better? Why?. There is a lot of controversy on impulse response reverbs vs. convolution reverbs. Whatever you pick, the most important thing is that it sounds good to you. My main reverb is Altiverb and sometimes I use Lexicon PCM Native. Here’s how I apply them to my orchestra sections:

[presonus]

Studio One 2.0.6 is now available for all Studio One users. Use the Help/Check Updates function in Studio One to update, or download from your user account and install manually.

[presonus]

Grammy-nommed Luke presented at MusikMesse a number of times for us this year, and his presentations were among the most well-received. Mushroom Magazine recently gave him a chance to share his insights on PreSonus Studio One 2.

[presonus]

Continuing this incredible series from Nikola Jeremi: Orchestral Scoring in Studio One 2 Pro. This installment focuses on EQing your dozens of instruments so they all play nicely together. Fascinating!