#tooth faeries

[haaaaaaaaaaaave-you-met-ted]

Tooth Faeries by Alina Korneichuk

[dj-zenn]

A Song A Day #140 - I don’t listen to nearly as much straight up House Music as I use to, but if I found more like this I would probably search harder. I just don’t hear enough of what I would call Dancefloor Soul. Before Jesse Saunders recorded On & On (1984), considered by most to be the first proper House Music, Frankie Knuckles was mixing Salsoul disco and European synthesized dance music at the Warehouse in Chicago. Fans started calling the music Knuckles played House Music. Dust and Ashes is what I imagine the sound he was hearing in his own head as he brought these disparate but related elements together. I love the big drum sound, fuzzed out bass, sweet synthetic chords, and Carmen Squire’s ethereal vocal floating above it all. I can get lost in these sounds.

[theschalowest]

Ok, to get to earth we’re going to spin to the right three times.

Tooth fairy minion: *turns left four times*

[redragon1990]

Deltoro and his fucking evil fairies fuck

[isaactichauer]

A brand new remix of Tooth Faeries ‘Dust and Ashes’ by Christian Prommer

[littleorphansally]

Liveblogging Hellboy 2: Part Deux

Just realized why the power was cut in the Auction House. Like the variation of the Tooth Faeries in Don't Be Afraid of the Dark, the Faeries are susceptible to light. When the BPRD agents arrive on the scene and one of the fae showed themselves, it hid from the glare of their flashlights.

Cutting the lights was more than just an intimidation tactic.  It was essential for the Tooth Faeries to emerge and complete their work.