#dc comics#batman#dc#dick grayson#tim drake#bruce wayne#batfam#dc fanart#batfamily
seen from United States
seen from Switzerland
seen from United States
seen from Switzerland
seen from China
seen from United States
seen from United States
seen from Brazil
seen from Switzerland
seen from Singapore
seen from United States
seen from Kuwait
seen from United States
seen from United States
seen from Germany
seen from Uruguay
seen from Malaysia
seen from China
seen from Switzerland
seen from United States
Tonight this one appears in Knoxville, TN in a group show for the Johnson University & Art for Change—Women's Day, 2019 Counter Trafficking Art Exhibit: Embracing Our Shared Humanity.
Curated by: @artforchangefoundation , @anthonymvasquez , & @adcrumpton
Title: All In
Dim: 23"x19"x1.125"
Mixed media/collage, milled and framed by the artist in maple with mahogany splines, light white stain and UV plexi
ITILPGITO—E (2015-24)
Framed @ 90° for a Site-Specific Private Collector Install
Frame: Milled & Made by the artist—Maple with mahogany splines, light white stain
Mixed Media: acrylic, ink, oil paint, oil pastel, oil paintstick, pencil, silkscreen, spray paint, tape, watercolor
#theworkgb #mixedmedia
STEPS '16-Framed for a private collector '21.
_
Print: #8 of 9, silk-screened by the artist on Rives BFK 140lb.
_
Frame: 45"x35.75"x2", Maple with mahogany splines, milled & made by the artist
_
Last image—Original Sk-Book drawing.
Title: Will It Float (2015) Framed by the artist for a private collector (2020) in maple with mahogany splines. Dim: 37x49” This became an interesting case study, you never know where a studio practice will lead and how it is exactly that-A practice. This implies wrong turns, purposeful mistakes, risk-taking, and creating problems that ultimately answer questions. It’s especially satisfying when wrong turns/risks emerge as what are considered successes. I love having collectors visiting the studio to dig through the practice archives, respond to and select a piece for themselves, and why. This one began as so much of the work, an experiment in my sketchbook, and was thrilled when @kittyminervini selected it for framing, it became a centerpiece for her video chat background, and wound up as a lead image and discussion for the NYT Article @nytimes (by Julie Lasky) regarding video conferencing backgrounds in these particularly uncertain times.
One of my favorite things when I see a retrospective or when visiting an artist friend’s studio is seeing all of the things no one originally paid attention to or has never seen before in an artist’s practice. Uncertainty is really the realm of the artist but it’s here where true creativity and dialogue emerges.
Title: The Name Of The Next Painting Is-Schopenhauer.
Framed by the artist for a private collector (2020) in maple with mahogany splines.
Dim: 33x45".
Mixed Media
Title: Farthers 50/50 (2014).
Framed (by the artist) for a private collector (2019) in maple with mahogany splines.
Dim: 22.5”x65.5"
Flashforward/Flashback-I've begun to make my own frames, as I consider the frame a part of the piece for works on paper.
These from a series of plein-air mixed media/collage pieces made on the beach in Montauk, NY circa '11.
Framed respectively in: Maple with maple spline joints and cedar with cedar spline joints, both with light white stain, floated on acid free mat, and UV plexi.
Title: Our 2
Dim: 9.5"x7.625"x1.1875"
Title: Our 3
Dim: 9.1878"x7.625"x1.125"
I'll be offering my works framed in the studio from now on.
Private collector site-specific commission–Install photos. Thanks to amazing designer Tim Littleton for the trust and inspiration. Room w blue rug photo is Tim's.
