We drift helpless in a sea of monstrous changes beyond our control. We suffer, half-complete things that we are, because we cannot progress and we cannot retreat.
So, then, what’s left to us, lost as we are in this dreadful landscape, caught at the waystation upon the endless road of ourselves, unable to go forwards, unable to go back?
We do not know what would be waiting for us, if we could go forwards. The only certainty is what lies behind, and thus the only safe move is retreat back into the depths.
I have always watched the nomad-barnacles and grey lobsters of the city canals with an unhappy envy; I have waded into the polluted waters to chart their pointless and erratic movements this way and that way, longing to achieve their skittering clarity of purpose.
Since my very childhood, my Muse has whispered to me, in the lonely places, of the need to turn back the tide within myself.
I have sought to embody this message through furious action, but in vain. When I went out to the pond in our local park and buried my head into the water, seeking communion with the things that lived beneath, seeking to return to the water, it was my parents who caught me.
They dragged me back out, before the last air bubbles had fled from my throat. Told me something must be wrong, not with our mutual condition, but with me, personally. The gall of it.
So I stopped trying to live what I believed. And I painted instead.
— Chapter 8: And Those I Love, It Rends.














