#t: interview

[ogrebattles]

Brian May being absurdly adorable on Freddie Mercury Going Solo & Working on ‘The Miracle’

[darrencrissdaily]

DARREN CRISS CNBC Make It | January 8, 2019 | ✖

[danishphoner]

The Last Shadow Puppets: fulfilling your kinkiest fantasies

Alex Turner and Miles Kane stand on one side of the success of The Last Shadow Puppets, who played Open'er Festival. On the other, you can see multitudes of fans trying to find evidence of the so-called ‘bromance’ of their favourites. And they, as if out of spite, only provoke further fantasies of their admirers. Even during the interview, they talked to me about fulfilling their kinkiest fantasies. See what else I managed to talk to them about!

Written by Katarzyna Gawęska Originally translated by everybodytriesbeinghuman on Tumblr

Translation below

Your duet is comparable to John Lennon and Paul McCartney’s, Steven Tyler and Joe Perry’s. Let’s start from compliments – what do you appreciate most in a teamwork?

MK: I think, it won’t be anything new, if I say, it’s thanks to Alex that our every song is so polished – no one else could make them better. Thanks to him, I am trying to push my own boundaries and, to be honest, I wouldn’t be so eager to do that without Alex. I suppose both of us could say that about our teamwork. We just understand in what creative direction each of us is heading towards. It’s difficult to explain, because we don’t need words to describe our thoughts, which melody each one is working on, which song he’s trying to make – cheerful or sad. I don’t know how it works – it’s just that sort of chemistry between us.

How is your work different from the Arctic Monkeys one or from your solo career, Miles?

MK: When I’m working solo, I’m sad, because I turn into a little frightened boy.

AT: When we are working on The Last Shadow Puppets records, we don’t know who's going to sing what. And because of that, we surely have to change our ways of writing, we don’t know everything from the get-go. It’s easier for me to write a song aimed towards myself – I’m writing a certain lyric, melody and I know I am going to sing it, so I’m already aware of my own possibilities. And the way Miles plays the guitar gets me really excited – his music takes me into a whole new world. When it disappears, this excitement is gone. It may sound like working with AM wouldn’t give me any satisfaction – I want to highlight it isn’t like that. With Miles, it’s just… different.

MK: I remember, one time Alex came up to me and said, “I want to see how you spit, while singing >>sick puppy<< in >>Bad Habits<<”. I called him a madman afterwards.

AT: Yeah…

MK: But he was right. No one else would say something like that to me, It was beautiful.

AT: You see, Kasia, I just tell Miles about my fantasies, and he tries to fulfill them, even when they are very kinky, like in that case.

Alex, you just explained, why your fans are suspecting you two of having a romance. You are very close to each other, but an artist needs a little more space and freedom to create, right?

MK: While making this record, we gave each other lots of space. EYCTE is the last song which we wrote. It was created from other unfinished pieces. It was supposed to be thousands of different tunes, but we made it into a one. Before I came into the studio, Alex sent me a demo on which he played the organs and then added different lyrics to it. That’s how it came out, and it’s a great example that Alex had a lot of space. When we played this song, I felt like I’ve never heard it before, which obviously wasn’t true. I was listening to the same thing as before but in a completely different form. And because of that, I started to feel excited again.

“EYCTE” is also your album’s title. Did you give your fans what they were expecting?

AT: Definitely! We hid it behind a red curtain, and underneath is everything they desired.

And what were your expectations for this record?

MK: We tried to bring something fresh into our work. We wanted to make this album different from the previous one. In some way, we got over with it and decided to not force things. It’s just me and Alex, that’s how we are and we don’t wanna change. And I think it turned out very well.

Your album cover turned out very well as well. When people see it, they want to give it a listen.

AT: I think when an artist decides to put something on the album cover or its booklet, they do it in order to show the listeners exactly what they’re gonna get from it. Actually, I don’t really know why I just said that, because it’s pretty obvious. Sorry, I’ll stop binding my time. Let’s say I made six albums, maybe five of them succeeded. The photography on the cover is a dancing Tina Turner. I’ve discovered it a few years ago and immediately thought it would fit perfectly, especially after changing the background to gold. There is a lot of grace in this picture, which is an element in TLSP’s music. It’s a dynamic portrait, which reflects our work brilliantly. As you may have noticed, it’s hard for me to describe some spectrums. Right now, I don’t know how to explain the fact that this cover is an amazing picture. The emotions you start to feel when you see it. Well, you’ve mentioned it by yourself, and I’m very glad you’ve noticed something so wonderful. I can only hope that more people will follow your thinking, and this cover picture will eventually make them listen to it. And yeah, maybe the sounds won’t disappoint them, either.

When I am listening to your tunes, I feel relaxed and calm. Then it hits me and I start wondering how it had come, if the lyrics are so aggressive and sexual. What does going from one extreme to another bring to your work?

AT: Another interesting thing you’ve noticed! It’s incredible that someone gets what’s happening inside my head! I’m telling you how it is. I very often find myself thinking that if the lyric drags on the right and the music on the left, then if we make both of those elements function we’ll create a balance. None of the elements will lean too much on it’s side, because it will be balanced by the opposite. Despite that I won’t generalize and in the “Bad Habits” case it’s the other way around – everything is dragged to the one side. I mean, there are some bows, which create a totally different impression of what our band is like. Not all the time everything has to be black and white – grays in our music are also very welcome. Personally, I’d rather listen for the rest of my life to what you’ve mentioned: meeting extremes in any song. I love that feeling when I turn on a tune and I think I know where how it’s all gonna go, and then the creator shows that he's playing with me and that, in reality, I know nothing. I don’t like predictable tunes.

Talking about lyrics, I couldn’t resist asking. Alex, there are very little lyric-writers better than you. People describe your style as poetic yet simple. Personally, I would agree with that. But how you would describe your writing style?

AT: You ask questions, which require thinking! Maybe… No, that’s not it. Or maybe… That one not as well…

Miles, maybe you’ll try to help him?

MK: For me it’s easy. Alex’s lyrics are like attempts to cross the Nile river on a raft. That’s how surreal they seem to me.

[Laughs] I think that’s the best comparison out there.

AT: [Laughs] Miles has a talent.

MK: No need to thank!

AT: And I still don’t know how to answer it. Miles handled it good, and I think that you [Miles] would describe me better than I could myself.

I’ll let go of descriptions, but I’ll ask you about the general sound of the album. Do you pay lots of attention to the technical side of making music? This album doesn’t seem modern, it’s more like…

AT: Something from the future?

I planned to say, like something from a few decades back, but your different perspective seems very interesting.

AT: [Laughs] We cut a deal then! But it’s a really fascinating situation! We were very excited that for the first record to make everything in an old-fashioned way. This time we weren’t so stubborn about making it so retro-like. We didn’t cut it off completely, but it just wasn’t as important. There are some old-fashion sounds on this record, but if you hear them on the radio, you’ll notice they sound modern. But I get your point! So remember that we still get excited over old amplifiers and such [laugh].

I know that you make new music all the time, so any plans for a new album?

AT: Oh yeah, absolutely! It’s like our… resolution. Resolution to make a new record. Now we are considering various options, we think a lot about the direction we should head to. I am working on a melodic scenario. Yeah, yeah, yeah. We won’t disappear that easily.

[bandhyukoh]

“I don’t think love can be seen from just one point. I believe it can be viewed from many forms and angles. What makes love meaningful to me is that it gives me a chance to shift my perspective.”

– Oh Hyuk, Dazed Korea (October 2025)

[official-wonho]

Yesterday, Today, And Tomorrow: In Conversation With Wonho

The K-Pop icon's passion for communication...

Simply put, Wonho embodies duality. His velveteen voice, disarming smile, and onstage charisma come together to form a two-fold artistic presence. Equal parts alluring and comforting, it is something that feels distinctly Wonho. 

The night has only just begun as Wonho takes the stage as the second act of Detroit, Michigan’s IHeartRadio Jingle Ball. But while he paints the stage with precise choreography and fills the space with dulcet vocals, all eyes are on him. His dualistic artistry lends something magnetic to his performance, something that thoroughly charms both fans and spectators alike. 

These days, it’s a busy life for this charmer. As soon as Wonho was discharged from the military last September, he hit the ground running. Two performances in Seoul; an appearance at a K-pop festival in Mexico City; and most recently, an eventful trip around the USA. For Wonho, the better part of December was spent traversing the United States. He split his time between his very first American solo tour, and a run of appearances at the massive Jingle Ball tour, sharing a stage with big names such as Jason Derulo, Madison Beer. and NCT Dream. 

Throughout his stint in the United States, Wonho promoted his latest release, ‘What Would You Do?’ an English track imbued with heartbreak. Much like Wonho himself, the track has been met with warm reception from fans and non-fans alike. 

Shortly after leaving the stage, the sound of Detroit’s raucous cheers still roaring behind him, Wonho met with CLASH backstage at Little Caesars Arena for some exclusive portraits and a chat.

—

So you’re back, and you’ve been busy. You had your fan party in Seoul, performed in Mexico, and now you’re on your first United States solo tour. How has everything been going?

Wonho: I’ve been busy, but it’s fine. I’m so happy. My fans make me happy. 

You’ve also been performing at some dates of the Jingle Ball tour. Because the crowds at Jingle Ball are mixed with many fans of different artists, how has that experience been, versus performing at your own shows?

W: For my fans, at my own shows, I like to show a lot of different things and focus a lot on interacting with each other. At things like Jingle Ball, I like to show more of my original self and who I am. Not that it’s very different from one another. Here, though, I saw that the fans were enjoying it and having a fun time. I saw that there were NCT fans in the crowd who were enjoying it as well, so I’m very grateful.

What sort of feeling do you want to leave your fans or attendees with after seeing a Wonho show?

W: I want the time that we spend together, the emotions, and the time we share, to be something that fans can really focus and concentrate on. I want it to be something where (in the future), even if there is similar weather, they will be reminded of that good memory. 

What is your favorite song of yours to perform, and why?

W: Today, my favourite to perform was ‘Ain’t About You’. The choreography has a lot of freedom. It doesn’t matter if I move to the left, to the right, we just play and let the energy flow. 

In addition to your fans, Wenee, what do you love most about performing?

W: This is the work that I love. I think it’s a similar feeling to when someone creates or designs something, and they’re just about to unveil it. It’s a very exciting feeling. When I prepare different performances and songs, that excitement of showing it off to people is something that I love. 

You’ve just released a new song, the English single ‘What Would You Do?’. Could you tell us a bit about that song?

W: This is my first try at an R&B song, so I put a lot of emotion into it. It’s a song that I think shows more of myself, and shows off more of my vocals. As soon as I first listened to it, I liked it. 

—

—

How would you describe your music to someone who has never listened to it before? 

W: A good question, but very difficult to say. I think it might feel like homework to describe my music. Going forward, I would like to show instead of telling, by releasing a lot of good songs. My goal is for someone to get to know me through my music.

Looking back into the past, was there a particular moment that you realized you wanted to be an artist?

W: There was never a specific moment where I felt like this was what I wanted to do. Moreso, it was as if the world and my circumstances shaped me into the artist that I am today. 

And moving forward, what are some things you’d like to try that you haven’t yet, musically?

W: I would like to try a rock genre, but to be honest, it doesn’t really matter what I’m trying. I just want to try new and different things. For example, when doing a softer track, I incorporated a lot of drill elements. I don’t want to be confined to a genre – I just want to make new and good music. 

What does the future look like for you? What do you want to accomplish, whether that be as an artist, or as a person?

W: To be honest, I don’t really think about the future. I usually think about three things: Yesterday, today, and tomorrow. The things I do today will help prepare for tomorrow, and I try to improve from the regrets of yesterday. It might be kind of cliche, but I always try to be better today than yesterday. I’m working on my album for 2025, and I want to continue showing new and better sides of myself through that album.

Any final notes you would like to share?

W: I will be releasing my new album in February or March…maybe? I’ll work hard to prepare. Until then, please show a lot of love to ‘What Would You Do?’.

—

via: clashmusic.com

[xxcrossroadsxx]

INTERVIEW: The Ancient Magus’ Bride’s Creator and Editor Dive Into Its Mythological Aspects and Success

INTERVIEW: The Ancient Magus' Bride’s Creator and Editor Dive Into Its Mythological Aspects and Success

The Ancient Magus Bride mangaka Kore Yamazaki and her editor Kyohei Shimpuku provide fans the insight behind the series’ success and dive in

Interview from April 22th that I forgot to share here. Very spot-on, with a few thoughts that deserve to be read.

[fyexo]

250327 BAEKHYUN: “I want to keep living up to all those ways people describe me”

When BAEKHYUN was going through a rough patch, he had a bracelet he had received as a gift, engraved with one word: “fearless.” The idol has long since pulled himself out of that rut, and he no longer wears the bracelet. He’s come a long way, and he’s now as hard as the substance that lends its name to his tour: lonsdaleite. At 58% harder than conventional diamond, it perfectly captures the unyielding spirit of an artist who’s been refining himself for years—a quality that shines through in his interview.

Your “Jungwon High’s BYUN BAEKHYUN” videos have been trending. And the concept for today’s photoshoot was actually inspired by how you sang in your high school band, Honsu-sangtae (“Coma”). [Note: This interview took place on February 12.] BAEKHYUN: I once said I’d like to put on my old Jungwon High uniform again, and the video team came up with a karaoke angle, so we tied the two together. At first, I was just supposed to sing, but the fact that I was wearing that uniform felt like way too good an opportunity to pass up. There was only a small window. So we said, “Should we try doing a short skit?” But then we thought it might come across as cringey, so I just improvised something on the spot. I figured a lot of people must be curious about what I was like back in the day, so I wanted to give them a little glimpse into what I was like when I was in school.

You sang a ballad medley in “Jungwon High’s BYUN BAEKHYUN,” and it seems like old ballads are your go-to choice for vocal training as well, but it seems you mainly listen to R&B. BAEKHYUN: You’re right. When I practice singing, it’s mostly ballads. A lot of them are in 4/4 time—a really clear beat, nice and slow. You have to be able to really, really stretch out your breaths for those if you want to be able to sing fast ones without a problem. But when I’m just listening to music, I’m more into R&B to keep my senses sharp. I just love it. What’s fascinating about R&B is how versatile it is. It’s perfect for every mood. It feels like it’s always around you, but at the same time, it’s got this amazing way of making you stop in your tracks.

Can we expect more R&B tracks with vibes like “Love Again” and “Love Scene” on your next album? BAEKHYUN: I’ll probably keep going with that series. I guess I’m allowed to talk about this, right? (laughs) I drop spoilers all the time anyway! Originally, I thought my next release would be a full studio album, but it’s looking like it’ll be another mini album. Here’s an exclusive: I’m planning on releasing a few digital singles every month, though—kind of a “Monthly Project BYUN BAEKHYUN” feel. I’m a little disappointed I couldn’t put out a full album, but as long as I’ve got a good song every month, I want to record it and share it with everyone. I’ve been giving songwriting a shot, too—lyrics and music. Obviously I’ll keep touring so that EXO-L doesn’t feel like I’ve gone anywhere, but the truth is, that only applies for people who live in places I tour. It still feels that way if they live somewhere the tour doesn’t stop, you know? That’s why I want to fill the gaps for them by sharing songs—the music I love most, some new stuff. Does that sound okay? (laughs)

It sounds great! When you sang the song “Rendez-Vous” in concert before it was released, a lot of your fans had a tough time waiting for it to come out. (laughs) BAEKHYUN: Ah! That sort of became an issue. (laughs) Usually, when you’re promoting, you have to keep both the song and the concept super under wraps. If I were somebody’s fan, I’d want updates about them so badly. I understand how hard it can be waiting endlessly for an album to drop. That’s why I started dropping spoilers from early on. And now I’m something of a spoiler king. … Spoiler master? I’m synonymous with terms like that now. Anyway, that’s basically how the idea of “Monthly Project BYUN BAEKHYUN” came about, too. I just hope they can have a good time while waiting around for me, even if just a little.

So was that why you put your “Chaotic Party” fan meeting event together, even though you had less than a month? BAEKHYUN: I think it was more like two weeks. It turns out anything’s possible. I mean, I’ve prepared for a concert in just three weeks before, so I thought, “If we can find a space to rent out, that’s all I need for a fan meeting!” I’m always confident about speaking in front of Eri(EXO-L’s nickname), so I was sure I could do a good job no matter what we planned to do.

It’s impressive how quickly you respond to feedback when it comes to your fan meetings. It’s amazing how when you say, “I’ll try to make it even better next time,” you make good on that the very next day—or even during the very next show! BAEKHYUN: The first thing I do when I’m done with anything is to review it. And I can usually just tell in the moment to some degree, too. For instance, I was really curious about what kind of talents Eri has and thought it would be fun to find out, but since they were there to see me, naturally I got feedback that that part ran too long. It was like, “Yep, I felt the same way,” so I cut it down right away. I mean, they spend all that time and money to come see me, so I just feel like it’s wrong for me to be stubborn about it. I’m always very conscious about what would be a reasonable price for the people who come out. I want people who like me to feel like I’m always right there close by.

It’s impressive how hands-on you were in the behind-the-scenes video on the “Lonsdaleite” DVD, right down to how you decide the height for the stage lifts and what would look good on the big screen. Your decisions there seem to be influenced by your gut feeling, too. What makes you so confident about your instincts? BAEKHYUN: It all comes down to putting myself in their shoes. “If I were EXO-L ….” If the stage lift’s too high, someone’s bound not to be able to see. But nobody comes to my concerts to see a stage prop. So even when the moving stage goes out, I talk with the director, like, “It can’t take too long,” or, “The people underneath might find it scary or hate being in the dark, so we need to take a look at the speed and timing.” I try to make it so that people will feel that and think, “Wow, BAEKHYUN thought of everyone—even the people in the seats over there.” I don’t think I’ve ever done a stage without considering EXO-L.

It seems like your thoughtfulness extends to your set list, too. It’s also amazing how you put the quieter songs at the beginning and saved those with more intense choreography for later when you were already going to be tired. BAEKHYUN: Exactly. It gets progressively more exhausting. As an idol, I dance, and there’s something about … there’s this special feeling from those moments where you’re like, “Wow, that must be so exhausting!” I really take pleasure doing “PARANOIA,” for example, and being completely out of breath. I want to make sure my audiences feel that the whole time. I can always sing while standing still when I’m older. I think it’d be a bit of a waste to hold in all this energy while I still have it. “A concert’s supposed to be tough. If the performer isn’t giving it their all, the audience won’t really be having fun.”

When you performed in Seoul for your “Lonsdaleite” tour, you were deeper in thought than anyone’s ever seen you onstage before. I was a little taken aback. BAEKHYUN: There were some really miniscule details of that first concert that I felt could’ve been handled better. And I thought about how Eri might have noticed those things too. Plus, it was my very first solo concert, so I did have moments of doubt, like, “Can I really pull this off all by myself?” But for “Lonsdaleite [dot],” I had more time to prepare and already learned a lot from touring. Thanks to that, I said, “Let’s get an even bigger screen and all the bells and whistles for props!” And I felt a little more relaxed because of that.

You mentioned having doubts earlier, but everyone sees you as this very talented individual, so I honestly find it a little strange when you say such things. BAEKHYUN: Really? Maybe it’s because I love hearing people tell me I did a good job. “You’re doing a good job,” “you’re reaching for perfection”—hearing things like that mean so much to me that I want to make sure I’m deserving of them. That’s what makes me keep questioning myself. “Am I personally satisfied with this performance? Is there anywhere the audience thought I could’ve done more?” No one knows me better than I know myself. It’d be nice if things could be like, “Boom, mic on, done,” but I have a routine before I go on where I go (sighs) and get my voice loose and ready, but getting myself focused like that makes me feel like I can’t fully enjoy myself onstage. My ideal version of me would be someone who can sing amazingly as soon as they wake up. I want to feel in control even when I don’t focus.

Is it possible you’re already there but can’t see it because you’re a perfectionist? BAEKHYUN: People I know always say I seem obsessive, but it feels like, if I’m not, then it’s like I’m going backwards in a way. I don’t think I made it to where I am today because I got lucky. I worked as hard as I could. I’m pretty sure my success is a result of all of that taken together, so I’m worried if I don’t keep up with my routines then other stuff will fall apart, too. So one of the reasons I keep doing more and more is to make sure I don’t become complacent. If somebody who likes me talks about me to someone else, and that other person says, “Yeah, that guy’s a pretty good singer,” it only makes sense that that first person would like to hear that. And even if someday they’re no longer into me, I’ll always be there in their memories—presumably some amazing memories. I don’t ever want to be complacent and hear people saying, “Man, what a shame. He used to be so good. What happened?” That’s basically why I keep working hard. (laughs)

You show a lot of professionalism like that when it comes to your work. How much of your music is similar to your real life? BAEKHYUN: Well … I don’t really want my music to reflect my life too much. Generally speaking, I don’t really want my music and my personal life to be wrapped up in each other. I think things would get way too deep. I absolutely love music, but it’s not something I do just for fun anymore. I think my life and my music need some amount of buffer between them. For me, music falls within the realm of things where I need to take responsibility, so I believe it falls under the category of “work.”

Does putting a buffer between what you love and the rest of your life stress you out at all? BAEKHYUN: Well, if I’m being honest, I can’t actually keep them separate! I mean, I say stuff like that (laughs) but it’s impossible. People always talk about how they wish things were, but it doesn’t really work that way. Still, you can at least set your mind to some things. Like, “Don’t make the song too much about your own story.” For anyone grappling with something similar, my advice would be to pick up a hobby, even if it seems like too much effort. I’ve been interested in pottery lately, for example. Uh, I mean, I haven’t done it yet, but I’m thinking about it. (laughs)

No wonder fans open up to you about their problems. That feels like solid adulting advice. (laughs) BAEKHYUN: Oh, really? Just don’t lose sight of what you want to do, and eventually, you’ll get the opportunity to do it your way. Don’t force yourself into a framework that doesn’t work for you. Avoid that, and change will happen, I think.

Still, have you ever doubted yourself? BAEKHYUN: Well, I found myself in a rut at one point. I felt like my trainee period was relatively short, my voice didn’t sound right to me one day, and eventually, it made me feel like I was losing my main asset. Back in training, things were super strict, actually. But even then, the training system couldn’t make me feel defeated. I consider that my biggest asset—I don’t want to let anyone’s words lower my self-confidence. You know? As long as I know exactly where I can improve and what I need to do, the road ahead is clear to me. Showbiz doesn’t come with an instruction manual, after all. That’s why I have this belief that you should rely on the insight of perceptive young people if at all possible. I try to talk with experts from other fields and take in as much feedback as I can. As long as there’s strong reasoning behind it. (laughs) I’m not too invested in things my friends just say offhand. (laughs)

So that’s why when you were on Weverse LIVE you said, “To be honest, I already have a good sense of what Eri likes and dislikes, even without asking.” BAEKHYUN: We’ve known each other so long, you know. It turns out what I want from Eri and what they want from me are pretty much the same. It’s not like I tell myself I need to act a certain way around them. I just show them the real me. I want to dive deeper into their world, too. The unfiltered, raw, human side. (laughs) I genuinely enjoy seeing what Eri’s like when I’m not around. But I can never be apart from them for long—maybe because I hope my being there will brighten their day. If I just keep being myself and doing what I want, and trying to clear up any misunderstandings about it, I’m pretty sure we can keep taking this same journey together.

You often say things like, “I’ll do even better next time,” or, “I’ll keep working hard.” From someone in your position, it isn’t easy to make a habit of telling people you’ll try even harder. Are there any other phrases you find yourself saying a lot? BAEKHYUN: “I gotta do more!” comes up all the time. Like, “Ugh! I still gotta do more!” But honestly, I don’t have the energy I used to. (laughs) But still, I keep telling myself, “You gotta keep doing it.” That’s what gets me moving. I’m far from totally satisfied with where I am now, and I know Eri’s thinking, “I wish the world appreciated BAEKHYUN’s talents more.” I also wonder how much longer I’ll be able to maintain my reputation for being a “good communicator.” I want to keep living up to all those ways people describe me. I guess it’s that ambition that pushes me to keep saying, “I gotta do more! Keep moving!”

What are you hoping to achieve when you “keep moving”? BAEKHYUN: It won’t be easy, but … I’d like to be a role model. I want people to keep saying, “He really worked hard and lived his life to the fullest. And he still does.” Life’s honestly full of ups and downs, but I hope the downs will be as short as possible. I think it’s all about the long game. You can shine for a little while … but life is long. People are living to 100 or 120 now. (laughs)

In a letter you wrote to your future self a year from now, you wrote, “Are you going through a hard time? Hope you didn’t regret those days.” Why did you use the word “regret”? BAEKHYUN: I already talked about how much I push myself. I do a lot of self-review, and what I feel most adamant about is doing my work in a way that leaves no regrets. I don’t want to be left with anything like that. And I don’t think I will, because I’ll keep thinking about the things I want to do and about my dedicated fans as I keep moving forward.

[formidzy]

ITZY MCOUNTDOWN INTERVIEW (230803)