Tomashi Jackson: After The Dance (Notting Hill after the police riot 1976, LAPD raid on Project Blowed, 1996), 2024

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Tomashi Jackson: After The Dance (Notting Hill after the police riot 1976, LAPD raid on Project Blowed, 1996), 2024
Tomashi Jackson The Morehouse Creed (Participation in Prosperity) 2022, Acrylic, Yule Quarry marble dust, and paper bags on textile, gauze, and canvas with PVC marine vinyl mounted on a handcrafted wood awning structure with brass hooks and grommets 84 x 106 x 9 1/4 in
AR: Tomashi Jackson at Night Gallery
Tomashi Jackson,
Sideways / Side Eye (Peach Shape), 2018. Silkscreen, oil, and acrylic, on gauze, canvas, and paper, 39 x 32 in. (99.1 x 81.3 cm)
Tomashi Jackson Girls Time (Heartbreak Hotel), 2020 Archival print on PVC marine vinyl, acrylic paint, paper bags, Pentelic marble dust, Greek canvas, fabrics from Walmart, American linen 107 × 81 × 12 in
Radcliffe Bailey (F ‘06), Sedrick Chisom (’19), Tomashi Jackson (’19), Pope.L (’96, F ‘04), Glenn Ligon (F ‘98), Mores McWreath (’13), Troy Michie (’15), Robert Pruitt (’02), Sable Elyse Smith (’15), Carrie Mae Weems (F ‘00) and others Great Force ICA VCU 601 W Broad Street, Richmond, VA October 5, 2019 – January 5, 2020
Tomashi Jackson, “The Essence of Innocence Texas Pool Party” (2016)
A new wave of black abstract artists are exploring ways to push the language of abstraction and still retaining their cultural specificity. And they're not doing it alone.
i’m so happy i read this.