Y'know, sometimes I wonder whether the people who make Tatort München know that probably the most ardent fans of their films - or at least among the most ardent - who rewatch the old films ad nauseum, write stories about their characters and think about them all day, are a bunch of young queer people from all over the rainbow acronym who could easily be children or grandchildren of the boomer main characters. 🏳️🌈
Of course that would never matter anyway - what matters aren't your most ardent fans, but the mainstream TV audience - I'd just like to know if they have any inkling we exist.
(For the record, I'm a big believer in keeping fan spaces and fandom behaviour separate from the media makers.)

















