#summerly talks

[summerlycoris]

Motive, and Method- How The Second FNAF Movie Nearly Made Sense.

There’s been two things that's been bothering me about the second Fnaf movie. And I’ve been thinking of them since Tdreads stream, where he tried to rewrite it.

Specifically, I’ve been thinking of the motive Charlotte has, and her method of trying to accomplish her goals. 

The Motive.

In that Tdreads stream, he, Witheredcircle, and Shizuhey,  couldn't figure out how to make Charlotte’s crashout at the start make more sense. They spent like 30 minutes trying to figure it out.

The solution is pretty simple, imo- have Charlotte talk to Henry, instead of random parents who’ve decided they’re gonna channel Mrs Trunchbull today. (In a movie that already has a bonafide Trunchbull later- that shitty Robotics guy!)

Why? Because, in the movie we have, we don't really get to see Henry failing Charlotte. We hear it from him, when Mike goes to visit. 

But imagine getting to see it first hand- Charlotte rushes to a workroom, where Henry’s working on an animatronic. She tries to tell him “Dad- Spring Bonnie took a kid into staff only areas-” only to get told, while he isn’t even looking at her  "Don't worry, Charlie. I’ll sort it out soon, once I’m done with”... idk, repairing Balloon Boy, or something. The detail of who’s in for repair doesn’t matter. Just that he’s blowing off his daughter. She knows he’s not paying attention and won’t help her soon enough. “Of course you’re not gonna help me…” or maybe she even apologises for bothering him, reluctantly.

He doesn’t even need to be backstage working (though, him being backstage means it’s shown, not told, that he worked at this location. Ergonomic storytelling!) He could just be drunk at the party, maybe with his wife, also drunk (first time really seeing Mrs Emily- and shes also a failparent! Whoo!) And they just don’t take Charlotte seriously, or are too sloshed to understand she’s not just telling them a funny fairy story. 

Either way, this gives her a more realistic reasoning behind her motivation- she hates parents because her parents let her down, and let her die. 

And it also gives her a better target for the toy animatronics in the third act. Because thats the second thing that bugs me, but its hard to explain without an example of it done right.

The Method.

Terminator 1 does this scenario right. On the surface, they’re not too different- both scenarios are robots hunting humans through houses. But the T-800 has a target- Sarah Conner. He doesn’t know which Sarah Conner is his target- so he searches her name in a phonebook, then goes to the houses of any Sarah Conner’s, to kill them. Understandable motive, and method to accomplish said motive. 

Charlotte doesn’t have that. Her motive is clear- kill parents. But the method doesn't make much sense. 

She and the toys start at a Freddy’s in a relatively rural location- no visible nearby houses when either Mike, Abby, or Ness are shown travelling there. 

We then see, on the tracker, that Freddy is at FazFest. Where he is within reach of many potential parents he could try picking off, one by one. But… he doesn't. Instead saying he has other business to deal with, to some young cosplayers.

“Okay, so he passed through FazFest on the way to the house of one of the parents who killed Charlotte through inaction.” I don’t think that’s right.

I could be wrong, (my faceblind ass makes it hard for me to recognise anyone. I didn't even realise Matpat was in the first movie until my brother told me orz) but the character for man beside the carousel, and Harry (the man Toy Freddy nearly kills) are not the same guy. Unless my faceblindedness is really messing with me, Carousel man is played by Joshua Sienkiewicz. While Harry is played by Carl Palmer. If these were the same person, wouldn’t they have the same actor? It’s not like the situation with Vanessa needing a child actress for certain scenes- adults look mostly the same as they age- just with more or less wrinkles. they could have easily made Joshua look older using make up, and practical effects.

And if they're not the same character… why did Charlotte start her rampage there?

Because Harry and Margaret's house is in the middle of West Elm street (iirc the name? I do remember it’s placement on the tracker, though.) If they were any of the parents from Freddy’s who let her down, it kind of makes sense for her to start there. (Though, how does she know their address?) 

If they’re not any of those parents, why start there in the middle of a random street?

“Maybe Toy Freddy started at one end, and was working his way down to the other end.” That doesn’t line up, either.

Imagine you live in a house, and you hear sounds of murder and screaming sneaking closer and closer to your house, before reaching your neighbours house? You’d call the cops, right? But there's no indication that theres any alerts of dangerous bears… except a radio advert for FazFest. Doug and his wife don't even seem too on edge when Harry and Margeret are sent to their house. They seem… confused at what happened. 

Like. Think back to Terminator. The T-800 finds a Sarah Conner. He knocks on her door. Shoots her once she answers. And then he leaves the area. Making it harder for the cops to intervene. They can only really attempt to prevent further murder, once the pattern becomes clear. 

Freddy and Bonnie aren’t that fast. If they’re hitting up house by house, all in a row- the police would’ve got there to investigate a potential bear attack, or spree killer. Or at the very least, there'd be a warning over the radio- maybe one that Vanessa could've heard, in the car?

So he’s not systematically working his way down West Elm street. So why this house in particular? As laid out above, I don’t think these are the same parents as who killed Charlie through inaction. So why them?

And this only gets worse with Bonnie! Bonnie’s victim is too young to have been a parent when Charlotte died. She looks like she’s thirty, and has a kid around Abby’s age- plus she’s the wrong gender to be the black dad who was at Charlotte’s death, anyway. So why did Bonnie target her house? What makes her so special?

Again- it can’t be a systematic door to door death march, or the above problems would also apply here. Why her?

This situation doesn’t make sense. It doesn’t make sense that Michael can think “Half the town will be dead by morning” when these toy animatronics only manage to get near Abby’s house (Abby and Mike's house is within walking distance of Harry and Margaret's, as well as Debbie and Lorraine’s houses. Off topic, but it makes Vanessa’s car breaking down less serious when you realise she’s within walking distance) And the toys only manage to kill one person on their rampage- that dumb robotics guy- over the course of at least an hour (from when Abby arrives at the Freddy’s location during the arvo, to when it’s full on nighttime) 

These toys bum around and do fuck all until the Classic’s take them out!

The method doesn’t match the motive- or make any sense once you think about it. 

“So how would you fix this Summerly?” By doing what I suggested in the first section, and bringing back Henry. More specifically, having Henry be the first shown victim of the toys. 

It wouldn’t be that big of a change- Mike can still use the tracker to sight where Bonnie and Freddy are. And he can get some false hope, while talking to Vanessa over the coms. “Ness, this’ll be easy, they’re both at… one house.” As he realises they’ve both beelined to Henry’s- having started their journey from when Abby released them earlier in the day, and only arrived after Mike left.  

Then the film could cut to Bonnie and Freddy killing Henry, maybe saying something to him that clues him in- Charlottes back, and she’s gonna make him pay. It's also tragic irony- he gives the music box to Mike, to leave at Freddy's, because he's too much of a piece of shit parent to actually visit her. The music box that could've saved his life is gone, due to his own neglect. Absolute cinema!

It means the Henry stinger at the end of the credits is unnecessary. But wouldn’t it be cool to see it? He could still leave that voice memo for Mike in the next movie- we’d just get to see him making it. 

Once Freddy and Bonnie are done with Henry, they can radiate outwards, hitting from house to house, if they like. Or they can just pull a T-800 and leave, to make it harder for the police to apprehend them. They could even make their way to Abby’s house. It’d make more sense if Mike deactivates them while at or near Abby and Mike’s house- because they need to be there for the end of the movie anyway. And this'll make it seem less like they can teleport. 

What’s The Point Of This Post?

Idk man. My brain won’t stop spinning over the ways this movie nearly works. Really, it just needed a second or third draft. It got so close to having the motive and method line up, and just doesn’t. 

I feel like I’m either just nitpicking, or losing it. Can anyone else see where I’m coming from?

[summerlycoris]

Nearly got 5555 hits on my Monstrosity orz.

[summerlycoris]

One thing I don't think any Irisu fan has noticed is. All the music from Irisu Syndrome is by one man- Watson. And he supplies free to use music via musmus.main.jp , for people making games, videos, etc. As long as credit is given.

Now, most of the music he made for Irisu Syndrome seems to be commisioned. You won't find A Cat snd a Rabbit and an old story, on his free to use site, for example.

Howrver- 'most' music seemed to be commisioned. There is one piece that doesn't fit this pattern. It's called Snow and Children.

Can you guess what part of the game this piece is from before you press play?

(Hehehehe)

Anyway, this piece is free to use! You could use Snow and Children in YOUR indie game! You could use it in YOUR youtube video.

Also please check out his other music if you liked Irisu Syndrome. He makes so much good stuff! My favs are Wood Note, heaven, blossoms in the dark, cicadas in late summer, and The Great Tree of Mysteries.

Also also- check this!

God I love his music man.

[summerlycoris]

The facts about Vanessa’s history prior to Security Breach. (And a summary of the different companies involved in AR and HW.)

I won’t lie, this (hopefully!) effortpost was prompted by watching Dual Processes latest video about Vanessa, where they state that ‘In AR, Vanessa pretends to be an IT Rep to trick Silver Parasol Games into giving her full access to the game.’ Which was… interesting, to me. Because it showed Vanessa’s email to Steve Wilson, who works for Anna Kwemto, who works for…

We don’t actually know the company she, or her underlings, work for.

Anyway, this isn’t made to target any specific people- Dual Processes’s video about Vanessa is brilliant (no spoilers- go watch it!) despite my quibbles at the very start. And the corporate chains in HW and AR, are confusing and easily mistaken- to the point the fnaf wikia has a lot of errors I needed to shift through while researching this topic…

I’ll lay all my chips on the table straight up- I had to find out a lot of Vanessa's backstory just before Ruin released, because I wasn’t really following fnaf until after Ruin was announced. I’d dipped around the HW days.

But I’d noticed a fair bit that, because few people played AR, and even those who did play AR likely didn’t see all the emails, that there are a lot of assumptions about who works for who, and who does what. False info that led me into believing a lot of misleading information about Vanessa before I looked into it more.

This misinfo even goes as far back as HW- do you think Vanessa works for Silver Parasol Games in HW? It’s a common belief- but I think it’s a misconception. And I’ve brought proof to the table.

Anyway, the point of this is to lay out anything about who works for who, and where they work. Because corporate chains are complicated, in a series that is already complicated enough!

First things first, what companies are we dealing with?

Well, there’s Silver Parasol Games. Which gets shut down and brought out during HW’s development. (Tape Girls Tapes- 1, 10, 15) I’m not gonna try to put years of operation because… no. But I do need to make it clear it shuts down prior to Vanessa beta testing the game.

People working at this company named in HW include Dale, Jeremy, and Tape Girl. If you go off the scrapped fake website for Silver Parasol Games, then the company also includes Gabriella, Tonya, and Aiden. (One of the two girls is likely Tape Girl.)

There is also Another Potential Development Studio, which is unnamed but suggested to be buying out Silver Parasol Games. (Tapes 10, 15). We don’t know much about this company other than Vanessa must work here during HW. [She never mentions a boss, or coworkers with this company.]

For AR, there is Anna Kwemto’s company, which is a subcontractor working for Fazbear Entertainment. It goes unnamed in AR.

The people working at this company include Anna Kwemto, Daniel Rocha, Raha Salib, Steve Wilson, and Mark Cho.

DLZ Shipping Solutions- a company that shipped animatronics parts to… they don’t say which company. But we at least know which person- Lisa Jameson (regional director of logistics for an unknown company.)

Their employees include Jimmy Hauss, (before getting fired) and James Strand.

Fazbear Entertainment- has a variety of teams and job positions. I’ll try to list them all here, though not in order of operation sorry. Kayla Stringer- Legal. Vanessa A- Security. Luis Cabrera- IT. Shonda Ford- legal. Greg Abernathy- IT. Dan Ximenez- IT. Jerome Khan- Accounting. James Campbell- IT. Todd C- Office Staff. Aiden Jackson- IT. Ivan Gagarin- Accounting. Diannah Larimore- Marketing (laid off). Maria A- Marketing (laid off.). Cheryl M- Office Staff. Anand G- Legal.

All from here on out have unknown job roles- Kenneth Freeman, Christie Buckley, Ben Pulley, Karen Soto, Brenda Tanaka, Stanley Howser, Jack Sims, Jay Murphy, Charles Ramirez. Jim Campbell.

There are also basic login details from some unknown people, from another unnamed company in ‘Security Incident Log- September.’ They are J_B and A_L.

There are also more workers who don’t have a specific company they’re tied to- but are working with the Funtime Service. These include Nora- R&D. Tristan- Compliance. Charles- QA. Isolde- Customer Service.

Okay. So that’s the raw data. Kowalski- analysis!

Jim and James Campbell are… interesting. They could be brothers. They could just have the same last name. They could just be a mistake- someone misspelling a name and accidentally making two characters where there should be one.

Honestly, I’m assuming it’s a mistake. AR was being made in that timeframe where Scott was pretty hands off about the story, and barely communicating with Steel Wool about SB. This is likely just a mistake that no one cared enough about enough to notice or correct. Like Luis being in IT in AR, then in Marketing in SB. Without any foreshadowing that he was transferring.

I wish they’d clarified which company Lisa Jameson, Nora, Tristan, Charles and Isolde worked for- or if they worked together, even. It sounds like they all work with the funtime service, based on the emails. But I can’t be sure of it, because none of the Nora/Tristan/Isolde/Charles emails reference Lisa, and vise versa.

*sighs*

It’d be useful to know if they work for Anna Kwemto’s company, Fazbear Entertainment, or somewhere else entirely. Because that’s the key to figuring out whether Anna Kwemto’s lot were scanning circuit boards for game development (unlikely for the timeline- but as said in the Jim and James rant- Scott wasn’t communicating with his teams. And its unlikely Steel Wool was communicating with Illumix either.) Or whether they were scanning circuit boards to recreate animatronics for the funtime service.

If Lisa was working for Anna- then it’s fairly cut and dry. They’re working in a warehouse storing animatronics, with an office attached for more hands-off staff.

If Lisa was working for Fazbear Entertainment in-house, then that leaves the possibility that Anna Kwemto’s lot weren’t running the Funtime Service. (Since Lisa’s emails imply her warehouse has ‘active animatronics’ too- including Bonnie eating a cat… which… I could’ve done without knowing thanks game.) And the Nora/etc emails explicitely talks about the new animatronics being sent out with the Funtime Service.

Also, sucks not knowing for sure who and where from J_B and A_L are. I’m assuming that they’re unnamed people from Fazbear Entertainment’s IT department- considering when Vanessa hijacks herself an IT email address, it has the same layout (V_A). But it’s not confirmed and no one with these initials is written as working for Fazbear. (Unless I missed something- please let me know!)

With Anna Kwemto’s company- it scans circuit boards of animatronics, which is why people might confuse them with Silver Parasol Games. However, they are never stated to be involved in game development. And by the time Vanessa has left Another Potential Development Studio to join Fazbear Entertainment, Silver Parasol Games should no longer exist as a separate entity. (Considering it was going to be bought out by Another Potential Development Studio while Vanessa was working there.) Timeline-wise, Anna Kwemto being the head of Silver Parasol Games doesn’t add up. And circuit boards could be scanned for a variety of reasons- say, if you’re making replicas of old animatronics for the funtime service.

(But that’s getting into speculation- while it’s implied they’re a subcontractor running the Funtime Service for Fazbear in the emails, there’s no explicit proof. Only the email from Raha Salib to the rest of the crew talking about an unknown user giving commands to all ‘active animatronics’ really gives us a hint to them running the Funtime Service. And that doesn’t neccesarily mean active animatronics are from the Funtime Service.)

‘Where are you getting a timeline from Summerly?’ from the games.

Vanessa gets infected by Glitchtrap, because circuit boards are sent to Silver Parasol Games and scanned into the Freddy Fazbear Virtual Experience. (The in universe VR game Vanessa’s working on) Vanessa can’t start being possessed by Vanny and acting weird around Luis before she get’s possessed- so HW must happen before the storyline events of AR.

During the story of AR, Vanessa (most likely Vanny puppeting her) locks out all of Anna’s workers, including Anna, after they scan some circuit boards and got a virus. Because they’ve been locked out, all ‘active animatronics’ become impossible to control. Around this time, either Vanny or GGY sends out a data package using a new account- ‘_pizzaplex’ that presumably 1. Targets the pizzaplex currently in the process of either being built or operating, and 2. Infects the animatronics there.

(Again- Scott was hands off during this time. I know this contradicts The Storyteller.)

If it was any other way around, Vanessa wouldn’t be infected with Glitchtrap during AR. She’d just be… being extremely weird for no good reason. Doesn’t make sense storywise.

Ultimately, these random companies and workers aren’t important except for acting as reference points- who works where and whos coworkers with who?

The important part is Vanessa. And this post does have something to say about Vanessa. Mainly, what I’ve already included- no, she did not work for Silver Parasol Games. But also something I had falsely believed prior to doing this research- she didn’t work at Fazbear Entertainment before working as a security guard there during AR, either. Or at least, that’s never proven. She works for the company that buys out Silver Parasol Games. Then probably job hops between games, to get into a position that is more useful for Glitchtrap. A position at Fazbear Entertainment.

It’s never explicitly stated that Vanessa (or Vanny) is sending the tutorial emails to customers of the funtime service. But considering the focus on collecting remnant, the sender being ‘FAZ//...AR ENT##AIN_!MENT’, and the repetitions of ‘funFUNFUNfun’ and similar throughout those emails… It’s likely Vanny is sending out those emails after hijacking the funtime service animatronics. (Which would explain why she wanted to work at FazEnt, and why she locked out Anna Kwemto’s lot if they were running the Funtime Service animatronics for FazEnt.) Basically, in order to control the animatronics, she needed to control the subcontractor (s) and have a position in FazEnt to exploit.

Why did she want to control the animatronics? Remnant, probably. The modified emails sent from ‘FAZ//...AR ENT##AIN_!MENT talk about collecting remnant. And some of the animatronics sent out through the Funtime Service emulate the Funtime Animatronics… like Funtime Freddy and Circus Baby. Who would have stomach hatches, if whoever replicated them didn’t think too hard about what they were building.

Basically, Vanny needed remnant. Possibly for rebuilding Afton. Possibly for fixing the Mimic. She could risk herself getting remnant personally… or she could get some machines to do it for her. These machines would also be useful for, say, disposing of some meddling therapists at a later date.

This may even explain what the scooper's there for in Ruin. Vanny may have been using the scooper on the Funtime Service rentals to receive their remnant after they killed someone.

Anyway, that’s all I got for now.

[summerlycoris]

Right, so this is gonna be a long post about my feelings about the Escape The Pizzaplex book.

Tl;dr- it's not bad in the same ways that people were complaining about before release- but it's certainly not a good story. And I'm gonna explain why.

Basically, it's one huge idiot plot.

Idiot Plot - TV Tropes

Originated by SF author James Blish and popularized by film critic Roger Ebert during his review of the remake of Narrow Margin, this trope

To break it down-

GGY is an idiot.

He has five nights to kill Cassie, or drag her diwn to the scooper. (Assuming Ryetoast's theory is correct.) Instead of just doing that- he wastes time playing with his food. Like any supervillian of the 80's and 90's cartoon block, monologing while the superhero is slowly escaping their bindings.

Except he's supposed to be smarter than that!

Like, yeah. He's an AI body-snatching a human so he's gonna make dumb mistakes. But these are dumb human mistakes. Getting cocky, and thinking you have plenty of time? Wasting time? Human failings. His failures should be different. Like assuming something that would kill an animal should kill Cassie (feeding her a bunch of chocolate and being confused it's not working, because he generatively ai'd using the info for what kills dogs instead of people, for example.)

Gregory is (also) an idiot.

Ryetoast said in his video about this book (and I believe it was intended.) That occasionally, Gregory's able to protect Cassie from GGY's attempts on her life. At that point, he apologises, and says he was just joking.

Cool. Except...

Why didn't he use those moments to, I dunno- tell her to leave and never return? That would make sense. But he never does.

'He could be like Vanessa and seemingly have no memories while he's controlled.' If that was the case, wouldn't he be acting confused when saving Cassie? Or wouldn't he be unable to save her at all?

Cassie is an idiot.

This hurts to say- and is probably the least useful criticism. But I'm including it in case it's my bias influencing me to not want to.

Cassie has a lot of opportunities to get away from Gregory. And she doesn't.

Some of which can be excused- she's a kid, she'd presumably been let down by basically everyone in her life- and so her self worth is low. Low enough where she'll put up with GGY's bullshit. Last thing I want to do is victim blame.

But during day three (before night three.), she had a perfect chance to leave. Or rather, just not go back to the pizzaplex that night. But instead, she... did go back to the pizzaplex. Hung out with Gregory, told him she didn't want to spend the night, only to be surpriaed when this boy who'd been disrespecting her boundaries escalated that disrespect, and kidnapped her.

That's nothing compaired to day five. Where she... hid in a cupboard in the pizzaplex until nighttime. Because she spent all day crying. Instead of, I don't know, going home and telling ANYONE what was going on?? Like the police, or her Dad (if hes alive?) Or a teacher, a neighbour...

Like she didn't even NEED to tell anyone if it embarrassed her- she just needed to NOT soend an entire day in a cupboard crying.

(It strains disbelief. Because, without a source of water, Cassie would've dehydrated herself crying for 12+ hours. She should have had no strength to run from the reagent, running on no food, no sleep, no water.)

Seriously? This girl was missing for THREE NIGHTS AND TWO DAYS?! Why does no one care about this little girl??

Anyway. Last, but not least.

The author(s) is an idiot.

Scott and Lyndsay don't seem to know the layout of the Pizzaplex, or understand that- humans physically have limits, on how long they can be awake without issue. There are multiple times in the book where Cassie just. Doesn't get mentioned as getting any sleep. Neither during the day, or during the night. Sure, she and Gregory emerge from 'hiding places'- that's the closest thing to implying these two rest at all, that this book offers.

As mentioned above, between the start of night four, to the end of night five, Cassie has no sleep, no food, and nothing to drink. Girlie should be starting to hallucinate, seriously- from the mix of these ailments.

And honestly? If something knocks you out for more than two minutes? You need serious medical attention. Cassie was out from that chemical spray for an entire day after night three- she shouldn't have been able to wake up after that. At the very least, her lungs probably got fucked after that. Running should have been nearly impossible.

Maybe other people could follow the scenes easier- but I've played Security Breach before, and explored it pretty fully. I wanted a nice mental map of the place, for scenes I know I'd be writing in the future.

The pizzaplex often doesn't line up. Like on night five, where Cassie can lead Reagent from Mazercise, down to the kitchens. And it's described as 'a straight shot', and its the same kitchens where she'd first faced Reagent... Its absolutely NOT a 'straight shot!' Cassie would've had to race down two seperate sets of escalators, across the atrium foodcourt, then through a level 4 security door, (or into a vent- but thats not the way she took.)

Now, there's multiple kitchens behind Salads and Sides- some of which are down an elevator. The biggest kitchen is down the elevator- and that's the most likely original kitchen she faced Reagent in, since it's the biggest kitchen in the pizzaplex, worthing of being xonsidered a 'main kitchen'. And because near THAT kitchen, is some freezer/storage rooms where the generator needed for crushing Chica is in Security Breach, and where Cassie (most likely) could hide during night three. And also because Cassie mentions some 'food machines' being off for the night- she's probably meaning the pizzabot equipment from the loading dock route.

Like. They COULD be talking about the kitchen at El Chips. Even that's not quite a straight shot- and it doesn't have any freezer ajacent rooms for Cassie to have hidden in during previous nights, anyway. (There's a fridge/freezer, but it'd be too small and full of shelves for Cassie to squish herself into it?)

They've also seemingly forgot that the Pizzaplex has elevators between the lobby and the atrium. Yes, I KNOW- the elevators were just because Steel Wool couldn't get the lobby and atrium to play nice with loading, I know. But if it was purely for gameplay, not story reasons... would it not have been a good idea to scrap the lobby elevators in Ruin? 'Cassie sandwich' was a great reference- but that would've been a better place to retcon the elevators. In a medium where people could SEE that it was different now.

Also they seem to have forgotten that Reagent canonically has staff bot wheels. Wheels. There are so many confrontations with it have it going up, and down, stairs.

If the authors can't realise the contradiction... they should try riding a segway up the stairs. Or ask anyone who uses a wheelchair.

Really, this whole book...

Makes ME feel like an idiot.

I wanted Cassie to have a good story. She had a really touching, character centric story in Ruin. And this just doesn't hit those same highs.

This concept isn't so goofy that nothing could've saved it. A few more edits, some thought put into it. This could've been salvaged.

Instead, its just disappointing. I feel like I wasted my time reading this.

I'm sorry, Cassie. You deserved peak. And what you got instead was just. A mediocre story. Not the worst story ever. But it could've been great.

Also why the fuck did Vanny not get a single moment? She could've been the one chasing Cassie instead of the Reagent, and it automatically would've made the story better because I love Vanny and I want her to be in everything ever and please Scott please stop cutting my favourite serial killer bunny girl please please please don't prove I'm right-

*gets dragged off to fnaf mind prison.*

[summerlycoris]

Me when its first of july.

[summerlycoris]

Common sire squawks w honestly. Especially considering the recent drama with game theory.

In case you havent seen it-

[summerlycoris]

Actually Pearls episode 2 of Impossible minecraft is making me feral. She goes out of her way to get the dark oak- shes not gonna build with it! But Gem wanted it for her builds. So off she went- even after dying she kept going back to get it (and her gear admittedly. Especially the fishing rod that pretty much immediately becomes useless due to updates lol.)