Currently, a burgeoning industry of memoirs by Muslim women do the work for imperial feminism that texts such as Betty Mahmoody’s Not without My Daughter did in an earlier era. However, the oppressed Muslim/Middle Eastern woman is no longer just produced by Western feminists but is also self-produced by Muslim authors in the spirit of entrepreneurial capitalism, while carefully protected and promoted by Western states, media, and conservative organizations. Farzaneh Milani points out that in 2002 “more books were published in the United States by Afghan women than in the entire history of American letters. In contrast, memoirs of life in Afghanistan after the fall of the Taliban, depicting the escalating violence, . . . and the harsh living conditions for women, are rare.” Memoirs by Muslim women about the oppressiveness of Islam provide an “ameliorative narrative” that legitimates U.S. imperial policies and appeases the guilt or uneasiness of readers about U.S. wars overseas, as Afghan American author Khaled Hosseini’s best-selling novel, The Kite Runner, also did in offering a narrative of rescue and redemption about the war on Afghanistan
— Sunaina Maira, “Good” and “Bad” Muslim Citizens: Feminists, Terrorists, and U.S. Orientalisms. 2009













