Study NY - Uniform
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Study NY - Uniform
study NY
Natural Dye Ice Cube Necklace collaboration with Study NY, in Annatto Seed, Madder Root and Tumeric for the Textile Arts Center Sewing Seeds Fundraiser, "A Night of Color" 2013
The new plan is to release a capsule of three to four styles every month of the year. Although each lineup will exist independently of the others, they’ll also be cohesive in nature, creating a seamless—and complete—“collection” at the end of the year. This strategy will allow me more freedom with the design and development of individual pieces, which can stand alone rather than be tethered to a collection. Doing so will also allow me to expand my production outlets, since each capsule can focus on a different theme, say rainwear made from recycled plastic bottles in New York City for the month of March, hand-knit sweaters produced by a women’s cooperative in Peru for October, or custom-printed zero-waste styles for December.
ASK A DESIGNER: Can Designers Afford to Ignore the Traditional Fashion Calendar? | Ecouterre
STUDY NY
Creative Pattern-Making Symposium Seeking Presenters
Titania Inglis' Zero-Waste "Slash" dress from S/S 2012. Photographer: Evan Browning
I just came across this interesting call for papers for creative pattern-making around the same time this article appeared about fashion designers like Titania Inglis and Tara St. James of Study NY embracing zero-waste pattern-making techniques. Of course, in my mind zero-waste is equated with the work and efforts of Timo Rissanen, who along with Holly McQuillan curated the Yield: Making Fashion Without Waste exhibition that was held last year at the Textile Arts Center.
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CFP:
Announcing the Call for Papers for the forthcoming 'First International Symposium for Creative Pattern Cutting' Location: University of Huddersfield, UK Date: 6th - 7th February 2013 Deadline for all submitted abstracts is Sunday 1st April 2012. This symposium will examine creative pattern cutting within contemporary fashion and it aims to provide a platform for pattern cutters, fashion designers, students, and educators to explore the impact and direction for creative pattern cutting. Themes: . What are the cost implications of creative pattern cutting? . Is the craft of creative pattern cutting ever mastered? Does the pattern cutter ever stop learning? . Is the knowledge and practical experience of traditional processes and hand skills in creative pattern cutting still relevant in fashion in the context of technological and digital development? . How are inconsistency, mistake and spontaneity emphasized in the development of creative patterns? . Is creative pattern cutting a luxury only practiced in designer led fashion, what place does it have within the high street? . How can the fashion industry generate ingenious and imaginative pattern cutting at mass market prices? . What is the role of creative pattern cutting in higher education fashion courses? . How can the fashion industry promote pattern cutting as a career and give it creative integrity and allure? . How can practical experiences of traditional and emerging processes in creative pattern cutting be successfully documented and promoted? . How can the fashion industry and fashion education promote pattern cutting as a career that has real creative integrity and allure? . In what ways does the creative pattern cutter break rules? Selected papers will be published in a special edition in The International Journal of Fashion Design, Technology and Education, Volume 6, Issue 2, published in July 2013, guest edited by Kevin Almond. Important dates: . Abstract (150 words) and authors' bio (100 words): 1 April 2012 (Abstract and bio should be submitted to [email protected]) . Notification for acceptance: 1 June 2012 . Full paper (4 - 5000 words) submission: 1 Sept 2012 . Reviewer's feedback for symposium: 1 Jan 2013 . Early bird registration: 1 June - 1 October 2012 . Registration closes: 18 Jan 2013 . Symposium: 6 and 7 Feb 2013 Hosting University: University of Huddersfield, UK CALL FOR PAPERS The First International Symposium for Creative Pattern Cutting Creative Cut Organisers: Kevin Almond and Kathryn Brennand Contact: [email protected] Website: www.hud.ac.uk/cricp/events/headline,36840,en.php
STUDY NY FALL 2011
Fashion Internship Review: Study NY ( Tara St. James)
More details via Quality Control!