At three in the morning the blood runs slow and thick, and slumber is heavy. The soul either sleeps in blessed ignorance of such an hour or gazes about itself in utter despair. There is no middle ground.
Stephen King, ‘Salem’s Lot

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At three in the morning the blood runs slow and thick, and slumber is heavy. The soul either sleeps in blessed ignorance of such an hour or gazes about itself in utter despair. There is no middle ground.
Stephen King, ‘Salem’s Lot
Why do you call her 'love'?" James asks. "I've heard you say that before, too. A lot. Are you in love with her? I think Adam's in love with her. Kenji's not in love with her, though. I already asked him." Warner blinks at him. "Well?" James asks. "Well what?" "Are you in love with her?" "Are you in love with her?" "What?" James blushes. "No. She's like a million years older than me." "Would anyone else like to take over this conversation?" Warner asks, looking around the group.
Tahereh Mafi, Ignite Me
You can’t change what’s happened. The only thing you can control is how you deal with it.
Riley Sager, Final Girls
Deals with the devil, Ms. Lane, never go well. That‘s a given. You will not make one again. Do you understand me? If I have to chain you to a fucking wall to protect you from your own stupidity, I will!" He glared at me. I rattled my chains. "Wrists. Beam. Chained already, Barrons. Come up with a new threat." I glared back.
Karen Marie Moning, Bloodfever
Falling for someone is like pulling a loose thread. It happens stitch by stitch. You feel whole most of the time even while the seams pop, the knots loosen, everything that holds you together coming undone. It feels incredible, this opening of yourself to the world. Not like the unraveling it is. Only afterward do you glance down at the tangle of string around your feet that used to be a person who was whole and self-contained and realize that love is not a thing that we create. It's an undoing.
Leah Raeder, Black Iris
She told Rick, 'The world stops for you when you’re pretty. That’s why women spend billions on crap for their faces. Their whole life, they’re the center of attention. People want to be around them just because they’re attractive. Their jokes are funnier. Their lives are better. And then suddenly, they get bags under their eyes or they put on a little weight and no one cares about them anymore. They cease to exist.'
Karin Slaughter, Pretty Girls
I thought he might kiss me as we sat shivering on the bank of the spring with our clothes soaked through and our feet dangling in the steaming water. We looked into each other's eyes the way I'd always imagined people did right before they leaned in closer and touched lips for the first time. But that was all we did. We looked at each other. Into each other. We were still clutching hands.
Dana Reinhardt, The Summer I Learned to Fly
The villains were always ugly in books and movies. Necessarily so, it seemed. Because if they were attractive—if their looks matched their charm and their cunning—they wouldn't only be dangerous. They would be irresistible.
Nenia Campbell, Horrorscape