[C]ontemporary mathematics produces new understandings of universals without an Absolute, with extremely interesting 'relative universals', in category theory and model theory, rising renewed from the ashes. Following Rosa Maria Rodriguez Magda, we may understand Transmodernism as a Modernism which never died; which, like the Phoenix, continues to rise again. Transmodernism maintains Postmodernism's open spirit of dissemina tion, as well as some of its main emphases (not new conquests, since we find them already in Novalis, Valery, Florenskij, etc.) on the fragmentation of truth and the conjunctions of antinomies, but goes well beyond the mere register of singular breakdowns and tries to propose new relative nets to encompass residuation. A rich counterpoint emerges between Postmodernism and Transmodemism: break, locality, differentiation, contradiction, ambiguity, the impossibility of universals, 'all is equally worthwhile', death -what might be called postmodern dissonance -contrasted with revision, local/global dialectics, oscillation, differentiation/integration, partial gluing of relative coherences, fabrics of vagueness/exactness, relative universals, 'some are more worthwhile than others', renaissances -a sort of transmodern harmonics.













