Proof that I should be in fantasy and period piece films. // @thescenariostudio #theeditorial #fantasy #periodpiece #actress #model #actorlife #furcoat https://www.instagram.com/p/B3M3R29lBwX/?igshid=1haa7d78ubmjt
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Proof that I should be in fantasy and period piece films. // @thescenariostudio #theeditorial #fantasy #periodpiece #actress #model #actorlife #furcoat https://www.instagram.com/p/B3M3R29lBwX/?igshid=1haa7d78ubmjt
Art Talk – looking back to #TheEditorial at the #TaipeiBiennial 2016 in advance of the upcoming 2018 edition
The Editorial is a research-led inquiry into the expanding role and network of independent contemporary art publishers in Asia and their international impact through a curated series of public events, exhibitions, and discussions.
The programme rethinks the conditions of publishing in the face of region specific circumstances and challenges, including the crucial role of museums, archives, and self-organised initiatives. Central to this endeavour is the establishment of a peer network of emerging to established independent artist-led publishers in Asia.
The two-day programme includes public lectures and debates; publication launches with related performances, readings, and events; and a display within a street market-inspired installation alongside internal workshops by and for international art publishing practitioners, and a subsequent #FreeParking exhibition at #AsiaArtArchive in #HongKong.
Pit stop -- final Free Parking exhibition in series featuring 'art libraries from elsewhere' in the #AsiaArtArchive Library #HongKong includes materials, resources, and documentation on #independent publishing in #Asia from #TheEditorial as part of the #TaipeiBiennial 2016 through 4 March 2017! Details/images/brochure here: http://www.aaa.org.hk/FreeParking_TheEditorial (at Asia Art Archive)
http://www.aaa.org.hk/FreeParking_TheEditorial Free Parking: Art Libraries from Elsewhere is a programme of exhibitions located in the Asia Art Archive library that features 'art libraries from elsewhere' in conversation with the AAA collection in Hong Kong. The final exhibition of the series presents artist books, documentation, and related materials from The Editorial, a research-led inquiry into the expanding role and network of independent contemporary art publishers in Asia and their international impact through a curated series of public events, exhibitions, and discussions. It is part of Asia Art Archive's live events programme participation for the Taipei Biennial 2016. The exhibition focuses on independent publishing in Asia and how this is moving beyond exhibition catalogues, magazines, artist books, and historical and philosophical writing to incorporate current literary, research-based, and digitally-oriented hybrid practices. It also examines how the apparatuses of articulating and delivering content, from art book fairs to art libraries and archives are being rethought and reshaped as 'curated' sites. By sharing materials from practitioners who are rethinking the conditions of publishing in the face of region-specific circumstances and challenges, including the crucial role of museums, archives, and self-organised initiatives, the exhibition contributes towards growing critical reflection on this rapidly developing area, proposing an 'editorial aesthetics' at the nexus of contemporary art production. The Editorial programme schedule is available here: http://www.aaa.org.hk/TheEditorial The Editorial at the Taipei Biennial 2016 is a partnership between the Taipei Fine Arts Museum, Vernacular Institute, and Asia Art Archive in Hong Kong. It was initiated by Ingrid Chu and Kit Hammonds. Supported by Art to Go, The International Council of the Museum of Modern Art, Taipei Artist Village, and the Taipei Fine Arts Museum. Special thanks to the MA in Critical and Curatorial Studies of Contemporary Art programme at the National Taipei University of Education, Department of Arts and Design and Jo Ying Peng. Programme assistance by Kevin Ng.
Postscript on #TheEditorial (Part I) -- Mapping the 'Marketplace' in sketch form was a way to visualise independent publishing in Asia but also #exhibitionhistories for art in print #Repost @asiaartarchive with @repostapp ・・・ A partnership between AAA, Taipei Fine Arts Museum, and Vernacular Institute, The Editorial at the Taipei Biennial 2016 is a research-led inquiry into the expanding role of independent contemporary art publishers in Asia. Through a curated series of public events, exhibitions, and discussions, the programme critically reflects on the connections, influences, and differences between the making, curating, editing, and writing of art through publishing. Participants include artist group @candgartpartment (Hong Kong); Senior Bibliographer at @themuseumofmodernart @momalibrary @dseniorjunior David Senior (USA); @e_flux Journal co-editor Brian Kuan Wood (USA); artist collective @ruangrupa (Indonesia), and more. (at Taipei Fine Arts Museum(台北市立美術館),Taiwan)
Founder of the Editorial Magazine, Claire Milbrath modelling some sweatshirts I made! Click through to see the whole set!
http://www.rebecca-storm.com/fotos/sweatshirt/
The Editorial: Double Play
Photographs: Gianluca Fontana for Io Donna.
Left to right:
Swimsuit, Michael Kors
Swimsuit, Dolce and Gabbana
Swimsuit, Gucci
Swimwuit, Moschino
Bodysuit, Krizia Top
Bodysuit, Goldenlady-Goldenpoint
Bodysuit, Alexander Wang